Historical Fiction United States

The Mockingbird family has always lived peacefully in Jubilee, Kentucky, despite the divisions that mark their small town. Until the tense summer of 1963, when their youngest child, Isaac, falls gravely ill. Middle sister Grace, nearly fourteen, is determined to do whatever it takes to save her little brother. With her father and mother away at the hospital, Grace is left under the loving but inexperienced eye of her aunt June, with little to do but wait and worry. Inspired by a young teacher’s mission for change, she begins to flirt with danger—and with a gifted boy named Golden.

Acclimating to a whole new world, Ellie meets a lonely but intriguing Cajun fisherman named Raphe who introduces her to the legendary white alligator that haunts these waters. Raphe and Ellie have barely found their way to each other when a huge bounty is offered for the elusive gator, bringing about a shocking turn of events that will test their love and their will to right a terrible wrong.

Somewhere in the lush grasslands of the Texas hill country, three brothers and a sister fight to hold their family together, struggle to keep their ranch solvent, while they await the return of the one person who can shed light on the secrets of the past. Abby learned to ride and rope and wrangle as well as any of her brothers, but Major Jonah Tremain is looking for a lady.

In the years before the Mexican Revolution, Mexico is ruled by a tiny elite that apes European culture, grows rich from foreign investment, and prizes racial purity. The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Díaz, the ruthless and inscrutable president of the Republic. Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilán.

From the best-selling novelist of the American West, comes a novel of romance, danger, and life along the trail.

Clint Belmet's parents were killed in a Comanche raid when he was young, but that hasn't stopped him from taking a job leading freight caravans on the old Santa Fe Trail, from Saint Louis, Missouri, to Santa Fe, New Mexico - a route that goes right through Comanche territory. Here is the raw, primitive West of the early pioneers, great caravans of freighters rumbling across the deadly prairies, risking attack by Comanche.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

Occupied France, 1940. When the staff at a field hospital draw straws to find out who will join the evacuation from Dunkirk, Nurse Cate is left behind. But when the Nazis arrive to claim prisoners of war, she takes her chance and flees into the night, taking one patient with her. Fifty miles away, the surrendering soldiers of the Royal Norfolk Regiment are shot dead by the advancing Germans. Beneath the pile of bodies two men survive, crawling to the safety of a nearby farmhouse, where sisters Elise and Adelaide risk their lives to take them in.

Molly is at summer camp, which is full of exciting surprises. But when it's time for a game of Color War, she's afraid the fun may end. She and her friends are on different teams, and they have to compete against each other.

From childhood, Katherine knows she is different, and that her parents are not who they seem to be. But in becoming a mathematician, she must face the most human of problems - who is she? What is the cost of love, and what is the cost of ambition? On her quest to conquer the Riemann hypothesis, the greatest unsolved mathematical problem of her time, she turns to a theorem with a mysterious history that holds both the lock and key to her identity and to secrets long buried during World War II in Germany.

Crockett is the ultimate American backwoods legend. Actor Nicolas Cage narrates this lively tale, which follows the original ring-tailed roarer of the western woods through a series of outlandish adventures, including his campaign for Congress and the Battle of the Alamo, where he literally brags himself into American history.

Lone Star Nation is the gripping story of Texas' precarious journey to statehood, from its early colonization in the 1820s to the shocking massacres of Texas loyalists at the Alamo and Goliad by the Mexican army, from its rough-and-tumble years as a land overrun by the Comanches to its day of liberation as an upstart republic.

New York City, 1972. Jaryk Smith, a survivor of the Warsaw Ghetto, and Lucy Gardner, a southerner, newly arrived in the city, are in the first bloom of love when they receive word that Jaryk's oldest friend has died under mysterious circumstances in a rural village in eastern India. Traveling there alone to collect his friend's ashes, Jaryk soon finds himself enmeshed in the chaos of local politics and efforts to stage a play in protest against the government—the same play that he performed as a child in Warsaw as an act of resistance against the Nazis.

Lo mucho que te amé es la nueva novela de Eduardo Sacheri. Una historia que nos lleva a la década del 50 en Buenos Aires, en el seno de una familia de origen español. Cuenta la historia de Ofelia, una de las cuatro hermanas Fernández Mollé, una muchacha formal, feliz, a punto de casarse. Pero una tarde su vida cambia abruptamente para convertirse en una maraña de sentimientos encontrados: delicia, inquietud, felicidad, incertidumbre, miedo y mucha culpa.

Jobless with a PhD, Lee Lien returns home to her Chicago suburb from grad school, only to find herself contending with issues she's evaded since college. But when her brother disappears, he leaves behind an object from their mother's Vietnam past that stirs up a forgotten childhood dream: a gold-leaf brooch, abandoned by an American reporter in Saigon back in 1965, that might be an heirloom belonging to Laura Ingalls Wilder.

They came on foot and by horseback, in wagons and on rafts, singly and by the score, restless, adventurous, enterprising, relentless, seeking a foothold on the future. European immigrants and American colonists, settlers and speculators, soldiers and missionaries, fugitives from justice and from despair-pioneers all, in the great and inexorable westward expansion defined at its heart by the majestic flow of the Ohio River. This is their story, a chronicle of monumental dimension, of resounding drama and impact set during a pivotal era in our history: the birth and growth of a nation.

In The Last Great Road Bum, Héctor Tobar turns the peripatetic true story of a naive son of Urbana, Illinois, who died fighting with guerrillas in El Salvador into the great American novel for our times. Joe Sanderson died in pursuit of a life worth writing about. He was, in his words, a "road bum", an adventurer and a storyteller, belonging to no place, people, or set of ideas. He was born into a childhood of middle-class contentment in Urbana, Illinois, and died fighting with guerillas in Central America.

In the summer of 1986 in a small Chinese village, 10-year-old Junie receives a momentous letter from her parents, who had left for America years ago: Her father promises to return home and collect her by her 12th birthday. But Junie’s growing determination to stay put in the idyllic countryside with her beloved grandparents threatens to derail her family’s shared future.

Ana María Luna Valdés has strived to be the perfect daughter, the perfect niece, and the perfect representative of the powerful Luna family. So when Ana María is secretly sent to London with her sisters to seek refuge from the French occupation of Mexico, she experiences her first taste of freedom far from the judgmental eyes of her domineering father. If only she could ignore the piercing looks she receives across ballroom floors from the austere Mr. Fox.

The first time Isabel meets her father-in-law, Omar, he’s already dead - an apparition appearing uninvited on her wedding day. Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family - especially his wife, Elda - to let him redeem himself.