Historical Magical Realism

Meet Endurance Proudfoot, the bonesetter’s daughter: clumsy as a carthorse, with a tactless tongue and a face she’s sure only a mother could love. Durie only wants one thing in life—to follow her father and grandfather into the family business of bonesetting. It’s a physically demanding job, requiring strength, nerves of steel and discretion—and not the job for a woman. But Durie isn’t like other women.

Jo, the firstborn, The General to her 11 sisters, is the only thing the Hamilton girls have in place of a mother. She is the one who taught them how to dance, the one who gives the signal each night, as they slip out of their father's townhouse and into cabs that will take them to the speakeasy. Together they elude their controlling father. Meanwhile, they continue to dance, until one night when they are caught in a raid, separated, and Jo is thrust face-to-face with someone from her past: a bootlegger named Tom whom she hasn't seen in almost 10 years.

Róisín and François are immediately drawn to each other when they meet at a remote research base on the frozen ice sheets of Antarctica. At first glance the pair could not be more different. Older by a few years, Róisín, a daughter of Ireland and a peripatetic astronomer, joins the science team to observe the fracturing of a comet overhead. François, the base's chef, has just left his birthplace in Bayeux, France, for only the second time in his life.

The Alehouse at the End of the World is an epic comedy set in the 16th century, where bawdy Shakespearean love triangles play out with shapeshifting avian demigods and a fertility goddess, drunken revelry, bio-dynamic gardening, and a narcissistic, bullying crow, who may have colluded with a foreign power.

When life throws Molly Butterfield a curveball, she decides to spend some time with her recently widowed granddad, Wally, at Hawthorn Place, his quirky Victorian house on the Dorset coast. But cosseted Molly struggles to look after herself, never mind her grieving granddad, until the accidental discovery of an identical Arts and Crafts house on the Norfolk coast offers her an unexpected purpose, as well as revealing a bewildering mystery.

In a bravura feat of storytelling, Mark Haddon calls upon narratives ancient and modern to tell the story of Angelica, a young woman trapped in an abusive relationship with her father. When a young man named Darius discovers their secret, he is forced to escape on a boat bound for the Mediterranean. To his surprise, he finds himself travelling backward over 2,000 years to a world of pirates and shipwrecks, of plagues and miracles and angry gods.

She is the adventurer of the family. Her brother, the gentle dreamer. Even as they bond over folktales and hold each other close, their world has never felt so dangerous. Revolutionaries and pelones are in conflict, soldiers have turned into scavengers, and an escaped tiger has slipped up the mountain, looking for easy prey. As the darkest of legends becomes real, a young girl will do anything to save her brother’s life.

Acclaimed fantasist Mary Robinette Kowal has enchanted many fans with her beloved novels featuring a Regency setting in which magic--known here as glamour--is real. In Valour and Vanity, master glamourists Jane and Vincent find themselves in the sort of a magical adventure that might result if Jane Austen wrote Ocean's Eleven. After Melody's wedding, the Ellsworths and Vincents accompany the young couple on their tour of the continent. Jane and Vincent plan to separate from the party and travel to Murano to study with glassblowers there, but their ship is set upon by Barbary corsairs while en route. It is their good fortune that they are not enslaved, but they lose everything to the pirates and arrive in Murano destitute.

On the brink of the Nazi occupation of Paris, a German-Jewish bookbinder stumbles across a manuscript called Crossings. It has three narratives, each as unlikely as the next. And the narratives can be listened to one of two ways: either straight through or according to an alternate chapter sequence. The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl.

Siblings Bert, Willet, and Pansy know better than to go swimming at the old rock quarry. According to their father, it's the Devil's place, a place that's been cursed and forgotten. But Mississippi Delta summer days are scorching hot, and they can't resist cooling off in the dark, bottomless water - until the day six-year-old Pansy vanishes...not drowned, not lost, simply gone. When their father disappears as well, Bert and Willet leave their childhoods behind to try and hold their broken family together.

