Historical Horror Fiction

Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls’ orchestra and become a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena. After a scandal threatens her noble family’s reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known.

March 1928. The Great War has been over for ten years, but Freddie still hasn't recovered from the loss of his brother. Even now, on holiday in south-west France, he cannot escape his grief. When his car crashes, Freddie stumbles down from the hills to a village nearby. There he meets Marie, a beautiful young woman who is also mourning a lost generation. Her story of the fate of her family moves him deeply.

Dorothea Truelove is young, wealthy, and beautiful. Ruth Butterham is young, poor, and awaiting trial for murder. When Dorothea's charitable work brings her to Oakgate Prison, she is delighted by the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets one of the prisoners, the teenaged seamstress Ruth, she is faced with another strange idea.

Mercia, 788 AD. In the grand Saxon halls of Mercia, King Offa rules with cold ambition. His youngest daughter, Eadburh, is destined for an arranged marriage, but with reckless spirit, her heart is taken by a Welsh prince, a man she can never be matched with and who is quickly and cruelly taken from her. Offa’s Dyke, 2021. In a cottage hidden amongst the misty Welsh hills of Offa’s Dyke, Bea Dalloway is called to help Simon Armstrong, who is searching for peace. Instead he finds himself disturbed by unsettling noises and visions.

Connie Goodwin is an expert on America’s fractured past with witchcraft. A young, tenure-track professor in Boston, she’s earned career success by studying the history of magic in colonial America - especially women’s home recipes and medicines - and by exposing society's threats against women fluent in those skills. But beyond her studies, Connie harbors a secret: She is the direct descendant of a woman tried as a witch in Salem, an ancestor whose abilities were far more magical than the historical record shows.

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.

Someone, or something, is haunting the ship. Between mysterious disappearances and sudden deaths, the guests of the Titanic have found themselves suspended in an eerie, unsettling twilight zone from the moment they set sail. Several of them, including maid Annie Hebley, guest Mark Fletcher, and millionaires Madeleine Astor and Benjamin Guggenheim, are convinced there's something sinister - almost otherwordly - afoot. But before they can locate the source of the danger, as the world knows, disaster strikes.

Fleeing the attentions of the handsome and commanding Marquess of Darkefell, Lady Anne Addison arrives on the doorstep of a dear friend seeking nothing but rest and relaxation, but soon finds herself putting her investigative talents to work after a sighting of the Barbary Ghost. Always a skeptic of the supernatural, Lady Anne immediately suspects the apparition is nothing more than a diversionary tactic to conceal smugglers on the beach below her friend's house.

This stunning anthology of classic colonial suspense fiction plunges deep into the native soil from which American horror literature first sprang. While European writers of the Gothic and bizarre evoked ruined castles and crumbling abbeys, their American counterparts looked back to the colonial era’s stifling religion, and its dark and threatening woods.

1944: As World War II rages on, the threat has come to the home front. In a remote corner of Idaho, Meiko Briggs and her daughter, Aiko, are desperate to return home. Following Meiko's husband's enlistment as an air force pilot in the Pacific months prior, Meiko and Aiko were taken from their home in Seattle and sent to one of the internment camps in the Midwest. It didn’t matter that Aiko was American-born: They were Japanese, and therefore considered a threat by the American government.

England, 1917. Reeling from the death of her fiancé, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick - but she arrives to discover a house of unease and her sister gripped by fear and suspicion. Before long, strange incidents begin to trouble Stella - sobbing in the night, little footsteps on the stairs - and as events escalate, she finds herself drawn to the tragic history of the house.

It’s 1852 and Margaret Lennox, a young widow, attempts to escape the shadows of her past by taking a position as governess to an only child, Louis, at an isolated country house in the west of England. But Margaret soon starts to feel that something isn’t quite right. There are strange figures in the dark, tensions between servants, and an abandoned east wing. Even stranger is the local gossip surrounding Mrs. Eversham, Louis’s widowed mother, who is deeply distrusted in the village.

It’s 1875, and Alva Webster has perfected her stiff upper lip after three years of being pilloried in the presses of two continents over fleeing her abusive husband. Now his sudden death allows her to return to New York to make a fresh start, restoring Liefdehuis, a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. However, fresh starts aren’t as easy as they seem, as Alva discovers when stories of a haunting at Liefdehuis begin to reach her.

Dead things have been found in the fields of Enfaire, a God-fearing town north of Reams. Not just dead things, but twisted forms…unholy shapes. And there are rumors of a blasphemous union and of fell creatures that haunt the night. Yet even as plague and witch pyres blacken the sky, the town remains untouched by the malady that has already claimed thousands and will claim thousands more. It is here, in Enfaire, that an old Franciscan friar and his ward take shelter from a storm. It is here, in a little town on the edge of civilization, that they will have their faith truly tested.

Wieland (1798) is an early American novel set in 1760s Pennsylvania. Based on a real case of a New York farmer who murdered his family, the story is imbued with suspense and intrigue, adopting Gothic devices such as ventriloquism and spontaneous combustion. The satanic interloper Carwin exercises his power over the narrator, Clara Wieland, wreaking havoc over the Wieland family with disastrous consequences. A central theme in the novel is the issue of the values that formed the basis of a new democratic and republican America.

In the days before the Civil War, there lived in New Orleans the gens de couleur libre - copper-skinned half-castes, liberated by their "owners," but confined by their color to a life of political non-existence and social subordination. Here is a compelling and richly textured tale of a people forever caught in the shadows between black and white.

Ariane has found refuge in Illinois, and now plans her rightful return to vampire society. She must stay in control while hiding in nature, while foes old and new converge on her territory.

Dr. John Gladstone, a scientist in Victorian London, is thrust into the world of the vampire after his carriage runs over a young man of angelic beauty named Niccolo. When Niccolo kidnaps Gladstone's child and vanishes, the doctor must go in pursuit, with the help of his daughter, Ursula, who is enticed by the lure of eternal life, and Lady Hespeth, whose demure exterior hides a dangerous obsession. Why are the vampires taking children, and what is the connection to Gladstone's experiments with a deadly virus?

When fourteen-year-old Irene Sauvelle moves with her family to Cape House on the coast of Normandy, she's immediately taken by the beauty of the place - its expansive cliffs, coasts, and harbors. There, she meets a local boy named Ishmael, and the two soon fall in love. But a dark mystery is about to unfold, involving a reclusive toymaker who lives in a gigantic mansion filled with mechanical beings and shadows of the past.

2008. The house Maxine and Seb have just bought was a bargain – a huge Georgian townhouse on the edge of Peckham Rye, it needs a lot of work but Max couldn’t resist it. Now they are in, though, nothing seems to be going right – and as the problems mount up, Max starts to doubt her relationship as well as her decision. Is Seb all he seems to be? And why are the neighbours so evasive about the house’s previous owner?