Historical Horror Fiction

On the eve of World War Two, Nazi sorcerers come gunning for Cade but kill his family instead. His one path of vengeance is to become an apprentice of The Midnight Front—the Allies’ top-secret magickal warfare program—and become a sorcerer himself. Unsure who will kill him first—his allies, his enemies, or the demons he has to use to wield magick—Cade fights his way through occupied Europe and enemy lines.

It is the turn of the century in an England that never was. Bright new aqua-plants are generating electricity for the streetlights; news can be easily had on the radio-viz; and in Gundisalvus' Land, the war is over and the soldiers are beginning to trickle home. Amongst these is Lt. Benjamin Braddock, survivor of the massacre that ended the war, and begrudgingly ready to return to a world that, well, doesn't seem to need him any more than it did in peacetime.

A gripping gothic page-turner told in a startlingly different and wonderfully captivating voice. In a remote and crumbling New England mansion, 12-year-old orphan Florence is neglected by her guardian uncle and banned from reading. Left to her own devices she devours books in secret and talks to herself in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.

Come into the East End of London, England, 1888. Walk the streets of Whitechapel and slums of Spitalfields, side by side with history's most notorious serial killer. Overhear his plans, and listen - or try not to - to his secret thoughts as he waits in the shadows. Keep pace, if you have the nerve, as he stalks his victims. Watch, if you have the stomach, as he commits his outrages. And run with him, if you're still upright, as he escapes the swarming forces of police desperate for his hide and head.

Wieland (1798) is an early American novel set in 1760s Pennsylvania. Based on a real case of a New York farmer who murdered his family, the story is imbued with suspense and intrigue, adopting Gothic devices such as ventriloquism and spontaneous combustion. The satanic interloper Carwin exercises his power over the narrator, Clara Wieland, wreaking havoc over the Wieland family with disastrous consequences. A central theme in the novel is the issue of the values that formed the basis of a new democratic and republican America.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

After the Great War, American heiress Ruby Vaughn made a life for herself running a rare bookstore alongside her octogenarian employer and house mate in Exeter. She’s always avoided dwelling on the past, even before the war, but it always has a way of finding her. When Ruby is forced to deliver a box of books to a folk healer living deep in the Cornish countryside, she is brought back to the one place she swore she’d never return. A more sensible soul would have delivered the package and left without rehashing old wounds. But no one has ever accused Ruby of being sensible.

Recently divorced Anna Fox decides to cheer herself up by retracing a journey her great grandmother Louisa made in the mid-19th century—a Nile cruise from Luxor to Aswan. Anna carries with her two of Louisa’s possessions: an ancient Egyptian scent bottle and an illustrated diary of the original cruise that has lain unread for over a hundred years. As she follows in Louisa’s footsteps, Anna discovers in the diary a wonderful Victorian love story—and the chilling secret of the little glass bottle.

Maine, 1846. Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife’s death, so he moves to Maine, taking a position as a minister in the remote village of Pale Harbor. But not all is as it seems in the sleepy town. Strange, unsettling things have been happening, and the townspeople claim that only one person can be responsible: Sophronia Carver, a reclusive widow who lives with a spinster maid in the eerie Castle Carver. Sophronia must be a witch, and she almost certainly killed her husband.

Harper Curtis is a killer who stepped out of the past. Kirby Mazrachi is the girl who was never meant to have a future. Kirby is the last shining girl, one of the bright young women, burning with potential, whose lives Harper is destined to snuff out after he stumbles on a House in Depression-era Chicago that opens on to other times. At the urging of the House, Harper inserts himself into the lives of these shining girls, waiting for the perfect moment to strike.

When young Emily Brontë helps a wounded man she finds at the foot of an ancient pagan shrine in the remote Yorkshire moors, her life becomes contentiously entwined with his. He is Alcuin Curzon, embittered member of a sect working to eradicate the resurgent plague of lycanthropy in Europe and northern England. But Emily's father, curate of the Haworth village church, is responsible for having unwittingly brought a demonic werewolf god to Yorkshire forty years ago—and it is taking possession of Emily's beloved but foolish and dissolute brother.

