Historical Horror Fiction

June 1914 and a young woman - Clara Waterfield - is summoned to a large stone house in Gloucestershire. Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered or empty.

Birmingham, Alabama, is infested with malevolence. Prejudice and hatred have consumed the minds and hearts of its populace. A murderer, unimaginatively named "Harry the Hacker" by the press, has been carving up citizens with a hatchet. And from the church known as Chapelwood, an unholy gospel is being spread by a sect that worships dark gods from beyond the heavens.

Between 1925-27, H.P. Lovecraft wrote Supernatural Horror in Literature, an extended essay about about the history of the weird tale. In it he describes supernatural horror from its earliest manifestations up to the 1920s. Lovecraft offers his own candid opinions on the merits (and deficiencies) of the world's canon of strange literature. The H.P. Lovecraft Historical Society recorded the essay as an audiobook. Read by society founders Sean Branney and Andrew Leman, the recording is approximately three hours long.

In the spring of 1844, the Wells family receives a letter from a distant relative, the wealthy landowner Nicholas Van Ryn. He has invited one of their daughters for an extended visit at his Hudson Valley estate, Dragonwyck. Eighteen-year-old Miranda, bored with her local suitors and commonplace life on the farm, leaps at the chance for escape.

Nine-year-old Olivia Friel is delighted to be spending the summer at Greyfriars House, a place where her parents, their family and friends are always happy. But this year there's an underlying tension that Olivia doesn't understand. Then one night she sees something she's not meant to, and accidentally lets slip a devastating betrayal. Charlotte Friel gets a call from her ailing mother, asking something she's never asked before: for Charlotte to come home. There are things Olivia needs to tell her daughter before it's too late, secrets to be shared about forgotten relatives and a mysterious house.

On December 19th, 1851, a crime took place in the center of London. One of the few who knows what truly happened is Countess Alina Bronskaya. But she will never speak of it. The crime is her curse and her salvation.

Gemma Turner once dreamed of stardom. Now the actress is on the cusp of obscurity. When she’s offered the lead in a radical new horror film, Gemma believes her luck has changed—but her dream is about to turn into a nightmare. One night, between the shadows of an alleyway, Gemma disappears on set and is never seen again. Yet, Gemma is alive. She’s been pulled into the film. And the script—and the monsters within it—are coming to life. Gemma must play her role perfectly if she hopes to survive.

For more than two centuries, Winterbourne Hall has stood atop a bluff overseeing the English countryside of Cornwall and the sea beyond. In 1947, Londoner Alice Miller accepts a post as governess at Winterbourne, looking after Captain Jonathan de Grey’s twin children. Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then, the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled.

Rick Yancey won the Michael L. Printz Award for the stunning first entry in his Monstrumologist saga. In the series’ third entry, Will Henry is left behind as Dr. Warthrop and his eager new assistant Arkwright embark on a quest to find the “Holy Grail of Monstrumology.” But when Arkwright returns with news of the doctor’s demise, Will sets off on his own quest, to the Isle of Blood, to determine the truth.

A mother and daughter negotiate the Oregon Trail with grisly results; an elementary teacher watches the carnage of the Challenger explosion spill over into her own classroom. A possible prospector traveling west is drawn to an isolated inn where no one walks away hungry; a 1950s housewife shares the gruesome repertoire of behavior expected of a proper lady. Prohibition and women’s suffrage, the Civil War and the Vietnam War, the JFK assassination conspiracy and the Y2K hysteria.

With her husband off fighting at World War I’s eastern front, Petra Kurková embraces her fleeting freedom, roaming the city at night with her camera. A born witch, she’s discovered that she can capture the souls of the dead on film. Her supernatural skills don’t go unnoticed by the enigmatic Josef Svoboda. He’s recruiting a team of sorcerers to infiltrate the front lines, where the bloodshed of combat has resurrected foul creatures. Petra’s unique abilities will be needed against the most dangerous enemies of all—those ever present, undead, and unseen.

