Historical Fiction Latino

Lady Audley is universally adored: Beautiful, kind and charming, she enamors all whom she meets. It is not until the strange disappearance of widower George Talboys that her behavior takes an odd turn. George's friend, Robert Audley, Lady Audley's nephew-in-law, is on the case; an upper-class layabout turned detective, he is determined to get to the bottom of things.

Just as Mr. Darcy finally decides to propose to the enticing Miss Elizabeth Bennet, she is summoned to Falmouth, to meet a relation she never knew she had. Thus, the ill-starred Hunsford proposal is avoided - but before he could even begin to understand his luck, adverse circumstances hasten to conspire against him, and Fitzwilliam Darcy is compelled to follow the woman he loves to the far reaches of Cornwall, into a world of deceit and peril, where few - if any - are what they seem to be...

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

The most fearsome enemy he ever faced. Of all the enemies that our hero has shrunk away from, there was one he feared above them all. By his own admission they gave him nightmares into his dotage. It was not the French, the Spanish, the Americans, or the Mexicans. It was not even the more exotic adversaries such as the Iroquois, Mahratta, or Zulus. While they could all make his guts churn anxiously, the foe that really put him off his lunch were the Ashanti.

1549. Convinced he’s destined to fulfill a whispered prophecy, Friar Diego de Landa labors to convert the Maya of the Yucatán Peninsula. Discovering a brutal Spanish landowner persecuting the native population, Friar Diego determines to protect them and punish the cruel man. 2010. Cortez Vuscar is convinced his father will return if he can grow their church’s congregation. Certain he’s found his true love, Cortez sets out to win her from her wealthy, unfaithful boyfriend. But his fascination with the literature she’s reading infects his mind with a deadly descent into madness.

As a child in Spain, Puri always knew her passion for chocolate was inherited from her father. But it’s not until his death that she learns of something else she’s inherited - a cocoa estate in Vinces, Ecuador, a town nicknamed “París Chiquito”. Eager to claim her birthright and filled with hope for a new life after the devastation of World War I, she and her husband Cristóbal set out across the Atlantic Ocean. But it soon becomes clear someone is angered by Puri’s claim to the estate…

Baja California, 1979. Viridiana spends her days watching the dead sharks piled beside the seashore, as the fishermen pull their nets. There is nothing else to do. Yet her head is filled with dreams of Hollywood films, of romance, of a future beyond the drab town where her only option is to marry and have children. Three wealthy American tourists arrive for the summer, and Viridiana is magnetized. They offer excitement, and perhaps an escape. When one of them dies, Viridiana lies to protect her friends. Soon enough, someone’s asking questions....

Celeste Marconi is a dreamer. She lives peacefully among friends and neighbors and family in the idyllic town of Valparaiso, Chile - until one day when warships are spotted in the harbor and schoolmates start disappearing from class without a word. Celeste doesn't quite know what is happening, but one thing is clear: no one is safe, not anymore.

Cadix, 1811. Joseph Bonaparte est sur le trône d'Espagne et le pays lutte contre l'occupation des armées napoléoniennes. Mais dans la ville la plus libérale d'Europe, les batailles sont d'une autre nature. Des jeunes filles y sont brutalement assassinées à coups de fouet, à l'endroit exact où tombent les bombes françaises. Ces meurtres tracent sur la cité une carte sinistre, un échiquier sur lequel la main d'un joueur invisible semble déplacer ses pions selon les lignes de tir.

Después de derrotar al ejército cristiano, las tropas almohades se abren paso a sangre y fuego arrasando todo lo que encuentran en su camino. Diego de Malagón, el humilde hijo de un posadero, es testigo horrorizado del asesinato de su padre y del secuestro de sus hermanas. A duras penas consigue huir a lomos de su inseparable yegua Sabba y alcanzar la ciudad de Toledo donde conoce a Galib, un veterinario mudéjar.

Hector Santinio is the younger son of Alejo and Mercedes, who moved to New York from Cuba in the mid-1940s. The family of four shares their modest apartment with extended relatives in Harlem, where homesickness and nostalgia are dispelled by nights of dancing and raucous parties. But life’s realities are nevertheless harsh in the Santinio family’s adoptive land.

When he arrives in Cuba at the close of the eighteenth century, Victor Hugues, a merchant sailor from Marseille, brings with him not only the idealism of the French Revolution but also its ambition and bloodlust. Landing at the Havana doorstep of a trio of wealthy, eccentric Creole orphans, he sweeps them across the Caribbean Sea to Guadeloupe, whose enslaved Africans he frees only then to exploit them in his fight against the British for colonial sovereignty. What ensues in Alejo Carpentier’s magical realist masterpiece is an explosive clash between the New World and the Old World.

The Young Carthaginian chronicles the struggle of the Second Punic War (218-203 BC) and the attempt of Hannibal to conquer Rome. At first, the struggle of Carthage against Rome was a struggle for empire, but it became a struggle for existence. Hannibal presses on despite formidable geographical barriers and the corrupt leadership in Carthage which time and again undermined all his efforts.

Son los años cincuenta, Raquel y Alejo se aman a escondidas: los prejuicios del padre de Raquel les impiden verse libremente. Sin embargo, las precauciones para no ser encontrados fallan y una noche los protagonistas son sorprendidos. El castigo es la separación, la que llevará a Raquel a París y a Alejo, a la Amazonía peruana.

In the years before the Mexican Revolution, Mexico is ruled by a tiny elite that apes European culture, grows rich from foreign investment, and prizes racial purity. The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Díaz, the ruthless and inscrutable president of the Republic. Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilán.

Tras terminar sus estudios de arquitectura en Europa, Lavinia regresa a Latinoamérica para emprender su camino como mujer independiente. Pero sus planes cambian cuando conoce a Felipe, con quien establece una profunda relación sentimental. A su lado le llega la oportunidad de implicarse en las luchas populares y los movimientos de liberación de la dictadura de su país, conectando de ese modo con Itzá, una indígena que luchó contra los invasores españoles y que ahora despierta reencarnada en un naranjo para acompañar, apoyar e inspirar a Lavinia.

The first time Isabel meets her father-in-law, Omar, he’s already dead - an apparition appearing uninvited on her wedding day. Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family - especially his wife, Elda - to let him redeem himself.

La ficción histórica es un género literario en el que la trama se desenvuelve en un entorno ubicado en el pasado, así que volvamos a una época en la que terminó Californio e inició California. Escucha historias perdidas de vaqueros desesperados que tuvieron que huir para poder sobrevivir. Esta novela se basa en historias reales de amor y tragedia, hermandad y familia. Estos hombres fueron tildados de bandidos y criminales por el nuevo gobierno bajo el cual repentinamente tuvieron que vivir.

Esta ficción histórica basada en hechos reales que describe el espíritu de la época, las motivaciones de los protagonistas y el desarrollo del conflicto entre las facciones en pugna, intentando representar los hechos con la máxima objetividad posible. Es una tarea extremadamente compleja porque es un tema tan conflictivo que la elección de las palabras que describen el hecho ya implica una toma de posición.

1910, Mexico. As the country’s revolution spreads, Dolores, the daughter of a wealthy banker, must flee her comfortable life in Durango or risk death. Her family settles in Mexico City, where, at sixteen, she marries the worldly Jaime del Río. But in a twist of fate, at a party she meets an influential American director who recognizes in her a natural performer. He invites her to Hollywood, and practically overnight, the famous Miss del Río is born.