Historical Mystery Women Sleuth

When it's your job to save the day—where do you start? Librarian spy Irene has standards to maintain, especially while on probation. And absconding from a mission via a besieged building doesn't look good. But when her escape route home goes up in flames, what's a spy to do? However, it seems gates back to the Library are malfunctioning across dozens of worlds. Worse still, her nemesis Alberich is responsible—and he plans to annihilate the Library itself.

For Emily, accepting the proposal of Philip, the viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly.

When Inspector Witherspoon becomes the main suspect in a murder case, Scotland Yard refuses to let him investigate. But no one said anything about Mrs. Jeffries and her polished detection skills, proving that behind every great man there's a woman - and that a crime solver's work is never done.

Restless and uncertain of her future in the wake of World War I, former battlefield nurse Bess Crawford agrees to travel to Yorkshire to help a friend of her cousin Melinda through surgery. But circumstances change suddenly when news of a terrible accident reaches them. Bess agrees to go to isolated Scarfdale and the Neville family, where one man has been killed and another gravely injured. The police are asking questions, and Bess is quickly drawn into the fray as two once close families take sides, even as they are forced to remain in the same house until the inquest is completed.

After a murder scandal nearly sent her husband to the gallows, Audrey, the Duchess of Fournier, has retreated to the countryside to distance herself from gossip—and from the Bow Street officer who proved as irritating as he was intriguing. But when Audrey's friend Charlotte, the Countess of Bainbury, dies mysteriously on Fournier Downs parkland, she summons the only person she trusts to uncover the truth: Principal Officer Hugh Marsden.

After a past family tragedy for which she holds herself to blame, Dr. Genevieve Summerford wants nothing more than to succeed in her new career as a psychiatrist, and win back the respect of her family and peers. That goal is thrown into jeopardy, however, when one of her patients is arrested for murder - a murder Genevieve fears she may have unwittingly provoked. Desperate to prove to herself and the authorities that her patient is innocent, she is forced to enlist the aid of an influential Tammany captain.

Sarah Brandt is shattered when she learns that a woman has inquired at Hope’s Daughters Mission for Catherine, the abandoned child she has taken as her daughter. The woman claims she was Catherine’s nursemaid, now acting on behalf of the girl’s mother to reunite them. Unwilling to simply hand Catherine over to a complete stranger, Sarah asks Malloy to investigate. But when he goes to interview the woman at her tenement in Chelsea, he finds she has been murdered. Though her death leaves Sarah’s claim to Catherine unchallenged, her sense of justice compels her to work with Malloy to find the killer.

Minerva Kenny is a dear woman, but her tendency to "borrow" things without asking has finally caught up with her. William Barrett has learned Minerva's shameful secret, and he's holding it over her head. Mrs. Jeffries and the staff at Upper Edmonton Gardens have hatched a scheme to save her - but when they try to recover the damning evidence from Barrett, they discover something more shocking: Barrett's corpse. Considering the victim's wicked ways, Minerva is far from the only suspect.

Under a bundle of mistletoe, art collector Daniel McCourt lies with his throat slit, a bloody sword next to his body. Inspector Witherspoon is determined to solve the case - preferably before the eggnog is ladled out on Christmas Eve - but of course he will require assistance from the always sharp-witted housekeeper, Mrs. Jeffries, who has a few of her own theories on why McCourt had to die by the sword.

Freya Miller, funny and tenacious with a taste for vodka, escapes a recent tragedy by answering an advertisement for a nursing job that promises “Light Duties. Large Pay. No Questions Asked or Answered.” Her new employer is the infamous, eccentric, and stupendously rich Vincetti family, heads of the Halcyon Corporation. Her task will be to care for their adored heir, Elijah, who is currently lying in a coma amidst an armada of premium machinery. The Vincettis claim this golden boy is everything from a saint to a genius, but they refuse to reveal how he entered a comatose state.

Molly’s policeman husband, Daniel, is late returning home. He comes with a tale to tell: There was a murder on Ellis Island that day, and the main suspect is the spitting image of Molly. The circumstances are eerily similar to when Molly herself arrived on Ellis Island, and she can’t help but feel a sense of fate. Molly was meant to be there that day so that she can clear this woman’s name.

With more than a dash of glamour and serious helpings of style, the witty and courageous Phryne Fisher returns. In 1928 St Kilda’s streets hang with fairy lights. Magic shows, marionettes, tea dances, tango competitions, life-saving demonstrations, lantern shows, and picnics on the beach are all part of the Flower Parade. And who else should be chosen to be Queen of the Flowers but the gorgeous, charming and terribly fashionable Hon Phryne Fisher?

Phryne Fisher is doing one of her favorite things -dancing at the Green Mill (Melbourne's premier dance hall) to the music of Tintagel Stone's Jazzmakers, the band who taught St Vitus how to dance. And she's wearing a sparkling lobelia-coloured georgette dress. Nothing can flap the unflappable Phryne -especially on a dance floor with so many delectable partners. Nothing except death, that is.

India’s only female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay.

New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming "trouser roles"-male characters played by women - and captivating audiences far and wide with her travelling theater company. But Ella's flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini's I Capuleti e i Montecchi.

The sisters at a lonely Cornish convent share a chilling secret they cannot confess...Sister Sophia is dead. Another disappears. And a mysterious last letter from a dying nun is sent to the prioress. Sister Joan has faced her own demons. Now she is sent to the convent to investigate, as well as teach the local children. There are whispers of virgin sacrifice and suicide, and the mother prioress certainly wears pink nail varnish. And who is the young man hiding in the bracken?

On a visit to the estate of her friend, the young and beautiful Isobel, countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband - a gentleman of mature years - is felled by a mysterious and agonizing ailment. The earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the earl's nephew of adultery - and murder. Desperately afraid that the letter will expose her to the worst sort of scandal, Isobel begs Jane for help.

In Phryne's third adventure, Phryne is off to Ballarat for a week of fabulousness, but the sedate journey by train turns out to be far from the restful trip she was planning. What was planned as a restful country sojourn turns into the stuff of nightmares: a young girl who can't remember anything, rumours of vile white slavery and the body of an old woman missing her emerald rings.

Gretel has never had any time for sorcerers, considering them nothing more than show-offs with questionable fashion sense. It is with some reluctance and a deal of grumpiness, then, that she agrees to look into the matter of a murdered magician. All that is left of him is a grisly remnant, which the police quack confirms is the murdered man’s appendix. What has become of the rest of him is baffling the local constabulary, the Sorcerers’ Society, and, not least, the hapless trickster’s widow.

The devastating Phryne Fisher is under fire again in her fourth mystery. A very young man with muddied hair, a pierced ear and a blue tattoo lies cradled in Phryne's arms. But sadly it's not another scene of glorious seduction – this time it's death. The Honourable Miss Phryne Fisher, beautifully dressed in loose trousers, a cream silk shirt and a red-fox fur has just had her windscreen shot out inches in front of her divine nose.