Historical Humor

Off the coast of Maine, Ruth Thomas is born into a feud fought for generations by two groups of local lobstermen over fishing rights for the waters that lie between their respective islands. At 18, she has returned from boarding school - smart as a whip, feisty, and irredeemably unromantic - determined to throw over her education and join the "stern men" working the lobster boats.

Imagine that there are American MIAs who chose to remain missing after the Vietnam War. Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore. Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel--a work as timeless as myth yet as topical as the latest international threat.

A searing portrayal of Vienna's bourgeoisie, it begins with the arrival of an unnamed writer at an 'artistic dinner' hosted by a composer and his society wife-a couple he once admired and has come to loathe. The guest of honor, a distinguished actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the writer, who narrates a silent but frenzied tirade against these former friends, most of whom have been brought together by Joana, a woman they buried earlier that day.

Mrs. Sookie Poole of Point Clear, Alabama, has just married off the last of her daughters and is looking forward to relaxing and perhaps traveling with her husband, Earle. The only thing left to contend with is her mother, the formidable Lenore Simmons Krackenberry. Lenore may be a lot of fun for other people, but is, for the most part, an overbearing presence for her daughter. Then one day, quite by accident, Sookie discovers a secret about her mother's past that knocks her for a loop and suddenly calls into question everything she ever thought she knew about herself, her family, and her future.

Harry Flashman: the unrepentant bully of Tom Brown's schooldays, now with a Victoria Cross, has three main talents - horsemanship, facility with foreign languages and fornication. A reluctant military hero, Flashman plays a key part in most of the defining military campaigns of the 19th century, despite trying his utmost to escape them all.

Heroic bookseller Laurent Letellier comes across an abandoned handbag on a Parisian street. There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?

Bartholomew Bandy has become an air ace. On the ground, he causes disasters wherever he goes, but in the air, he's deadly, shooting down dozens of German planes in the course of thrilling aerial combats. As a handy but disposable war hero, he encounters a number of hair-raising adventures, not to mention English plumbing and an unforgettable honeymoon night.

I've known Death a long time but now Death knows me. When their idyllic childhood is shattered by the sudden death of their parents, siblings Marty, Liz and Jules are sent to a bleak state boarding school. Once there, the orphans' lives change tracks: Marty throws himself into academic life; Liz is drawn to dark forms of escapism; and Jules transforms from a vivacious child to a withdrawn teenager.

When Adeline Bertrand-Verdon, the haughty, conniving president of the Proust Association, is murdered, Inspector Jean-Pierre Foucheroux is called on to lead the investigation. Soon Inspector Foucheroux is overwhelmed by a seemingly endless list of suspects: from her assistant to her colleagues, her fiancé to her lover, almost everyone Adeline knew had motive to kill her.

Dorothy Hare, the dutiful daughter of a rector in Suffolk, spends her days performing good works and cultivating good thoughts, pricking her arm with a pin when a bad thought arises. She does her best to reconcile her father’s fanciful view of his position in the world with such realities as the butcher’s bill. But even Dorothy’s strength has its limits, and one night, as she works feverishly on costumes for the church-school play, she blacks out. When she comes to, she finds herself on a London street, clad in a sleazy dress and unaware of her identity.

Harry Flashman: the unrepentant bully of Tom Brown's schooldays, now with a Victoria Cross, has three main talents - horsemanship, facility with foreign languages, and fornication. A reluctant military hero, Flashman plays a key part in most of the defining military campaigns of the 19th century, despite trying his utmost to escape them all. If only Flashman had got on with his dinner and ignored the handkerchief dropped by a flirtatious hussy in a Calcutta hotel....

With his disturbingly horse-like face and a pious distaste for strong drink and bad language, young Bartholomew Bandy doesn't seem cut out for life in the armed services, as we meet him at the start of World War I. Yet he not only survives the dangers and squalor of the infantry trenches, he positively thrives in the Royal Flying Corps, revealing a surprising aptitude for splitarsing Sopwith Camels and shooting down the Hun. He even manages to get the girl.

Walter Starbuck, a career humanist and eventual low-level aide in the Nixon White House, is implicated in Watergate and jailed, after which he (like Howard Campbell in Mother Night) works on his memoirs. Starbuck is innocent (his office was used as a base for the Watergate shenanigans of which he had no knowledge), and yet he is not innocent (he has collaborated with power unquestioningly and served societal order all his life). He represents another Vonnegut Everyman caught amongst forces he neither understands nor can defend.

Jane Austen's first major novel, a parody of the popular literature of the time, is an ironic tale of the romantic folly of men and women in pursuit of love, marriage, and money. The humorous adventures of young Catherine as she encounters "the difficulties and dangers of a six weeks' residence in Bath" lead to some of Austen's most brilliant social satire.

It's 1964 and 10-year-old Felix is sure of a few things: the birds and the bees are puzzling, television is magical, and this is one Christmas he'll never forget. LBJ and Lady Bird are in the White House, Meet the Beatles is on everyone's turntable, and Felix Funicello (distant cousin of the iconic Annette!) is doing his best to navigate fifth grade - easier said than done when scary movies still give you nightmares and you bear a striking resemblance to a certain adorable cartoon boy.

The only work he finds is flying bootleg liquor into the USA. In desperation (what else?), he stands as a local MP and in desperation (why else?), they vote him in. But after spilling the beans on a bunch of government members indulging in Prohibition corruption, Bart’s soon cordially hated by everyone up to the Prime Minister - can he really be naïve enough to believe party propaganda that the people must be told the truth? So Bart’s goose - or gander - is cooked, and the resulting mess can be summed up as whisky galore!

Mrs Tim goes to the Highlands of Scotland and is involved in a plot to rescue a naval officer from the toils of a siren; but, alas, the best laid plans "gang aft agley". The characters are skilfully drawn, from the fierce Mrs London, with her heart of gold, to the garrulous Mrs Falconer, whose muddled stories of her girlhood make excruciatingly funny reading.

Last Days of Summer is the story of Joey Margolis, neighborhood punching bag, growing up goofy and mostly fatherless in Brooklyn in the early 1940s. A boy looking for a hero, Joey decides to latch on to Charlie Banks, the all-star third basemen for the New York Giants. But Joey's chosen champion doesn't exactly welcome the extreme attention of a persistent young fan with an overactive imagination. Then again, this strange, needy kid might be exactly what Banks needs.

When Noel Bostock - aged 10, no family - is evacuated from London to escape the Nazi bombardment, he lands in a suburb northwest of the city with Vera Sedge - a 36-year-old widow drowning in debts and dependents. Always desperate for money, she's unscrupulous about how she gets it. Noel's mourning his godmother, Mattie, a former suffragette. Wise beyond his years, raised with a disdain for authority and an eclectic attitude toward education, he has little in common with other children and even less with the impulsive Vee.

Harry Flashman: the unrepentant bully of Tom Brown's schooldays, now with a Victoria Cross, has three main talents - horsemanship, facility with foreign languages, and fornication. A reluctant military hero, Flashman plays a key part in most of the defining military campaigns of the 19th century, despite trying his utmost to escape them all.