Historical Fiction Renaissance

Brilliantly read by Nigel Gore, this audiobook joins together George Robert Minkoff’s three critically acclaimed historical novels about the founding of the first English colony at Jamestown - The Weight of Smoke, The Dragons of the Storm, and The Leaves of Fate. The novels are visionary epics chronicling lesser-known aspects of the Elizabethan world, including the importance of alchemy to Queen Elizabeth and her court. The canvas is vast, intertwining the life of John Smith, as a narrator, with that of Sir Francis Drake, the great Elizabethan explorer.

When stylish young bibliophile Julia Kydd returns to 1920s New York, she’s determined to launch her own private press. Julia’s aspirations take her into the heart of the Harlem Renaissance, a literary movement unlike any she’s known - where notions of race, sexuality, and power are slippery, and identities can be deceptively fluid.

Seit einiger Zeit wohnt Viktoria auf dem Bauernhof der Familie Weiß. Sie ist ein verwöhntes, störrisches Mädchen. Der Bauer und seine Frau bemühen sich sehr um sie. Für die Kinder der Familie ist das Mädchen ein Rätsel. Woher kommt sie? Wer ist ihr Vater? Warum läuft sie plötzlich weg? Eines Tages erscheint König Ludwig lll. auf dem Bauernhof.

In this thrilling adventure by bestselling author Oliver Pötzsch, thirteen-year-old Lukas has been trained as a swordsman by his father, a nobleman who was once a famed Musketeer. When the threat of war and accusations of witchcraft spread across the land, Lukas's life is forever changed. He flees his home and vows to find his missing sister.

"No one wanted you. But I did." Kat's true identity is a secret, even from her. All she has ever known are Grace and Anna and their small village. Kat wants more - more than hours spent embroidering finery for wealthy ladies and more than Christian, the gentle young farmer courting her. But there are wolves outside, Grace warns. Waiting, with their eyes glowing in the dark... nd Grace has given Kat safety and a home when no one else would.

With a song, Lucy can control the wind and the water; she can bring castles and kingdoms to their feet. Since Lucy mastered her powers, King Henry has kept her close. And now he's called her to investigate attempted murder - by a mermaid. All Lucy can glean from the creature they’ve captured is a warning: The sea is coming. We are coming. And we will drown you all.

Der vierte Teil der historischen Erfolgsroman-Serie "Die Wanderapothekerin" aus dem 18. Jahrhundert um eine junge mutige Heldin in einer aufregenden Zeit vom Bestseller-Duo Iny Lorentz! Lena, die älteste Tochter der Wander-Apothekerin Klara, darf den Fürsten Friedrich auf einer Reise nach Venedig begleiten. Die begabte Malerin hat schon lange davon geträumt, Italien zu sehen, und ahnt nicht, dass Friedrichs wahres Ziel ganz wo anders liegt: Der wagemutige junge Fürst will in Palästina das Wasser für die Taufe seines Kindes höchstpersönlich aus dem Jordan schöpfen.

Susanna Shakespeare finds the small town of Stratford-upon-Avon much too quiet and provincial. She yearns to travel to London to see her father's world of players and poets, and to follow a secret dream of her own. Once Susanna arrives in London, nothing is quite as she expected it to be - least of all her relationship with her famous father. But propelled by her love for Thomas Cole, a Catholic chorister, and her desire to sing, Susanna discovers that it is only with the support of those who love her that she has the strength to succeed.

Dove è finito Mercurio? Se lo chiedono angosciati Nina, Jamal e Lorenzo davanti alla Cappella degli Scrovegni, dove si ritrovano in calzamaglie e babbucce. Il merlo magico, che li ha appena catapultati nella Padova di sette secoli fa, è scomparso e loro rischiano di restare intrappolati per sempre nel passato. La vita è piena di insidie nel Medioevo, ma ad accompagnarli nelle loro peripezie ci saranno due fiorentini un po' speciali: Giotto, che sta affrescando le pareti della chiesetta, e Dante, a cui sta venendo in mente una nuova idea per un poema.

