Historical Private Investigators

The year is 1920: Flying in the face of convention, legendary American adventuress Beryl Helliwell never fails to surprise and shock. The last thing her adoring public would expect is that she craves some peace and quiet. The humdrum hamlet of Walmsley Parva in the English countryside seems just the ticket. And, honestly, until America comes to its senses and repeals Prohibition, Beryl has no intention of returning stateside and subjecting herself to bathtub gin.

Sharing lodging in the sleepy English village of Walmsley Parva has eased some of the financial strain on the two old school chums, but money is still tight in these years following the Great War. So when the local vicar - and pigeon-racing club president - approaches them with a private inquiry opportunity, the ladies accept. There's been a spot of bother: The treasurer has absconded with the club's funds and several prized birds. But when they visit the man's loft, they find their elusive quarry lying in white feathers and a pool of crimson blood - the only witnesses cooing mournfully.

Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York - for her first London season.

Archie Goodwin is not overly fond of Theodore Horstmann, who takes care of the orchids on the rooftop of Nero Wolfe’s West 35th Street brownstone. But as loyal assistant to the legendary private detective, Archie will put his animosity aside when the surly orchid-keeper stumbles through the front door beaten within an inch of his life. While the gardener lies in a coma, Nero sends Archie to poke around his apartment near the river.

The gun was fired close to Charles Childress’ head, and his were the only fingerprints on it, forcing the police to conclude that the author committed suicide. But his friends know this is impossible, because Childress loved himself far too much. He had just begun attracting fame, writing new mysteries starring the iconic Sergeant Barnstable, and he had bright hopes for the future. His publisher hires corpulent genius Nero Wolfe to determine who cut Childress’ career short, and the detective finds no dearth of suspects.

To save his favorite newspaper, Nero Wolfe steps into the crossfire of a tabloid war.

An academic so conservative he thought Ronald Reagan was a pinko, Hale Markham rules Prescott University like an intellectual tyrant - until the morning he’s found dead at the bottom of one of Prescott’s famously beautiful ravines. Every liberal on campus hated the crotchety old crank, but which one is responsible for giving Markham his final push to the right? The case so intrigues the incomparable, reclusive master detective Nero Wolfe that he takes the unusual step of leaving the confines of his home.

In 1930, young Archie Goodwin comes to New York City hoping for a bit of excitement. In his third week working as a night watchman, he stops two burglars in their tracks - with a pair of hot lead slugs. Dismissed from his job for being “trigger-happy”, he parlays his newfound notoriety into a job as a detective’s assistant, helping honest sleuth Del Bascom solve cases like the Morningside Piano Heist, the Rive Gauche Art Gallery Swindle, and the Sumner-Hayes Burglary. But it’s the kidnapping of Tommie Williamson that introduces Goodwin to the man who will change his life.

Maisie Dobbs got her start as a maid in an aristocratic London household when she was thirteen. Her employer, suffragette Lady Rowan Compton, soon became her patron, taking the remarkably bright youngster under her wing. Lady Rowan’s friend, Maurice Blanche, often retained as an investigator by the European elite, recognized Maisie’s intuitive gifts. The outbreak of war changed everything. Ten years after the Armistice, in the spring of 1929, Maisie sets out on her own as a private investigator, one who has learned that coincidences are meaningful, and truth elusive.

January 1970 finds Ezekiel “Easy” Rawlins, LA’s premier Black detective, at 50 years of age despite all expectations. He has a loving family, a beautiful home, and a thriving investigation agency. All is right with the world… and then Amethystine Stoller, his own personal Helen of Troy, arrives. Her ex-husband is missing. A simple enough case. But even as Easy takes his first step in the investigation he trips. He falls into the memory of things past. Little things, like loss, love, a world war, and a hunger that has eaten at him since he was a Black boy on his own.

