Historical Magical Realism

Hidden away from the world by his mother, the powerful sorceress Heloise Oliver, Pierce has grown up working in her restaurant in Desolation Point. One day, unexpectedly, strangers pass through town on the way to the legendary capital city. "Look for us," they tell Pierce, "if you come to Severluna. You might find a place for yourself in King Arden's court."

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

Having lost his mother and been shunned by his father, Zabor grows up in the company of books, which teach him a new language. Ever since he can remember, he has been convinced that he has a gift: If he writes, he will stave off death; those captured in the sentences of his notebooks will live longer. Like a kind of inverted Scheherazade saving his fellow men, he experiments night after night with the delirious power of the imagination.

Singer's famous and never-before-recorded novel about a passionate, forbidden love affair between Jew and Gentile in 17th century Poland.

Heir apparent, young Prince Ahkin feels unprepared for leadership after his father's death. His royal blood controls the power of the sun, and he’s now responsible for the lives of all the Chicome people. Despite all Ahkin’s efforts, the sun is fading - and the end of the world may be near. For Mayana, the only daughter of the Chicome family whose blood controls the power of water, the old emperor’s death may mean that she's next. Ahkin must marry before ascending the throne, and Mayana is one of six noble daughters presented to him. Those who are not chosen will be sacrificed.

En la década de 1950, las tensiones en la ciudad de La Frontera son palpables. Las camisas de boliche y las chaquetas de cuero compiten con las guayaberas y los huaraches. Los convertibles corren al lado de las motocicletas. Sin embargo, en medio de la discordia, el amor joven florece a primera vista entre Fulgencio Ramírez, hijo de inmigrantes empobrecidos, y Carolina Mendelssohn, la hija del farmacéutico local. Pero como pronto descubrirán, sus lazos serán deshechos por una fuerza más poderosa de lo que podrían haber imaginado.

Adamine Bustamante is born in Jamaica, inside one of the island’s last leper colonies. When she goes to a Revivalist Church, she discovers her gift of warning. But no one has bothered to warn Adamine that when she migrates to England her prophecies of hurricanes and earthquakes will no longer be respected. People will think she is crazy and lock her away in a mental hospital.

A winter’s night, Venice, 1815. A 217-year-old dog is searching for his lost master. So begins the journey of Tomorrow, a dog who must travel through the courts and battlefields of Europe - and through the centuries - in search of the man who granted him immortality. His adventures take him to the London Frost Fair, the strange court of King Charles I, Versailles, the golden age of Amsterdam, and to 19th-century Venice. Tomorrow befriends both animals and humans, falls in love (only once), marvels at the human ability to make music, despairs at their capacity for war....

When he arrives in Cuba at the close of the eighteenth century, Victor Hugues, a merchant sailor from Marseille, brings with him not only the idealism of the French Revolution but also its ambition and bloodlust. Landing at the Havana doorstep of a trio of wealthy, eccentric Creole orphans, he sweeps them across the Caribbean Sea to Guadeloupe, whose enslaved Africans he frees only then to exploit them in his fight against the British for colonial sovereignty. What ensues in Alejo Carpentier’s magical realist masterpiece is an explosive clash between the New World and the Old World.

Meet Endurance Proudfoot, the bonesetter’s daughter: clumsy as a carthorse, with a tactless tongue and a face she’s sure only a mother could love. Durie only wants one thing in life—to follow her father and grandfather into the family business of bonesetting. It’s a physically demanding job, requiring strength, nerves of steel and discretion—and not the job for a woman. But Durie isn’t like other women.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Mary Robinette Kowal stunned readers with her charming first novel, Shades of Milk and Honey, a loving tribute to the works of Jane Austen in a world where magic is an everyday occurrence. This magic comes in the form of glamour, which allows talented users to form practically any illusion they can imagine. Shades debuted to great acclaim and left readers eagerly awaiting its sequel. Glamour in Glass continues following the lives of beloved main characters Jane and Vincent, with a much deeper vein of drama and intrigue.

On the brink of the Nazi occupation of Paris, a German-Jewish bookbinder stumbles across a manuscript called Crossings. It has three narratives, each as unlikely as the next. And the narratives can be listened to one of two ways: either straight through or according to an alternate chapter sequence. The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl.

Siblings Bert, Willet, and Pansy know better than to go swimming at the old rock quarry. According to their father, it's the Devil's place, a place that's been cursed and forgotten. But Mississippi Delta summer days are scorching hot, and they can't resist cooling off in the dark, bottomless water - until the day six-year-old Pansy vanishes...not drowned, not lost, simply gone. When their father disappears as well, Bert and Willet leave their childhoods behind to try and hold their broken family together.

Acclaimed fantasist Mary Robinette Kowal has enchanted many fans with her beloved novels featuring a Regency setting in which magic--known here as glamour--is real. In Valour and Vanity, master glamourists Jane and Vincent find themselves in the sort of a magical adventure that might result if Jane Austen wrote Ocean's Eleven. After Melody's wedding, the Ellsworths and Vincents accompany the young couple on their tour of the continent. Jane and Vincent plan to separate from the party and travel to Murano to study with glassblowers there, but their ship is set upon by Barbary corsairs while en route. It is their good fortune that they are not enslaved, but they lose everything to the pirates and arrive in Murano destitute.

Set in the time of Charlemagne and narrated by a nun with her own secrets to keep, The Nonexistent Knight tells the story of Agilulf, a gleaming white suit of armor with nothing inside it. A challenge to his honor sends Agilulf on a search through France, England, and North Africa to confirm the chastity of a virgin he saved from rape years earlier.

Richard III is trapped in the afterlife, waiting with his guide, Raven, for an angel to take his soul to Heaven. Though he's been between worlds for hundreds of years, up in the real world it's 2013 and Molly Stern has a broken heart from losing her father and a recent breakup. Leaving London, Molly goes home to seek solace from her Aunt Peggy and Uncle Frank in Oxenbridge. But there are strange noises in the basement of her childhood house and nothing feels right, not even between Peggy and Frank. When the angel encounters Molly—and Raven at last finds the angel—life and the afterlife meet.

The Years with Laura Diaz is Carlos Fuentes' most important novel in several decades. Like his masterpiece The Death of Artemio Cruz, the action begins in the state of Veracruz and moves to Mexico City - tracing a migration during the Revolution and its aftermath that was a feature of Mexico's demographic history and that is a significant element in Fuentes' fictional world. Now the principle figure is not Artemio Cruz (who, however, makes a brief appearance) but Fuentes' first major female protagonist, the extraordinary Laura Diaz.

The death of a Resistance leader has thrown Post-Rift London into upheaval, and Eliza Braxton, a Riftborn lady's maid with exceptional magic, has promised her help to the rebel cause. But she quickly realizes that her role as a spy in the powerful Hallewell household will place her - and perhaps even those she loves - in near-constant peril.

For 500 years we've been looking at the Mona Lisa, and it turns out that she's been looking right back at us. Over the centuries, few could hear her voice, but now we are let into the secret, as she tells us her story in her own words - a tale of rivalry, murder and heartbreak. And a mystery of Leonardo's greatest lost painting. Weaving through the years, she takes us from the dazzling world of da Vinci's Florentine studio to the French courts at Fontainebleau and Versailles, and into the 20th century.