In 1920s Fredericksburg, Virginia, young country boy Middy Grove sets out on his own, working at a pickle factory and searching for a place for himself in a constantly changing town uncertain of its identity. One day Middy finds himself drawn to a mysterious city girl with bobbed hair and eyes that seem to shine in the darkness from under her brimmed hat. Like she's some angel fallen from Heaven, he never seems to fully draw her attention, though she always leaves him with the strange phrase "You're too good for me."

After the frightful events of last autumn, 17-year-old Louisa Ditton has settled into her role as a maid at Coldthistle House, but she has not settled into what that means for her humanity. As Louisa struggles to figure out whether she is worthy of redemption, the devilish Mr. Morningside plans a fete - one that will bring new guests to Coldthistle House. From wicked humans to Upworlders, angelic beings who look down on Mr. Morningside’s monstrous staff, all are armed with their own brand of self-righteous justice.

Centered on recently discovered, authenticated correspondence between two famous 19th-century Masonic leaders, Confederate General Albert Pike and British Colonel James Wilson Bury MacLeod Moore, this modern-day thriller follows Thomas, a direct descendant of Col. Moore, and Janet Rose, a direct descendant of the Merovingian Kings and House of David, as they risk their lives to protect the letters and the Templar and Rosicrucian secrets encoded within them.

It is the turn of the century in an England that never was. Bright new aqua-plants are generating electricity for the streetlights; news can be easily had on the radio-viz; and in Gundisalvus' Land, the war is over and the soldiers are beginning to trickle home. Amongst these is Lt. Benjamin Braddock, survivor of the massacre that ended the war, and begrudgingly ready to return to a world that, well, doesn't seem to need him any more than it did in peacetime.

In many ways Niles should be as American as apple pie: raised by missionary parents, taught to respect his elders and be an honorable and upright Christian citizen dreaming of the good life on the sun-blessed shores of California. But Niles is also Japanese: reared in the aesthetics of Shinto and educated in the dance halls and backroom poker gatherings of Tokyo's shady underworld to steal, trick, and run for his life. As a gaijin, a foreigner - especially one with a gift for the artful scam - he draws suspicion and disfavor from Japanese police.

Anna Fort wants to be a supportive wife, even if that means accompanying her husband for the winter of 1918 to a remote, frozen island estate so he can finish his book as the guest of an eccentric millionaire. When she learns three girls are missing from a school run by their host, Anna realizes finding them is up to her—even if that means risking her husband’s career, and possibly her life.

Rebecca West, fatherless and husbandless, chafes against the drudgery of her days, livened only occasionally by her infatuation with handsome young clerk John Edes. But then a newcomer, who identifies himself as the Witchfinder General, arrives. A mysterious, pious figure dressed from head to toe in black, Matthew Hopkins takes over the Thorn Inn and begins to ask questions about what the women on the margins of this diminished community are up to.

Mrs. Violet Wood is London’s premier medium, a woman of supreme ambition whose unique abilities have earned her the admiration and trust of London’s elite. Mrs. Wood is indeed a clever and gifted seer—her skill is unmatched in predicting exactly what her wealthy patrons want to hear from the beyond. But times are changing. First, a nosey newspaperman has begun working to expose false mediums across London. Many of Mrs. Wood’s friends—and, yes, some of her foes—have fallen to his merciless accusations.

In Victorian London, where traveling sideshows are the very pinnacle of entertainment, there is no more coveted ticket than Ashe and Pretorius' Carnivale of Curiosities. Each performance is a limited engagement, and London's elite boldly dare the dangerous streets of Southwark to witness the Carnivale's astounding assemblage of marvels. For a select few, however, the real show begins behind the curtain. Rumors abound that the show’s proprietor, Aurelius Ashe, is more than an average magician. It's said that for the right price, he can make any wish come true.