In una fredda notte in cui la Storia faceva le prove generali di Rinascimento, mentre i signori d’Italia s’annientavano a vicenda per l’effimero controllo dei labili confini dei propri Stati, un giovane diplomatico pontificio dal passato misterioso preferiva di gran lunga cimentarsi nell’arte della seduzione più che in quella bellica. Chi era costui?

On May 30, 1593, London's most popular playwright was stabbed to death. The royal coroner ruled that Christopher Marlowe was killed in self-defense, but historians have long suspected otherwise, given his role as an "intelligencer" in the queen's secret service.

"The Contessa's Legacy" is a novella by Nora D'Ecclesis. The book tells the story of a family living in Pompeii, Naples in 79AD. It follows the lives of the family members as the ancestors eventually immigrate to America, including their relationships with each other, and their struggles to survive in a society that was not known for treating its citizens with compassion.

Nella metà del sedicesimo secolo, in Inghilterra un piccolo straccione si ferma davanti al cancello della residenza reale per spiare la vita dei grandi signori...

In 1450 Christine de Pisan took up the pen to defend her maligned sex. Her book, The City of Ladies, was built around preserving women's reputations from the slights and misunderstandings of history. In it the author is visited by three spirits - Justice, Rectitude and Reason - who guide her in sifting through countless lives, in search of worthy citizens. Nearly 600 years later, the historian and novelist Lisa Hilton picks up the book and promptly falls asleep, only to be visited by three great women from history: Cleopatra, Lucrezia Borgia and Catherine the Great.

Raised by her aunt and uncle amidst the rolling hills of the Tuscan countryside, young orphan Virginia Tacci has always harbored a deep love for horses - though she knows she may never have the chance to ride. As a shepherdess in sixteenth-century Italy, Virginia's possibilities are doubly limited by her peasant class and her gender.

Per Nina, Caravaggio è il pittore più grande di tutti. E quasi non crede ai suoi occhi quando con Lori e Jamal scopre proprio lui, il Maestro, sotto una barca rovesciata sulla spiaggia della Feniglia. Ma l'artista è febbricitante e malconcio, e farfuglia parole sconnesse. Cosa gli è successo? Qual è il segreto custodito nel prezioso carico con cui viaggiava? Ancora una volta, saranno gli indovinelli del magico merlo Mercurio a guidare i tre amici nella loro emozionante avventura nella Maremma del Seicento.

In una sala buia della Galleria Palatina, il merlo Mercurio consegna una pergamena con un oscuro enigma a Nina, Jamal e Lorenzo. Quando un fulmine squarcia il cielo, i tre ragazzi si ritrovano smarriti in mezzo alla campagna veneta, in un tempo molto lontano. Nelle vicinanze c'è il casolare di Giorgione, ma il famoso pittore è scomparso. Tra mercanti in collera, pericolosi soldati e altre viscide insidie, i tre amici dovranno ritrovare l'artista e scoprire il suo segreto, prima di poter tornare a Firenze.

In The Lantern: A Renaissance Mystery, a 21st century American woman searches to learn the truth about the 15th century mysterious Italian girl who dared to compete with the most famous artists of the Renaissance. Across time and space, their lives collide as they battle abuse, disease, fear and prejudice in pursuit of their dreams. Along the way, they intersect with some of the most famous figures of the Renaissance.

12 quests. 12 relics. And a race to save the fate of the world. Travel deeper into the mysterious world of the Copernicus Legacy with the Copernicus Archives: exciting, series-companion novellas that get you close to the characters and the heart of the adventure. The first installment - Wade and the Scorpion's Claw - picks up right where book one left off, with the Kaplan family seeking the next Copernicus relic.

English artist Alice Bulbeck and her twin brother, Edward, approach Axel Webb to find a lost Shakespeare play entitled The History of Cardenio. The play, performed only once for James I, has been lost for 400 years. It wasn’t included in the 1623 First Folio published by Shakespeare’s friends after his death. It is the only known play credited to William Shakespeare that has never been published. The question is, why?