Historical Fiction Renaissance

At the age of sixty-one, Judith Shakespeare, a midwife-apothecary and twin of the long-dead Hamnet, must flee provincial Stratford on horseback to avoid arrest for witchcraft. Her traveling companions are a zealous Puritan woman and child who have been displaced by civil war—the bloody seventeenth-century strife between Royalists and Roundheads. Judith is also leaving her marriage, which has foundered since the wrenching loss of two adult sons to the plague.

Though Eleanor is not wealthy, the saffron spice she grows for her new husband is more valuable than gold. But as his reputation in Henry’s court soars, Eleanor soon understands that she has entered into a dangerous game. The king’s affections do not last forever, and she must do anything to protect her family.

Tre redattori editoriali, dopo aver frequentato a lungo autori che si dilettano di scienze occulte, società segrete e complotti cosmici, decidono di inventare, con avventata leggerezza, un Piano. Ma qualcuno li prende sul serio. Affabulatorio, incalzante e coltissimo, è questo un romanzo che spazia furiosamente nel tempo, dove fanno la loro comparsa una sterminata serie di personaggi, di miti, di leggende, dai Templari ai Rosacroce, dai Miti Celtici ai Culti dell'antico Egitto, dal Santo Graal ai Vangeli Apocrifi, da Napoleone a Hitler, a Cagliostro.

There is no dowry left for Elisabeth Knolly. She is destined for a nunnery, for eternal chastity – which is a good thing – because she doesn’t want to do that with anyone. But the devil is at her back, tempting her with impure thoughts about her tutor, Samuel. Her parents, deeply ashamed of their libidinous daughter, do everything they can to keep Elisa’s thoughts from bodily pleasures. When she finally finds refuge in the nunnery, Elisa breathes a sigh of relief. But shame and guilt about her true nature follow her everywhere...

It’s the fifteenth century and only heretics are curious about the universe. Germany, 1494. Born under a rare alignment of the stars, Johann Georg Gerlach, "the lucky one" to his mother - is fated for greatness. But Johann’s studies and wonder at the sky have made him suspect. Especially in wake of the child disappearances that have left the God-fearing locals trembling and his one true love trapped in terrified catatonia. Her only words: "I have seen the devil..."

From the author of The Good Wife of Bath comes this brilliant recreation of the vibrant, optimistic but politically treacherous world of London's Restoration theatre, where we are introduced to the remarkable playwright Aphra Behn, now a feminist icon but then an anomaly, who gravitated to the stage—a place where artifice and disguise are second nature and accommodates those who do not fit in.

Firenze, 1469. Lorenzo de' Medici sta vincendo il torneo in onore della sua sposa, Clarice Orsini, appena giunta a Firenze per le nozze con l'uomo che diventerà il Magnifico. Questo matrimonio non è un passo facile per Lorenzo: il suo cuore - ne è convinto - appartiene e sempre apparterrà a Lucrezia Donati, donna di straordinaria bellezza e fascino. Eppure asseconderà il volere della madre e rafforzerà l'alleanza con una potente famiglia romana.

Cesare Aldo, a former soldier and now an officer of the Renaissance city's most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany—or suffer the consequences. During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de' Medici. If the duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin.

May 1536: Queen Anne Boleyn has fallen and Jane Seymour is about to become Queen, yet the King's new love is troubled not only by the fall and execution of his last wife and Queen, but by the creeping feeling that she knows not the man she has promised to marry. As Jane steps into the palaces of the King, emerging quietly as England's Queen, she finds herself haunted by thoughts of Anne Boleyn, Katherine of Aragon and what the past means for her own fate. And Jane is not the only one troubled by the actions of King Henry VIII.

Neva Friezland is born into a world of trickery and illusion, where fortunes can be won and lost on the turn of a card. She is also born with an extraordinary gift. She can predict the weather. In Regency England, where the proper goal for a gentlewoman is marriage and only God knows the weather this is dangerous. It is also potentially very lucrative.

Beatrice is the convent's librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts. Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent's walls. Moments from death, one of them presses something into Beatrice's hands: a bewitching book whose pages have a dangerous life of their own.

Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time 400 years - to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life - in none other than William Shakespeare.

1812. Arriving back in England after his successes in the Adriatic, Captain Sir Thomas Kydd is bestowed with honours. In London, he's greeted by the Prince Regent, who, despite Kydd's protestations that he's happy with his present command, insists he be given a bigger ship - HMS Thunderer, a 74-gun ship of the line. But she's old, and being part of a standing fleet, Kydd's chances of further fame and distinction are slim indeed.

Dr. Whitfield is looking forward to a sabbatical year of peace and quiet, gardening in his backyard, and tinkering with what he calls his latest "unpublishable book". As the year begins, he is drawn by a series of seeming coincidences into involvement with a group of characters from across Europe, including a family that has been the target of assassination attempts by unknown powers. During his journey to Romania, the situation in which he finds himself becomes more sinister than it first seemed.

Le 22 juin 1627, François de Montmorency-Bouteville est décapité en place de Grève. Il laisse une jeune épouse de vingt ans, deux petites filles et un garçon à naître. La famille aurait sombré dans la misère si la princesse de Condé, leur cousine, ne se chargeait d'élever les enfants selon leur rang.

Milan, 1492: When a 16-year-old beauty becomes the mistress of the Duke of Milan, she must fight for her place in the palace—and against those who want her out. Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the palace by painting his most ambitious portrait to date. Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

Florence, 1497 - Bûcher des vanités. Ce matin, des bandes d'enfants ont terrorisé la rue pour confisquer tous les objets incarnant la richesse ou le plaisir. Savonarole peut compter sur son "armée des anges". Le feu qui consumera tout à l'heure le paganisme et l'impiété sera son triomphe. Songeur, Sandro Botticelli observe l'une de ses plus belles œuvres se faire dévorer par les flammes, quand une main se pose sur son épaule. Léonard de Vinci, son vieil ami, son plus grand ami est revenu en terre florentine !Mais l'artiste apporte une triste nouvelle : sa mère, Caterina, est morte, lui laissant pour tout héritage une étrange lettre indéchiffrable.

A night patrol finds a wealthy merchant hanged and set ablaze in the city’s main square. More than mere murder, this killing is intended to put the fear of God into Florence. Forty years earlier, puritanical monk Girolamo Savonarola was executed the same way. Does this new killing mean his fanatical disciples are reviving the monk’s regime of holy terror? Cesare Aldo is busy hunting thieves in the Tuscan countryside, leaving Constable Carlo Strocchi to investigate the ritual killing.

The Tragicomedy of Calisto and Melibea (Spanish: Tragicomedia de Calisto y Melibea), known in Spain as La Celestina, is a work entirely in dialogue published in 1499. It is attributed to Fernando de Rojas, a descendant of converted Jews, who practiced law and, later in life, served as an alderman of Talavera de la Reina, an important commercial center near Toledo.