Historical Horror Fiction

A trolley car pulls into the station. Four minutes before, the inhabitants were seen boarding at the previous station. All are dead. And all of them are union. The year is 1919. The McNaughton Corporation is the pinnacle of American industry. They built airships that cross the seas. Guns that won the Great War. And above all, the city of Evesden. But something is rotten at the heart of Evesden. Caught between the union and the company, between the police and the victims, Hayes must find the truth behind the city before it kills him.

The parish of Manningtree and Mistley has a dark history. In 1644, Cromwell's Witchfinder General tortured scores of women there, including Liza the herbalist, whose cottage still stands. Some say the spirits of his victims still haunt the old shop on the High Street. Emma Dickson gave up her high-flying career to live in Liza’s cottage, but as Halloween approaches, visions of a terrible past are driving her to madness. In despair, Emma turns to the local rector for help, but he, too, is in the grip of something inexplicably dangerous.

These stories present electric messiahs, identity constructs, the Beatles, and even a nuclear Armageddon, which serve as comic foils for Lain's everyman characters. Here is an America where packets of Sea Monkeys arrive in the mail containing secret messages, and the girl next door can breathe underwater. With Last Week's Apocalypse, Douglas Lain arrives with a punch line and a warning.

In 1918, the world seems on the verge of apocalypse. Americans roam the streets in gauze masks to ward off the deadly Spanish influenza, and the government ships young men to the front lines of a brutal war, creating an atmosphere of fear and confusion. Sixteen-year-old Mary Shelley Black watches as desperate mourners flock to séance and spirit photographers for comfort, but she herself has never believed in ghosts. During her bleakest moment, however, she's forced to rethink her entire way of looking at life and death, for her first love - a boy who died in battle - returns in spirit form.

Having survived the harrowing experience of her courtship, Isla must now make a decision - a decision that will affect the course of her life and that, if she chooses unwisely, indeed might end that life before it's truly begun. But before she can take control of her future, there are things she needs to know about the lover who remains so much a stranger. Is this dark, tormented man merely misunderstood? Or is he, in fact, the Devil made flesh? What truly motivates him - and what does he want from her?

Connie Goodwin is an expert on America’s fractured past with witchcraft. A young, tenure-track professor in Boston, she’s earned career success by studying the history of magic in colonial America - especially women’s home recipes and medicines - and by exposing society's threats against women fluent in those skills. But beyond her studies, Connie harbors a secret: She is the direct descendant of a woman tried as a witch in Salem, an ancestor whose abilities were far more magical than the historical record shows.

Thirty miles off the coast of San Francisco lie the Farallon Islands, known to sailors as the Devil’s Teeth. Despite their fearsome reputation, their remote nature appeals to young Lucy Riley, who in 1859 seeks a new start as a teacher to the lighthouse keepers’ children. But Lucy brings treacherous secrets with her, including a name that isn’t hers and a past she can’t escape. On the island, she meets Will Sisson, a mysterious man who seems to recognize her name—but not her face. Wary of Will at first, Lucy slowly starts to trust him.

In the cold spring of 1936, Arthor Crandle, down-on-his luck and desperate for work, accepts a position in Providence, Rhode Island, as a live-in assistant for an unnamed shut-in. He arrives at the gloomy colonial-style house to discover that his strange employer is an author of disturbing, bizarre fiction. Health issues have confined him to his bedroom, where he is never to be disturbed. But the writer, who Crandle knows only as "Ech-Pi", refuses to meet him, communicating only by letters left on a table outside his room.

This stunning anthology of classic colonial suspense fiction plunges deep into the native soil from which American horror literature first sprang. While European writers of the Gothic and bizarre evoked ruined castles and crumbling abbeys, their American counterparts looked back to the colonial era’s stifling religion, and its dark and threatening woods.

Still reeling from the deaths of her mother and sister on the Titanic, Sibyl Allston is living a life of quiet desperation with her taciturn father and scandal-plagued brother in a town house in Boston's Back Bay. Trapped in a world over which she has no control, Sibyl flees for solace to the parlor of a table-turning medium. But when her brother is suddenly kicked out of Harvard under mysterious circumstances and falls under the sway of a strange young woman, Sibyl turns for help to psychology professor Benton Derby.

The Castle of Otranto is regarded as the first Gothic novel. The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls mirroring the inner turmoil of the characters themselves.

In the days before the Civil War, there lived in New Orleans the gens de couleur libre - copper-skinned half-castes, liberated by their "owners," but confined by their color to a life of political non-existence and social subordination. Here is a compelling and richly textured tale of a people forever caught in the shadows between black and white.

In the caves beneath an Italian lake, the fossil of a creature older than the Earth has been disinterred. In the Judaean desert, a legendary parchment has been discovered. One reveals the secrets of heaven. One foretells an impending hell. And deciphering their message has been left to paleontologist Carter Cox - a man of science whose faith in the empirical is about to be shaken by forces of evil beyond imagining.

Rick Yancey’s first gothic suspense tale, The Monstrumologist, earned him a prestigious Michael L. Printz Award. The second installment of this acclaimed series, Curse of the Wendigo, finds young Will Henry on the hunt for a supernatural beast plaguing New England in the late 1800s. Will and his mentor, the domineering Dr. Warthrop, are enlisted to help the doctor’s former fiancée. It seems her husband has been lost in the Canadian wilderness.

Rick Yancey won the Michael L. Printz Award for the stunning first entry in his Monstrumologist saga. In the series’ third entry, Will Henry is left behind as Dr. Warthrop and his eager new assistant Arkwright embark on a quest to find the “Holy Grail of Monstrumology.” But when Arkwright returns with news of the doctor’s demise, Will sets off on his own quest, to the Isle of Blood, to determine the truth.

It's the end of the 19th century. San Francisco's cobblestone streets are haunted, but Chinatown has an unlikely protector in a young Daoist priestess named Li-lin. Using only her martial arts training, spiritual magic, a sword made from peachwood, and the walking, talking spirit of a human eye, Li-lin stands alone to defend her immigrant community from supernatural threats. But when the body of a young girl is brought to the deadhouse Li-lin oversees for a local group of gangsters, she faces her most bewildering - and potentially dangerous - assignment yet.

When Michael Crawford discovers his bride brutally murdered in their wedding bed, he is forced to flee not only to prove his innocence but to avoid the deadly embrace of a vampire who has claimed him as her true bridegroom. Joining forces with Byron, Keats, and Shelley in a desperate journey that crisscrosses Europe, Crawford desperately seeks his freedom from this vengeful lover who haunts his dreams and will not rest until she destroys all that he cherishes.

When David stumbles upon a tragic young woman in a sordid Limehouse pub, he has no idea she’d recognize him as the last vampyre alive, nor that she’d be the one to pull out his story. Yet as he recalls his life from the sweltering vineyards of ancient Rome to the cold horrors of medieval Romania—as well as his tumultuous past with the mad and mysterious Lucius—he realizes she is much more than what she seems. Gothic horror and mythological fantasy blend seamlessly together in this thrilling adventure, breathing new life into vampire lore as it reveals its true origins.

Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls’ orchestra and become a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena. After a scandal threatens her noble family’s reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known.

The controller stood back. 'Right,' he said. 'Spin 'em!' The man flipped the piece of wood and the coins spun up into the air above his head and dropped down on to the carpet. There was silence. Wake in Fright tells the tale of John Grant's journey into an alcoholic, sexual and spiritual nightmare. It is the original and the greatest outback horror story. Bundanyabba and its citizens will forever haunt its listeners.