Historical Horror Fiction

As the witches roast chestnuts and melt lead to see their fate, a series of odd messengers land on their doorstep bearing invitations for a New Year's Eve masquerade hosted by a woman they've never met. Gossip, dreams and portents follow, leading the witches to question the woman's motives. Is she as benevolent as she seems or is she laying a trap? And so, as Gilded-Age New York prepares to ring in the new year, the witches don their finery and head for the ball, on the hunt for answers that might well be the end of them.

Lady Phoebe Batten is pretty, vivacious, and yearning for a social life befitting the sister of a powerful duke. But because she is almost completely blind, her overprotective brother insists that she have an armed bodyguard by her side at all times—the very irritating Captain Trevillion.

When Olivia Kavanagh finds an old manuscript in her late grandfather's bookshop, she becomes fascinated by the story it tells of two young girls who mystified the world. But it is the discovery of an old photograph that leads her to realize how the fairy girls' lives intertwine with hers, connecting past to present and blurring her understanding of what is real and what is imagined. As she begins to understand why a nation once believed in fairies, can Olivia find a way to believe in herself?

Mr. Darcy, Vampyre starts where Pride and Prejudice ends and introduces a dark family curse so perfectly that the result is a delightfully thrilling, spine-chilling, breathtaking read. A dark, poignant and visionary continuation of Austen's beloved story, this tale is full of danger, darkness and immortal love.

When a series of brutal, mysterious deaths start plaguing the countryside and whispers of a beast in the mountains reach the quiet French hamlet of Mende, most people believe it’s a curse—God’s punishment for their sins. But to sixteen-year-old Joséphine and her best friend, Clara, the beast isn’t a curse. It’s an opportunity. For years, the girls of Mende have been living in a nightmare—fathers who drink, brothers who punch, homes that feel like prisons—and this is a chance to get them out.

Australian history teacher Thea Rust arrives at an exclusive boarding school in the British countryside only to find that she is to look after the first intake of girls in its 150-year history. She is to stay with them in Silk House, a building with a long and troubled past, where the shadows hide more mysteries than she could ever imagine.

Mercia, 788 AD. In the grand Saxon halls of Mercia, King Offa rules with cold ambition. His youngest daughter, Eadburh, is destined for an arranged marriage, but with reckless spirit, her heart is taken by a Welsh prince, a man she can never be matched with and who is quickly and cruelly taken from her. Offa’s Dyke, 2021. In a cottage hidden amongst the misty Welsh hills of Offa’s Dyke, Bea Dalloway is called to help Simon Armstrong, who is searching for peace. Instead he finds himself disturbed by unsettling noises and visions.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon’s 1989 classic, The Wolf’s Hour. These all-new, interlinked stories offer a full measure of McCammon’s trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation.

When Eliza Sullivan inherits an estate from a recently deceased aunt, she leaves behind a grievous and guilt-ridden past in New Orleans for rural England and a fresh start. Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.

From the publisher of Pride and Prejudice and Zombies comes a new tale of romance, heartbreak, and tentacled mayhem. Sense and Sensibility and Sea Monsters expands the original text of the beloved Jane Austen novel with all-new scenes of giant lobsters, rampaging octopi, two-headed sea serpents, and other biological monstrosities.

In the spring of 1912, American writer Arthur Pearce is reeling from the wounds inflicted by a disastrous marriage. But his plans to travel abroad, write a new novel, and forget about his ex-wife are interrupted by a young woman he encounters on a London-bound train. Her name is Sarah Coyle, and the tale she tells him chills his blood. Sarah’s younger sister has been entranced by Count Richard Dunning, who is rumored to dabble in bizarre religious rites and experimental medicine. Arthur agrees to help, but he has no idea of what awaits him at Altarbook, Sarah’s ancestral mansion

A mother and daughter negotiate the Oregon Trail with grisly results; an elementary teacher watches the carnage of the Challenger explosion spill over into her own classroom. A possible prospector traveling west is drawn to an isolated inn where no one walks away hungry; a 1950s housewife shares the gruesome repertoire of behavior expected of a proper lady. Prohibition and women’s suffrage, the Civil War and the Vietnam War, the JFK assassination conspiracy and the Y2K hysteria.

As the age of the photograph dawns in Victorian Bath, silhouette artist Agnes is struggling to keep her business afloat. Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another. Why is the killer seemingly targeting her business?

On December 19th, 1851, a crime took place in the center of London. One of the few who knows what truly happened is Countess Alina Bronskaya. But she will never speak of it. The crime is her curse and her salvation.

It's 1934. Businesses went under by the hundreds, debt and foreclosures boomed, and breadlines grew in many American cities. In the midst of this misery, some folks explored unscrupulous ways to make money. Angel-faced John Partlow and carnival huckster Ginger LaFrance are among the worst of this lot. Joining together they leave their small-time confidence scams behind to attempt an elaborate kidnapping-for-ransom scheme in New Orleans.

The novel opens in the present. At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”

England 1321: Deep in the countryside lies an isolate village governed by a sinister regime of Owl Masters. But their dark status quo is disturbed by the arrival of a house of religious women. Why do their crops succeed when village crops fail, their cattle survive despite the plague? Accusations of witchcraft and heresy run rife, while the Owl Masters rain down hellfire and torment on the women, who must look to their faith to save them from the lengthening shadow of evil... a shadow with predatory, terrifying talons.

After nearly two years and with one token left to hide, a powerful magical event hits Talohna and causes the failure of the most important spell Kael has ever cast. The horrific results leave him a wanted man and all of his efforts to form an alliance against the Ri’Tek fall apart. With the tokens hidden at last, Kael wants nothing more than to forget the past and to spend time with his family, but knowing they will never be safe no matter where they hide, he recruits Treach in a bid to scour the Arcane Library catacombs for an answer.

A trolley car pulls into the station. Four minutes before, the inhabitants were seen boarding at the previous station. All are dead. And all of them are union. The year is 1919. The McNaughton Corporation is the pinnacle of American industry. They built airships that cross the seas. Guns that won the Great War. And above all, the city of Evesden. But something is rotten at the heart of Evesden. Caught between the union and the company, between the police and the victims, Hayes must find the truth behind the city before it kills him.

An eerie and compelling ghost story set on the dark wilds of the Yorkshire moors. For fans of The Witchfinder's Sister or The Silent Companions, this Gothic tale will weave its way into your imagination and chill you to the bone. Maybe you've heard tales about Scarcross Hall, the house on the old coffin path that winds from village to moor top. They say there's something up here, something evil. Mercy Booth isn't afraid. The moors and Scarcross are her home and lifeblood.