Imagine a London where magic is real...real, but feared. This is Eliza Braxton's London, and she has always accepted her place in it gladly. As one of the Riftborn, her magic has relegated her to the servant class, where she dutifully serves as the lady's maid in one of the most powerful households in the country. There, she uses her remarkable powers of persuasion to keep Elder Hallewell's rebellious daughter in the path to an arranged match of power and prosperity. Eliza has never questioned her loyalty...until now.

What happened to the Lost Colony of Roanoke remains a mystery, but the women who descended from Eleanor Dare have long known that the truth lies in what she left behind: a message carved onto a large stone and the contents of her treasured commonplace book. Brought from England on Eleanor’s fateful voyage to the New World, her book was passed down through the fifteen generations of daughters who followed as they came of age.

Un viejo coronel retirado va al puerto todos los viernes a esperar la llegada de la carta oficial que responda a la justa reclamación de sus derechos por los servicios prestados a la patria. Pero la patria permanece muda.

Heir apparent, young Prince Ahkin feels unprepared for leadership after his father's death. His royal blood controls the power of the sun, and he’s now responsible for the lives of all the Chicome people. Despite all Ahkin’s efforts, the sun is fading - and the end of the world may be near. For Mayana, the only daughter of the Chicome family whose blood controls the power of water, the old emperor’s death may mean that she's next. Ahkin must marry before ascending the throne, and Mayana is one of six noble daughters presented to him. Those who are not chosen will be sacrificed.

When he arrives in Cuba at the close of the eighteenth century, Victor Hugues, a merchant sailor from Marseille, brings with him not only the idealism of the French Revolution but also its ambition and bloodlust. Landing at the Havana doorstep of a trio of wealthy, eccentric Creole orphans, he sweeps them across the Caribbean Sea to Guadeloupe, whose enslaved Africans he frees only then to exploit them in his fight against the British for colonial sovereignty. What ensues in Alejo Carpentier’s magical realist masterpiece is an explosive clash between the New World and the Old World.

The American West, 1850. Former French dandy Didier Rain’s weakness for saloon girls, money, and whiskey keeps derailing his plan to join the pantheon of epic poets. So when he’s approached by holy men claiming he’s part of a prophecy, he agrees to transport an infant bride for a soul-selling sum of $30,000. But to fulfill his foretold role, he’ll have to succeed at two tasks at which he's always failed: keeping the cork in the bottle, and his pants buttoned.

The Years with Laura Diaz is Carlos Fuentes' most important novel in several decades. Like his masterpiece The Death of Artemio Cruz, the action begins in the state of Veracruz and moves to Mexico City - tracing a migration during the Revolution and its aftermath that was a feature of Mexico's demographic history and that is a significant element in Fuentes' fictional world. Now the principle figure is not Artemio Cruz (who, however, makes a brief appearance) but Fuentes' first major female protagonist, the extraordinary Laura Diaz.

Jane and Vincent have finally gotten some much-needed rest after their adventures in Italy - then Vincent receives word that his estranged father has passed away on one of his properties in the West Indies. His brother, who manages the estate, is overwhelmed, and no one else in his family can go. Grudgingly, out of filial duty, the couple decide to go.

Tras terminar sus estudios de arquitectura en Europa, Lavinia regresa a Latinoamérica para emprender su camino como mujer independiente. Pero sus planes cambian cuando conoce a Felipe, con quien establece una profunda relación sentimental. A su lado le llega la oportunidad de implicarse en las luchas populares y los movimientos de liberación de la dictadura de su país, conectando de ese modo con Itzá, una indígena que luchó contra los invasores españoles y que ahora despierta reencarnada en un naranjo para acompañar, apoyar e inspirar a Lavinia.

Teodora di Sangro is used to hiding her magical ability to transform enemies into music boxes and mirrors. Nobody knows she’s a strega - and she aims to keep it that way. The she meets Cielo - and everything changes. A strega who can switch outward form effortlessly, Cielo shows Teodora what her life could be like if she masters the power she’s been keeping secret. And not a moment too soon: The ruler of Vinalia has poisoned the patriarchs of the country’s five controlling families, including Teodora’s father, and demands that each family send a son to the palace.