A mansion, a title, and marriage to a wealthy Lord, Lady Eveline Cartwright has it all. Unfortunately, it's not enough to prevent her from being bludgeoned to death one night in the study of Merisham Lodge, the family's country estate in Derbyshire. Suspicion quickly falls on her ne'er-do-well son, Peter, but not everyone in the household is convinced of his guilt. Head kitchen maid Joan Hart and lady's maid Verity Hunter know that when it comes to a crime, all is not always as it seems.

As the Great Blizzard of 1888 cripples the vast machinery that is New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiance's safe return. But the fearsome storm rages through the night. With daylight, more than 200 people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence's fiancé - his body frozen, his head crushed by a heavy branch, his fingers clutching a single playing card, the ace of spades.

Birds of a Feather finds psychologist and private investigator Maisie Dobbs on another adventure in London. It is the spring of 1930, and Maisie has been hired to find a runaway heiress. But what seems a simple case at the outset soon becomes increasingly complicated when three of the heiress’s old friends are found dead. Is there a connection between the woman’s mysterious disappearance and the murders? Who would want to kill three seemingly respectable young women? As Maisie investigates, she discovers that the answers lie in the unforgettable agony of the Great War.

There are few people Nero Wolfe respects, and Lon Cohen of the New York Gazette is one of them. So when Cohen asks for a favor, the famously brilliant - and notoriously lazy - detective is inclined to listen. According to Cohen, someone wants to kill the Gazette’s gossip columnist, Cameron Clay. Death threats are a regular hazard for Clay, who’s hurled insults and accusations at every boldfaced name in the five boroughs. But the latest threats have carried a more sinister tone.

The latest occurrence to disturb the peace in the quaint English village of Walmsley Parva hits rather too close to home - in fact, the prime suspect has taken up residence in Edwina's potting shed. Her elderly gardener Simpkins has been secretly sleeping there after a row with his disreputable brother-in-law and housemate, Hector Lomax. When Hector is found murdered, Constable Gibbs comes looking for Simpkins, last seen arguing with Hector the night before. Based on the sad state of her garden, Edwina has grave doubts that shiftless Simpkins could muster the effort to murder anyone.

1896. A new client at Baker Street claims he’s being threatened via the new art of the moving image. Eadweard Muybridge, pioneer of motion picture projection, believes his life is in danger. Twice he has been almost run down in the street by the same mysterious carriage, and moreover, disturbing alterations have been made to his lecture slides. These are closely guarded, yet just before each lecture an unknown hand has defaced images depicting Muybridge himself, which he has discovered, to his horror, only as he projects them to his audience.

As the leader of the Imposters, an elite private investigative firm, Lord Yates Fairfax has made an art of concealing his identity. But when his newest client, the beautiful Lady Alethia Barremore, is shot while leaving their meeting, he throws caution to the wind and rushes to her aid. Though Lady Alethia thought she was only looking for her missing former nanny, she has clearly stumbled upon something much more dangerous.

Childbirth can be dangerous even for the wealthy. So when opera singer Claire Buchanan shows Prudence and Geoffrey a postmortem cabinet photograph of her deceased twin sister and newborn niece, they express sadness but not surprise. The popular black-bordered portraits are the era's way of coping with the devastating losses that plague every family. What makes this death different is that Claire is convinced Catherine and her child were murdered.

Egypt, 1926. Fiercely independent American Jane Wunderly has made up her mind: she won't be swept off her feet on a trip abroad. Despite her Aunt Millie's best efforts at meddling with her love life, the young widow would rather gaze at the Great Pyramids of Giza than into the eyes of a dashing stranger. Yet Jane's plans to remain cool and indifferent become ancient history in the company of Mr. Redvers, a roguish banker she can't quite figure out.

Returning home from a luncheon, Hercule Poirot is met at his door by an imperious woman who introduces herself as Sylvia Rule. "How dare you? How dare you send me such a letter?" Ignoring his denials, Mrs. Rule insists she received a missive claiming he had proof she murdered a man named Barnabas Pandy and advising her to confess her crime to the police. Threatening the perplexed Poirot with a lawsuit, she leaves in a huff.