Historical Magical Realism

Irene Beltrán is a force to be reckoned with. As a magazine journalist, an unusual profession for a woman with her privileged upbringing, she is constantly challenging the oppressive regime. Her investigative partner is photographer Francisco Leal, the son of impoverished Spanish Marxist émigrés. Together, they are an inseparable team and - despite Irene’s engagement to an army captain - form a passionate connection.

Penniless and stranded in France after a bid to escape her cruel uncle goes awry, Cornelia Shaw is far from the Parisian life of leisure she imagined. Desperate and out of options, she allows herself to be recruited to Napoleon’s Grande Armée. As a naturalist, her mysterious ability to heal any wound with herbal mixtures invites awe amongst the soldiers…and suspicion.

On the brink of the Nazi occupation of Paris, a German-Jewish bookbinder stumbles across a manuscript called Crossings. It has three narratives, each as unlikely as the next. And the narratives can be listened to one of two ways: either straight through or according to an alternate chapter sequence. The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl.

She is the adventurer of the family. Her brother, the gentle dreamer. Even as they bond over folktales and hold each other close, their world has never felt so dangerous. Revolutionaries and pelones are in conflict, soldiers have turned into scavengers, and an escaped tiger has slipped up the mountain, looking for easy prey. As the darkest of legends becomes real, a young girl will do anything to save her brother’s life.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

Jo, the firstborn, The General to her 11 sisters, is the only thing the Hamilton girls have in place of a mother. She is the one who taught them how to dance, the one who gives the signal each night, as they slip out of their father's townhouse and into cabs that will take them to the speakeasy. Together they elude their controlling father. Meanwhile, they continue to dance, until one night when they are caught in a raid, separated, and Jo is thrust face-to-face with someone from her past: a bootlegger named Tom whom she hasn't seen in almost 10 years.

Meet Endurance Proudfoot, the bonesetter’s daughter: clumsy as a carthorse, with a tactless tongue and a face she’s sure only a mother could love. Durie only wants one thing in life—to follow her father and grandfather into the family business of bonesetting. It’s a physically demanding job, requiring strength, nerves of steel and discretion—and not the job for a woman. But Durie isn’t like other women.

Heir apparent, young Prince Ahkin feels unprepared for leadership after his father's death. His royal blood controls the power of the sun, and he’s now responsible for the lives of all the Chicome people. Despite all Ahkin’s efforts, the sun is fading - and the end of the world may be near. For Mayana, the only daughter of the Chicome family whose blood controls the power of water, the old emperor’s death may mean that she's next. Ahkin must marry before ascending the throne, and Mayana is one of six noble daughters presented to him. Those who are not chosen will be sacrificed.

Lyman Frank Baum was an American children's book writer best-known for creating the popular Wizard of Oz series. Baum was a prolific writer who wrote 14 novels in the Oz series, plus 41 other novels, 83 short stories, over 200 poems, and about 42 scripts. He often wrote under pseudonyms. Of all the books, the one that made Baum a household name was The Wonderful Wizard of Oz.

Acclaimed fantasist Mary Robinette Kowal has enchanted many fans with her beloved novels featuring a Regency setting in which magic--known here as glamour--is real. In Valour and Vanity, master glamourists Jane and Vincent find themselves in the sort of a magical adventure that might result if Jane Austen wrote Ocean's Eleven. After Melody's wedding, the Ellsworths and Vincents accompany the young couple on their tour of the continent. Jane and Vincent plan to separate from the party and travel to Murano to study with glassblowers there, but their ship is set upon by Barbary corsairs while en route. It is their good fortune that they are not enslaved, but they lose everything to the pirates and arrive in Murano destitute.

Siblings Bert, Willet, and Pansy know better than to go swimming at the old rock quarry. According to their father, it's the Devil's place, a place that's been cursed and forgotten. But Mississippi Delta summer days are scorching hot, and they can't resist cooling off in the dark, bottomless water - until the day six-year-old Pansy vanishes...not drowned, not lost, simply gone. When their father disappears as well, Bert and Willet leave their childhoods behind to try and hold their broken family together.

Un viejo coronel retirado va al puerto todos los viernes a esperar la llegada de la carta oficial que responda a la justa reclamación de sus derechos por los servicios prestados a la patria. Pero la patria permanece muda.

When he arrives in Cuba at the close of the eighteenth century, Victor Hugues, a merchant sailor from Marseille, brings with him not only the idealism of the French Revolution but also its ambition and bloodlust. Landing at the Havana doorstep of a trio of wealthy, eccentric Creole orphans, he sweeps them across the Caribbean Sea to Guadeloupe, whose enslaved Africans he frees only then to exploit them in his fight against the British for colonial sovereignty. What ensues in Alejo Carpentier’s magical realist masterpiece is an explosive clash between the New World and the Old World.

The Alehouse at the End of the World is an epic comedy set in the 16th century, where bawdy Shakespearean love triangles play out with shapeshifting avian demigods and a fertility goddess, drunken revelry, bio-dynamic gardening, and a narcissistic, bullying crow, who may have colluded with a foreign power.

Imagine a London where magic is real...real, but feared. This is Eliza Braxton's London, and she has always accepted her place in it gladly. As one of the Riftborn, her magic has relegated her to the servant class, where she dutifully serves as the lady's maid in one of the most powerful households in the country. There, she uses her remarkable powers of persuasion to keep Elder Hallewell's rebellious daughter in the path to an arranged match of power and prosperity. Eliza has never questioned her loyalty...until now.

Dr. Waycross knows bleeding and blistering, the best scientific medicine of 1822. He arrives in the Georgia mountains to bring his modern methods to the superstitious masses. The local healers, the Winter sisters, claim to treat yellow fever, consumption, and the hell-roarin' trots just as well as he can. Some folks call the sisters herb women; some call them witches. Waycross calls them quacks. But when the threat of rabies - incurable and fatal - comes to town, Dr. Waycross and the Winter sisters must combine their science and superstition in a desperate search for a remedy.

Róisín and François are immediately drawn to each other when they meet at a remote research base on the frozen ice sheets of Antarctica. At first glance the pair could not be more different. Older by a few years, Róisín, a daughter of Ireland and a peripatetic astronomer, joins the science team to observe the fracturing of a comet overhead. François, the base's chef, has just left his birthplace in Bayeux, France, for only the second time in his life.

The Years with Laura Diaz is Carlos Fuentes' most important novel in several decades. Like his masterpiece The Death of Artemio Cruz, the action begins in the state of Veracruz and moves to Mexico City - tracing a migration during the Revolution and its aftermath that was a feature of Mexico's demographic history and that is a significant element in Fuentes' fictional world. Now the principle figure is not Artemio Cruz (who, however, makes a brief appearance) but Fuentes' first major female protagonist, the extraordinary Laura Diaz.

Jane and Vincent have finally gotten some much-needed rest after their adventures in Italy - then Vincent receives word that his estranged father has passed away on one of his properties in the West Indies. His brother, who manages the estate, is overwhelmed, and no one else in his family can go. Grudgingly, out of filial duty, the couple decide to go.

Tras terminar sus estudios de arquitectura en Europa, Lavinia regresa a Latinoamérica para emprender su camino como mujer independiente. Pero sus planes cambian cuando conoce a Felipe, con quien establece una profunda relación sentimental. A su lado le llega la oportunidad de implicarse en las luchas populares y los movimientos de liberación de la dictadura de su país, conectando de ese modo con Itzá, una indígena que luchó contra los invasores españoles y que ahora despierta reencarnada en un naranjo para acompañar, apoyar e inspirar a Lavinia.