Historical Fiction Renaissance

Though Eleanor is not wealthy, the saffron spice she grows for her new husband is more valuable than gold. But as his reputation in Henry’s court soars, Eleanor soon understands that she has entered into a dangerous game. The king’s affections do not last forever, and she must do anything to protect her family.

Tre redattori editoriali, dopo aver frequentato a lungo autori che si dilettano di scienze occulte, società segrete e complotti cosmici, decidono di inventare, con avventata leggerezza, un Piano. Ma qualcuno li prende sul serio. Affabulatorio, incalzante e coltissimo, è questo un romanzo che spazia furiosamente nel tempo, dove fanno la loro comparsa una sterminata serie di personaggi, di miti, di leggende, dai Templari ai Rosacroce, dai Miti Celtici ai Culti dell'antico Egitto, dal Santo Graal ai Vangeli Apocrifi, da Napoleone a Hitler, a Cagliostro.

Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time 400 years - to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life - in none other than William Shakespeare.

It’s the fifteenth century and only heretics are curious about the universe. Germany, 1494. Born under a rare alignment of the stars, Johann Georg Gerlach, "the lucky one" to his mother - is fated for greatness. But Johann’s studies and wonder at the sky have made him suspect. Especially in wake of the child disappearances that have left the God-fearing locals trembling and his one true love trapped in terrified catatonia. Her only words: "I have seen the devil..."

Florence. Autumn, 1539. Cesare Aldo was once an officer for the city’s most feared criminal court. Following a period of exile, he is back but demoted to night patrol when only the drunk and the dangerous roam the streets. Chasing a suspect in the rain, Aldo discovers a horrifying scene beneath Michelangelo’s statue of David. Lifeless eyes gaze from the face of a man whose body has been posed as if crucified. It’s clear the killer had religious motives. When more bodies appear, Aldo believes an unholy murderer is stalking the citizens of Florence.

Cesare Aldo, a former soldier and now an officer of the Renaissance city's most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany—or suffer the consequences. During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de' Medici. If the duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin.

Paris, 1572. Seventeen-year-old Jacqueline “Jac” d’Argenson-Aunis is lady-in-waiting to her best friend and former lover, the French Princess Marguerite “Margot” de Valois, but she dreams of more. If Jac plays her cards right, one day, she’ll become a full member of the Societas Solis, a secret society of spies. But it’s hard to think about her own ambitions while France is on the brink of war, and the only thing that might save the country is an alliance—a marriage between the Catholic Princess Margot and Henry, the awful son of the Huguenot queen.

Neva Friezland is born into a world of trickery and illusion, where fortunes can be won and lost on the turn of a card. She is also born with an extraordinary gift. She can predict the weather. In Regency England, where the proper goal for a gentlewoman is marriage and only God knows the weather this is dangerous. It is also potentially very lucrative.

From the author of The Good Wife of Bath comes this brilliant recreation of the vibrant, optimistic but politically treacherous world of London's Restoration theatre, where we are introduced to the remarkable playwright Aphra Behn, now a feminist icon but then an anomaly, who gravitated to the stage—a place where artifice and disguise are second nature and accommodates those who do not fit in.

La Rochelle, France, 1661. Fierce Protestant Isabelle is desperate to escape persecution by the Catholic King. Isabelle is tortured and harassed, her people forced to convert to the religion that rules the land. She risks her life by helping her fellow Protestants, which is forbidden by the powers of France. She accepts her fate—until she meets a handsome Catholic soldier who makes her question everything. The only way to save herself is to flee to the colony of Canada. She can have money, protection, and a new life—if she adopts the religion she’s spent a lifetime fighting.

Bologna, 1575. A talented seamstress. A powerful merchant. A fierce battle of wills Elena Morandi has gained a fragile foothold in a master tailor's workshop, despite the profession being barred to women. But then Antonio della Fontana, a powerful man from her past, crosses her path and threatens everything she has built. Fontana has every corner of the city in his pocket and Elena knows all too well of his past abuses, but driven to fight for justice, she hatches a daring plan to get retribution for herself, a lost friend and his other victims.

In the scorched city of Rome, the cobbled streets hum with gossip and sin. Costanza Piccolomini is a respectable young wife - until she meets Gianlorenzo Bernini, the famed sculptor and star of Roman society, whose jet-black gaze matches his dark temper. From the second they set eyes upon each other, a fatal attraction is born. Their secret love burns with a passion that consumes them. But with every stolen kiss and illicit tryst, Costanza's reputation is at stake. Meanwhile, Bernini has a dangerous desire: he wants to make Costanza immortal.

The Tragicomedy of Calisto and Melibea (Spanish: Tragicomedia de Calisto y Melibea), known in Spain as La Celestina, is a work entirely in dialogue published in 1499. It is attributed to Fernando de Rojas, a descendant of converted Jews, who practiced law and, later in life, served as an alderman of Talavera de la Reina, an important commercial center near Toledo.

PASSION, MENSONGES, TRAHISONS, DUELS, MEURTRES : UN EXCELLENT ROMAN DE CAPE ET D'ÉPÉE ! Paris, une nuit de février 1578. Six ans ont passé depuis le massacre de la Saint-Barthélémy. Dans une ruelle sombre des abords de la Bastille, Bussy d'Amboise, gentilhomme courageux et loyal, tombe dans l'embuscade que les mignons du roi Henri III lui ont tendue. Seul contre cinq, il ne doit la vie sauve qu'à l'intervention providentielle d'une belle inconnue blonde comme un ange : Diane de Méridor.

May 1536: Queen Anne Boleyn has fallen and Jane Seymour is about to become Queen, yet the King's new love is troubled not only by the fall and execution of his last wife and Queen, but by the creeping feeling that she knows not the man she has promised to marry. As Jane steps into the palaces of the King, emerging quietly as England's Queen, she finds herself haunted by thoughts of Anne Boleyn, Katherine of Aragon and what the past means for her own fate. And Jane is not the only one troubled by the actions of King Henry VIII.

Le 22 juin 1627, François de Montmorency-Bouteville est décapité en place de Grève. Il laisse une jeune épouse de vingt ans, deux petites filles et un garçon à naître. La famille aurait sombré dans la misère si la princesse de Condé, leur cousine, ne se chargeait d'élever les enfants selon leur rang.

Milan, 1492: When a 16-year-old beauty becomes the mistress of the Duke of Milan, she must fight for her place in the palace—and against those who want her out. Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the palace by painting his most ambitious portrait to date. Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back.

Scotland, 1567. A pregnant Mary, Queen of Scots is dragged out of her palace by rebel lords and imprisoned in the isolated Lochleven Castle, an ancient fortress surrounded by a vast lake. Her infant son and heir, James, has been captured by her enemies. Accompanying Mary are two inconspicuous serving women: observant, ambitious Jane and romantic, quick-tempered Cuckoo, who endeavor to keep their mercurial mistress company while sharing the space of a claustrophobic room over the course of their eleven-month forced stay. Their hosts want them dead. They'll settle for Mary's abdication.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

In the gripping conclusion to Tracy Borman’s Stuart-era trilogy, Frances Gorges must face a dangerous new enemy deep within the court of James I.