Historical Mystery Women Sleuth

Maggie Hope has come a long way since serving as a typist for Winston Churchill. Now she's working undercover for the Special Operations Executive in the elegant but eerily silent city of Paris, where SS officers prowl the streets in their Mercedes and the Ritz is draped with swastika banners. Walking among the enemy is tense and terrifying, and even though she's disguised in chic Chanel, Maggie can't help longing for home.

Queen Victoria, still mourning her long-dead husband Prince Albert, has found solace in John Brown, an enigmatic palace servant who dabbles in the occult and keeps the grieving queen entertained with his tarot card readings. Undertaker Violet Harper is invited to attend one of Mr. Brown's infamous readings, during which he implies that Buckingham Palace will soon be shrouded in death's dark veil. Well acquainted with death, Violet shrugs him off as a charlatan - until his sinister divinations begin to prove true....

Heavily pregnant Lady Ottilia Fanshawe should not really be traveling. But when her sister-in-law dies, she goes with her husband Francis to comfort her brother and her two nephews. And of course it's not long before the services of her alter ego, Lady Fan, are required.

Isobel Kingston is dead. Or so everyone believes. When a mysterious woman writes her last words in sand, Isobel steps out of the shadows to uncover the truth. As she plunges into a storm of betrayal, the winds are determined to throw Atticus Riot on her course, and the two detectives collide in a sea of madness and murder.

The inimitable Daisy Dalrymple Fletcher and her husband Detective Chief Inspector Alec Fletcher seem to get a reprieve from their sleuthing duties when they are invited to the wedding of their friend, Lucy Fotheringay. Lucy's grandfather is hosting the ceremony at his beautiful estate and so it promises to be a typical affair with hordes of gossipy aunts and other colorful, but not necessarily pleasant, relatives. Daisy meets all these characters and observes the ensuing familial fraternization with a certain kind of amusing nonchalance.

Normally dead bodies in a graveyard are buried - but not this one. When a woman is found strangled in a North London cemetery with an old newspaper clipping clutched in her hand, Inspector Witherspoon is surprised to find that he and the victim have crossed paths before. Alice Robinson was a respectable widow who ran a quiet Islington lodging house. None of her lodgers have any apparent motive to murder their landlady.

New York City, 1899. Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be - can it? A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death.

Someone’s put a blade in the back of the Amazing Tattooed Woman, and Willowjean “Will” Parker’s former knife-throwing mentor has been stitched up for the crime. To uncover the truth, Will and her boss, world-famous detective Lillian Pentecost, travel south to the circus where they find a snakepit of old grudges, small-town crime, and secrets worth killing for.

Taking on the responsibilities that come with being Lady Lyndhurst, Stella is eager to embrace yuletide traditions in the Edwardian English countryside and use her strong social influence for good. Her world becomes so consumed with starting a horse farm charity for the holidays that she barely notices the usual oddities attached to her upper crust lifestyle. At least, not until items vanish from her bedroom and maligned housekeeper, Mrs. Nelson, becomes seriously ill—only to be found dead in the cold on Mistletoe Lane.

Two bodies have been found in a park in the fashionable London neighborhood of Callander Square. While Inspector Thomas Pitt is fighting to get the square’s aristocratic residents to speak with him, his pretty, well-born wife, Charlotte, decides to do some detective work of her own. Soon she is unearthing secrets in every house on the square, while Thomas tries to discover what would drive a person to murder.

Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest. The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil - and might there be another one?

As Lady Darriby-Jones enjoys a spot of tea with an esteemed guest on the Darriby estate, news of a murder crashes the party, leaving her with a bitter aftertaste. Lady Darriby-Jones knows she faces a murder investigation with a twist—the victim's a local constable, and all eyes are on the hapless and recently demoted DCI Rude Manners as the prime suspect. While Manners may have excelled at incompetence and whining, murder seems a tad ambitious for his resume. While the town gossips, Lady Darriby-Jones dons her detective hat, ready to untangle the truth from a web of incompetence.

It is every mama's dearest wish that her daughter marries well. But how to ensure that a seemingly earnest suitor is not merely a fortune hunter? Rosalind is involved in just such a case, discreetly investigating a client's prospective son-in-law, when she is drawn into another predicament shockingly close to home.

Regency widow Lily Adler is looking forward to spending the autumn away from the social whirl of London. When she arrives in Hampshire with her friends, the Carroways, she doesn’t expect much more than a quiet country visit and the chance to spend time with her charming new acquaintance, Matthew Spencer. But something odd is afoot in the small country village. A ghost has taken up residence in the Belleford manor, a lady in grey who wanders the halls at night, weeping and wailing.

Miss Marigold Manners may be steeped in the etiquette of her old-money Boston family, but she is also an accomplished, modern woman and an avid student of archaeology who can handle any situation with poise. When the death of her parents leaves her too destitute to pursue her academic career and she receives a letter from a distant relative on Great Misery Island, Marigold decides she must do what any person of superior sense and greater-than-average curiosity would: she mounts her trusty bicycle and heads up the craggy, fog-shrouded coast of New England for a date with fate.

It’s Labor Day weekend, 1935, and the Darling Dahlias—the garden club in little Darling, Alabama—are trying to keep their cool at the end of a sizzling summer. This isn’t easy, though, since there’s a firebug on the loose in Darling. He—or she!—strikes without apparent rhyme or reason, and things have gotten to the point where nobody feels safe. What’s more, a dangerous hurricane is poised to hurl itself in Darling’s direction, while a hurricane of a different sort is making a whirlwind campaign stop: the much-loved-much-hated senator from Louisiana, Huey P. Long.

Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel Ross, the town’s respected sheriff, is killed while transporting a prisoner, she is devastated and vows to avenge his death. Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware Daniel has died and begs to speak with him about her missing daughter. From miles away but worlds apart, Lily and Marvena’s lives collide as they realize Daniel was not the man that either of them believed him to be - and that his murder is far more complex than they imagined.

Miss Julia, a recently bereaved and newly wealthy widow, is only slightly bemused when one Hazel Marie Puckett appears at her door with a youngster in tow and unceremoniously announces that the child is the bastard son of Miss Julia's late husband. Suddenly, this longtime church member and pillar of her small Southern community finds herself in the center of an unseemly scandal - and the guardian of a wan nine-year-old whose mere presence turns her life upside down.

Rome, the very end of December. The Field of Mars is packed with monuments, none more beautiful than Domitian's new Odeon and Stadium. But the area has been overtaken by ugly events: elaborately staged murders. Someone bears a spectacular grudge against the theatrical community and intends to get revenge in the most spectacular way possible. The killer's method is to re-enact bloody scenes from the gruesome side of popular theatre, where characters in plays really die on stage.

Inspector Nigel Nivens is not a nice man or a good investigator. In fact, he's terrible at his job and has always done everything he can to make life difficult for Inspector Witherspoon. But even his powerful family can't help him after he maliciously tried to hobble Witherspoon's last homicide investigation. He's been sent to a particularly difficult precinct in the East End of London as penance. When a paid informant is found shot in an alley, Nivens thinks that if he can crack the case, he'll redeem himself and have a much-needed chance at impressing his superiors.