Historical Horror Fiction

A trolley car pulls into the station. Four minutes before, the inhabitants were seen boarding at the previous station. All are dead. And all of them are union. The year is 1919. The McNaughton Corporation is the pinnacle of American industry. They built airships that cross the seas. Guns that won the Great War. And above all, the city of Evesden. But something is rotten at the heart of Evesden. Caught between the union and the company, between the police and the victims, Hayes must find the truth behind the city before it kills him.

Ariane has found refuge in Illinois, and now plans her rightful return to vampire society. She must stay in control while hiding in nature, while foes old and new converge on her territory.

The parish of Manningtree and Mistley has a dark history. In 1644, Cromwell's Witchfinder General tortured scores of women there, including Liza the herbalist, whose cottage still stands. Some say the spirits of his victims still haunt the old shop on the High Street. Emma Dickson gave up her high-flying career to live in Liza’s cottage, but as Halloween approaches, visions of a terrible past are driving her to madness. In despair, Emma turns to the local rector for help, but he, too, is in the grip of something inexplicably dangerous.

These stories present electric messiahs, identity constructs, the Beatles, and even a nuclear Armageddon, which serve as comic foils for Lain's everyman characters. Here is an America where packets of Sea Monkeys arrive in the mail containing secret messages, and the girl next door can breathe underwater. With Last Week's Apocalypse, Douglas Lain arrives with a punch line and a warning.

In 1918, the world seems on the verge of apocalypse. Americans roam the streets in gauze masks to ward off the deadly Spanish influenza, and the government ships young men to the front lines of a brutal war, creating an atmosphere of fear and confusion. Sixteen-year-old Mary Shelley Black watches as desperate mourners flock to séance and spirit photographers for comfort, but she herself has never believed in ghosts. During her bleakest moment, however, she's forced to rethink her entire way of looking at life and death, for her first love - a boy who died in battle - returns in spirit form.

Nicoletta knows all too well the curse that plagues the house of Scarletti. Then she gazes into the dark, mesmerizing eyes of Don Scarletti and she fears for her future - for it is Scarletti's ancient right to select a bride from among his people...and he has chosen her. Compelled by duty, driven by burning, inescapable desire, Nicoletta surrenders to this powerful, hypnotic man, giving her body willingly into his keeping. But will the tormented don be her heart's destiny... or her soul's destruction?

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

Having survived the harrowing experience of her courtship, Isla must now make a decision - a decision that will affect the course of her life and that, if she chooses unwisely, indeed might end that life before it's truly begun. But before she can take control of her future, there are things she needs to know about the lover who remains so much a stranger. Is this dark, tormented man merely misunderstood? Or is he, in fact, the Devil made flesh? What truly motivates him - and what does he want from her?

Connie Goodwin is an expert on America’s fractured past with witchcraft. A young, tenure-track professor in Boston, she’s earned career success by studying the history of magic in colonial America - especially women’s home recipes and medicines - and by exposing society's threats against women fluent in those skills. But beyond her studies, Connie harbors a secret: She is the direct descendant of a woman tried as a witch in Salem, an ancestor whose abilities were far more magical than the historical record shows.

Thirty miles off the coast of San Francisco lie the Farallon Islands, known to sailors as the Devil’s Teeth. Despite their fearsome reputation, their remote nature appeals to young Lucy Riley, who in 1859 seeks a new start as a teacher to the lighthouse keepers’ children. But Lucy brings treacherous secrets with her, including a name that isn’t hers and a past she can’t escape. On the island, she meets Will Sisson, a mysterious man who seems to recognize her name—but not her face. Wary of Will at first, Lucy slowly starts to trust him.

It's 1825, four generations after Berggrund Island's women stood accused of witchcraft under the eye of their priest, now long dead. In his place is Pastor Silas, a widower with two wild young daughters, Beata and Ulrika. The sisters are outcasts: imaginative, oppositional, increasingly obsessed with the lore and legend of the island's dark past and their absent mother, whom their father refuses to speak of. As the girls come of age, and the strictures of the community shift but never wane, their rebellions twist and sharpen

In the days before the Civil War, there lived in New Orleans the gens de couleur libre - copper-skinned half-castes, liberated by their "owners," but confined by their color to a life of political non-existence and social subordination. Here is a compelling and richly textured tale of a people forever caught in the shadows between black and white.

For two days in the year 1862, the bloodiest battle of the American Civil War held theatre in Southern Tennessee - a patch of land called Shiloh. Thousands of soldiers on both sides of the conflict lost their lives, and tens of thousands more were badly injured. For twin brothers Henry and William, infantry soldiers in the Confederate Army, the battle held more than the horrors of war. It was a portal to something beyond mankind, where demons tread and angels fly, where the spilling of blood brings not only death, but eternal damnation.

Still reeling from the deaths of her mother and sister on the Titanic, Sibyl Allston is living a life of quiet desperation with her taciturn father and scandal-plagued brother in a town house in Boston's Back Bay. Trapped in a world over which she has no control, Sibyl flees for solace to the parlor of a table-turning medium. But when her brother is suddenly kicked out of Harvard under mysterious circumstances and falls under the sway of a strange young woman, Sibyl turns for help to psychology professor Benton Derby.

The Castle of Otranto is regarded as the first Gothic novel. The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls mirroring the inner turmoil of the characters themselves.

In the caves beneath an Italian lake, the fossil of a creature older than the Earth has been disinterred. In the Judaean desert, a legendary parchment has been discovered. One reveals the secrets of heaven. One foretells an impending hell. And deciphering their message has been left to paleontologist Carter Cox - a man of science whose faith in the empirical is about to be shaken by forces of evil beyond imagining.

1851, Angel Meadow Asylum. Dr. Rutherford, principal physician to the insane, is found dead, his head bashed in, his ears cut off, his lips and eyes stitched closed. The police direct their attention towards Angel Meadow's inmates, but to Jem Flockhart and Will Quartermain the crime is an act of calculated retribution, rather than of madness. To discover the truth Jem and Will must pursue the story through the darkest corners of the city.

It's the end of the 19th century. San Francisco's cobblestone streets are haunted, but Chinatown has an unlikely protector in a young Daoist priestess named Li-lin. Using only her martial arts training, spiritual magic, a sword made from peachwood, and the walking, talking spirit of a human eye, Li-lin stands alone to defend her immigrant community from supernatural threats. But when the body of a young girl is brought to the deadhouse Li-lin oversees for a local group of gangsters, she faces her most bewildering - and potentially dangerous - assignment yet.

When Michael Crawford discovers his bride brutally murdered in their wedding bed, he is forced to flee not only to prove his innocence but to avoid the deadly embrace of a vampire who has claimed him as her true bridegroom. Joining forces with Byron, Keats, and Shelley in a desperate journey that crisscrosses Europe, Crawford desperately seeks his freedom from this vengeful lover who haunts his dreams and will not rest until she destroys all that he cherishes.

When David stumbles upon a tragic young woman in a sordid Limehouse pub, he has no idea she’d recognize him as the last vampyre alive, nor that she’d be the one to pull out his story. Yet as he recalls his life from the sweltering vineyards of ancient Rome to the cold horrors of medieval Romania—as well as his tumultuous past with the mad and mysterious Lucius—he realizes she is much more than what she seems. Gothic horror and mythological fantasy blend seamlessly together in this thrilling adventure, breathing new life into vampire lore as it reveals its true origins.