Historical Magical Realism

One of Carlos Fuentes’s greatest works, The Old Gringo tells the story of Ambrose Bierce, the American writer, soldier, and journalist, and of his last mysterious days in Mexico living among Pancho Villa’s soldiers, particularly his encounter with General Tomas Arroyo. In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.

Maine, 1846. Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife’s death, so he moves to Maine, taking a position as a minister in the remote village of Pale Harbor. But not all is as it seems in the sleepy town. Strange, unsettling things have been happening, and the townspeople claim that only one person can be responsible: Sophronia Carver, a reclusive widow who lives with a spinster maid in the eerie Castle Carver. Sophronia must be a witch, and she almost certainly killed her husband.

Teodora di Sangro is used to hiding her magical ability to transform enemies into music boxes and mirrors. Nobody knows she’s a strega - and she aims to keep it that way. The she meets Cielo - and everything changes. A strega who can switch outward form effortlessly, Cielo shows Teodora what her life could be like if she masters the power she’s been keeping secret. And not a moment too soon: The ruler of Vinalia has poisoned the patriarchs of the country’s five controlling families, including Teodora’s father, and demands that each family send a son to the palace.

The death of a Resistance leader has thrown Post-Rift London into upheaval, and Eliza Braxton, a Riftborn lady's maid with exceptional magic, has promised her help to the rebel cause. But she quickly realizes that her role as a spy in the powerful Hallewell household will place her - and perhaps even those she loves - in near-constant peril.

For 500 years we've been looking at the Mona Lisa, and it turns out that she's been looking right back at us. Over the centuries, few could hear her voice, but now we are let into the secret, as she tells us her story in her own words - a tale of rivalry, murder and heartbreak. And a mystery of Leonardo's greatest lost painting. Weaving through the years, she takes us from the dazzling world of da Vinci's Florentine studio to the French courts at Fontainebleau and Versailles, and into the 20th century.

Pregnant at fifteen after gleefully losing her virginity to pansexual neighborhood strongman Francis Anthony Mozzarelli, she is robbed of her baby by a pack of nefarious nuns and her embittered papa has her sterilized without her consent (legal in 1935). With the help of a besotted Francis and her top-secret meatball recipe, a devastated Bella embarks on a riotous quest through Depression-era Coney Island sideshows, the tawdry world of peek-a-boo striptease routines, a queer mob marriage, and a tasty collection of wisdom-filled recipes to find her lost child, herself, and maybe even true love.

She is the adventurer of the family. Her brother, the gentle dreamer. Even as they bond over folktales and hold each other close, their world has never felt so dangerous. Revolutionaries and pelones are in conflict, soldiers have turned into scavengers, and an escaped tiger has slipped up the mountain, looking for easy prey. As the darkest of legends becomes real, a young girl will do anything to save her brother’s life.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

Jane and Vincent have finally gotten some much-needed rest after their adventures in Italy - then Vincent receives word that his estranged father has passed away on one of his properties in the West Indies. His brother, who manages the estate, is overwhelmed, and no one else in his family can go. Grudgingly, out of filial duty, the couple decide to go.

On the brink of the Nazi occupation of Paris, a German-Jewish bookbinder stumbles across a manuscript called Crossings. It has three narratives, each as unlikely as the next. And the narratives can be listened to one of two ways: either straight through or according to an alternate chapter sequence. The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl.

As a child living in his family's apple orchard, Ahmad Torkash-Vand treasures his great-great-great-great grandfather's every mesmerizing world. On the day of his father's death, Ahmad listens closely as the seemingly immortal elder tells him the tale of a centuries-old family curse...and the boy's own fated role in the story.

Siblings Bert, Willet, and Pansy know better than to go swimming at the old rock quarry. According to their father, it's the Devil's place, a place that's been cursed and forgotten. But Mississippi Delta summer days are scorching hot, and they can't resist cooling off in the dark, bottomless water - until the day six-year-old Pansy vanishes...not drowned, not lost, simply gone. When their father disappears as well, Bert and Willet leave their childhoods behind to try and hold their broken family together.

Set in the time of Charlemagne and narrated by a nun with her own secrets to keep, The Nonexistent Knight tells the story of Agilulf, a gleaming white suit of armor with nothing inside it. A challenge to his honor sends Agilulf on a search through France, England, and North Africa to confirm the chastity of a virgin he saved from rape years earlier.

Adamine Bustamante is born in Jamaica, inside one of the island’s last leper colonies. When she goes to a Revivalist Church, she discovers her gift of warning. But no one has bothered to warn Adamine that when she migrates to England her prophecies of hurricanes and earthquakes will no longer be respected. People will think she is crazy and lock her away in a mental hospital.

The American West, 1850. Former French dandy Didier Rain’s weakness for saloon girls, money, and whiskey keeps derailing his plan to join the pantheon of epic poets. So when he’s approached by holy men claiming he’s part of a prophecy, he agrees to transport an infant bride for a soul-selling sum of $30,000. But to fulfill his foretold role, he’ll have to succeed at two tasks at which he's always failed: keeping the cork in the bottle, and his pants buttoned.

Imagine a London where magic is real...real, but feared. This is Eliza Braxton's London, and she has always accepted her place in it gladly. As one of the Riftborn, her magic has relegated her to the servant class, where she dutifully serves as the lady's maid in one of the most powerful households in the country. There, she uses her remarkable powers of persuasion to keep Elder Hallewell's rebellious daughter in the path to an arranged match of power and prosperity. Eliza has never questioned her loyalty...until now.

October 1840. A young woman staggers alone through a forest in the English countryside as a huge pair of impossible wings rip themselves from her shoulders. In London, rumors of a fallen angel cause a frenzy across the city, and a surgeon desperate for fame and fortune finds himself in the grips of a dangerous obsession, one that will place the women he seeks in the most terrible danger.

Saint Petersburg, 1812. Russian forces have defeated Napoleon at great cost, and the tsar's empire is once again at peace. Sasha, a captain in the imperial army, returns home to Grand Duke Felix, the disgraced second son of the tsar and his irrepressibly charming lover, but their reunion is quickly interrupted by the arrival of Sofia, a mysteriously persuasive figure whose disruptive presence Sasha suspects to be something more than human. Felix, insisting that Sasha's old-fashioned superstitions are misplaced, takes Sofia into his confidence.

Meet Endurance Proudfoot, the bonesetter’s daughter: clumsy as a carthorse, with a tactless tongue and a face she’s sure only a mother could love. Durie only wants one thing in life—to follow her father and grandfather into the family business of bonesetting. It’s a physically demanding job, requiring strength, nerves of steel and discretion—and not the job for a woman. But Durie isn’t like other women.

When he arrives in Cuba at the close of the eighteenth century, Victor Hugues, a merchant sailor from Marseille, brings with him not only the idealism of the French Revolution but also its ambition and bloodlust. Landing at the Havana doorstep of a trio of wealthy, eccentric Creole orphans, he sweeps them across the Caribbean Sea to Guadeloupe, whose enslaved Africans he frees only then to exploit them in his fight against the British for colonial sovereignty. What ensues in Alejo Carpentier’s magical realist masterpiece is an explosive clash between the New World and the Old World.