Historical Mystery Women Sleuth

It is 1936. Undercook Joan Hart and lady's maid Verity Hunter are back in London after a long stay in the country. The capital is fraught and unsettled. Protests and riots are taking place regularly, fascism is on the rise and trouble in Europe is brewing, but the girls are still thrilled to be back in the Big Smoke, ready for some fun and frivolity. That is, until an old friend of Verity's contacts the servant sleuths, asking for help.

In the west end of London, an apparently crazed individual is on the loose, breaking into art galleries and private homes to slash valuable paintings of women. Despite Scotland Yard's best efforts, the criminal remains at large and continues on his destructive path. When Joanna and the Watsons are called in to solve the mystery, they soon discover that although the canvases have been slashed, their backings remain pristine, with no cuts or scratches. The criminal, it seems, is no mere vandal - he's searching for something hidden behind the portraits.

When midwife Sarah Brandt visits Little Italy to check up on a new mother who delivered her baby just the day before, she finds the young woman dead. The family insists that the death was from complications of childbirth. Sarah disagrees. So does the woman's own mother, an Irishwoman who spreads the story that the girl was murdered by her Italian in-laws, the Ruoccos - an accusation that inflames tensions between the two immigrant groups.

On the day Nina and Conrad Best move into their new home in picture-perfect Willow Close a body is discovered. Hurrying inside with their belongings, they see horrified neighbours gather by the police cordon - one of the residents has been attacked and brutally killed in the woods. Believing someone must have seen the murderer, the police interview all the residents of the Close. They soon find out that each neighbour harbours their own secrets.

The devastating Phryne Fisher is under fire again in her fourth mystery. A very young man with muddied hair, a pierced ear and a blue tattoo lies cradled in Phryne's arms. But sadly it's not another scene of glorious seduction – this time it's death. The Honourable Miss Phryne Fisher, beautifully dressed in loose trousers, a cream silk shirt and a red-fox fur has just had her windscreen shot out inches in front of her divine nose.

As the recently promoted assistant to the Tate's Modern Collections keeper Diana Gilden, Lily helps plan a world-class Picasso exhibit to honor the passing of the great artist--and she's waited her whole life for this moment. The opening is beyond anyone's expectations--the lighting, the champagne, the glittering crowd, and the international acclaim--until Lily does the unthinkable. She stops in front of a masterpiece and hears her own voice say, "It's a forgery." The gallery falls silent.

It's Christmastime in 1905 New York City, and for once Molly Murphy Sullivan is looking forward to the approaching holidays. She has a family of her own now: She and Daniel have a baby son, and 12-year-old Bridie is living with them as their ward. As Molly and the children listen to carolers in the street, they hear a lovely voice, the voice of an angel, and see a beggar girl huddled in a doorway, singing "Away in a Manger". Bridie is touched by the girl's ragged clothes and wants to help her out if they can.

The year is 1928, and after the death of a maid at a glamorous society party, fortune heir Bryan Guinness seizes life and proposes to 18-year-old Diana, the most beautiful of the six Mitford sisters. The maid's death is ruled an accident, and the newlyweds put it behind them to begin a whirlwind life. Accompanying Diana as her lady's maid is Louisa Cannon, as well as a coterie of friends, family and hangers on, from Nancy Mitford to Evelyn Waugh. When a second victim is found in Paris in 1931, Louisa begins to see links with the death of the maid two years previously.

The divine Phryne Fisher returns in the 15th seductive installment in the classic Phryne Fisher whodunnit series. This one includes shipboard romances, champagne cocktails, erotic photographers, jealous husbands, mickey finns, blackmail, and attempted murder.

It’s wintertime in New York, and for the first time since Irish immigrant Molly Murphy started her early-twentieth-century detective agency, she is completely snowed in with work. While she’s proving to be quite the entrepreneur and is very much in demand by some of Broadway’s brightest stars and Fifth Avenue’s richest families, she has to grudgingly admit that if she’s going to work more than one case at a time, then she’s going to need some help.

Argyll, Scotland. July 1832. After a trying few months in Edinburgh, Kiera and her husband and investigative partner, Sebastian Gage, are eager to escape to the Highlands with their three-month-old child. Kiera is overjoyed for her cousin Rye and her friend Charlotte, who are being wed in a private ceremony at the estate of Rye's great-uncle, the Marquess of Barbreck, in what seems to be the perfect wedding party. But when Kiera is invited to peruse Barbreck's extensive art collection, she is disturbed to discover that one of his most priceless paintings seems to be a forgery.

Cantankerous and vinegar-tongued Grandmama, from Anne Perry's Charlotte and Thomas Pitt series, is the leading character in this Christmas novel, which unfolds in the chilly, windswept Romney Marshes off the English Channel. Grandmama arrives on a holiday visit to the home of Charlotte's parents, where a fellow guest--an outcast from her own family--is subsequently murdered. Like the heroes before her in Anne Perry's Christmas novels, Grandmama is called upon to play the role of amateur detective.

When a local publican is murdered, Inspector Witherspoon takes Mrs. Jeffries' advice to heart. He is going to trust his own instincts - but that keeps Mrs. Jeffries in the dark. She must rouse the household staff to action and hope the Inspector doesn't arrest the wrong person before they can solve the crime.

Helena Lanark is an elderly woman, living in a luxurious care home. The heiress of an immense family fortune, she keeps the secret to the horror which once occurred within the Lanark family house. Jane Tennison is leading a murder investigation into the recent brutal death of a young girl, her decomposed starved body discovered in an old air raid shelter in the garden of the Lanark's now derelict house. Initially the focus is on identifying the victim, until another body is found, hidden in the walls of the shelter.

Pauline Riddell has grand ambitions for her future at the armament factory. So, when her closest workmate reveals a salacious affair with a married man, Pauline refuses to risk her career by listening to the scandal. But, she’s shaken to her core when the police arrive with news of her best friend’s homicide. Desperate for justice, Pauline’s insistent poking into the investigation only makes her the prime suspect. And now, to clear her name, she must unravel a web of deadly clues entangling her in a sinister plot.

She keeps house for Inspector Witherspoon...and keeps him on his toes. Everyone's awed by his Scotland Yard successes - but they don't know about his secret weapon. No matter how messy the murder or how dirty the deed, Mrs. Jeffries' polished detection skills are up to the task...proving that behind every great man, there's a woman - and that a crime-solver's work is never done.

It's the spring of 1917, and change is in the air. American women have done something remarkable: They've banded together to create military-style training camps for women who want to serve. These so-called National Service Schools prove irresistible to the Kopp sisters, who leave their farm in New Jersey to join up.

In this compelling Gaslight Mystery by Edgar Award-nominated author Victoria Thompson, a lady of means helps midwife Sarah Brandt rescue a young woman and her newborn from a brothel. But when the wealthy benefactor is found murdered, Sarah uncovers some unpleasant truths about the victim, her charity, and the woman and child Sarah risked her own life to save.

London, 1880. Kat Holloway, highly sought-after young cook to the wealthy of London, finds herself embroiled in murder when she’s accused of poisoning her employer, the loathsome Sir Lionel Leigh-Bradbury. Her only help as she works to clear her name comes from the mysterious Daniel McAdam, a handsome man-of-all-work who seems to know everyone and always happens to be in the right place at the right time.

When Inspector Witherspoon becomes the main suspect in a murder case, Scotland Yard refuses to let him investigate. But no one said anything about Mrs. Jeffries and her polished detection skills, proving that behind every great man there's a woman - and that a crime solver's work is never done.