Finally available as an audiobook, Joyce Carol Oates' lost classic: a satirical, often surreal, and beautifully plotted Gothic romance that follows the exploits of the audacious Zinn sisters, whose 19th-century pursuit of adventurous lives turns a lens on contemporary American culture.

Once a legendary police inspector, Nicolas Lenoir is now a disillusioned and broken man who spends his days going through the motions and his evenings drinking away the nightmares of his past. Ten years ago, Lenoir barely escaped the grasp of the Darkwalker, a vengeful spirit who demands a terrible toll on those who have offended the dead. But the Darkwalker does not give up on his prey so easily, and Lenoir has always known his debt would come due one day. When Lenoir is assigned to a disturbing new case, he treats the job with his usual apathy- until his best informant, a street savvy orphan, is kidnapped.

When Josephine arrives at the Salpêtrière asylum, she is covered in blood, badly bruised, and suffering from amnesia. She is quickly diagnosed with what the Paris papers are calling “the epidemic of the age”: hysteria, a disease is so baffling and widespread that Doctor Jean-Martin Charcot, the asylum’s famous director, devotes many of his popular public lectures to the malady. Charcot often uses hypnosis to prompt his patients to reproduce their hysterical symptoms, and to his delight, Josephine proves extraordinarily susceptible to this unconscious manipulation.

Rose Gallagher always dreamed of finding adventure, so her new life as a freshly-minted Pinkerton agent ought to be everything she ever wanted. Only a few months ago, she was just another poor Irish housemaid from Five Points; now, she’s learning to shoot a gun and dance the waltz and throw a grown man over her shoulder. Better still, she’s been recruited to the special branch, an elite unit dedicated to cases of a paranormal nature, and that means spending her days alongside the dashing Thomas Wiltshire.

Ginger Stuyvesant, an American heiress living in London during World War I, is engaged to Captain Benjamin Hartshorne, an intelligence officer. Ginger is a medium for the Spirit Corps, a special Spiritualist force. Each soldier heading for the front is conditioned to report to the mediums of the Spirit Corps when they die so the corps can pass instant information about troop movements to military intelligence. Ginger and her fellow mediums contribute a great deal to the war efforts, so long as they pass the information through appropriate channels.

Montréal, 1680s: Minique has a secret she can’t ever tell. She knows there are horrific consequences for girls and women who do not conform. She saw it with her own eyes when Anne, the aubergiste, was viciously marched through town and charged with crimes she didn’t commit. Besides, Minique has never had family members to tell. She remembers little of her mother, a fille du roi, who arrived in Montréal on a ship; she rarely sees her father, a coureur des bois who is often away; and she barely speaks with her Tante Marie, a stern, hard woman.

In the spring of 1844, the Wells family receives a letter from a distant relative, the wealthy landowner Nicholas Van Ryn. He has invited one of their daughters for an extended visit at his Hudson Valley estate, Dragonwyck. Eighteen-year-old Miranda, bored with her local suitors and commonplace life on the farm, leaps at the chance for escape.

The year is 1922. The carnival is Pontilliar's Spectactular Star Light Miraculum, set up on the Texas-Louisiana border. One blazing summer night, a mysterious stranger steps out onto the midway, lights a cigarette, and forever changes the world around him. Tattooed snake charmer Ruby has traveled with her father's carnival for most of her life and, jaded though she is, can't help but be drawn to the tall man in the immaculate black suit who has joined the carnival as a geek, a man who bites the heads off live chickens.

Gemma Turner once dreamed of stardom. Now the actress is on the cusp of obscurity. When she’s offered the lead in a radical new horror film, Gemma believes her luck has changed—but her dream is about to turn into a nightmare. One night, between the shadows of an alleyway, Gemma disappears on set and is never seen again. Yet, Gemma is alive. She’s been pulled into the film. And the script—and the monsters within it—are coming to life. Gemma must play her role perfectly if she hopes to survive.