Historical Psychological Thriller

The new decade is going well for Edgar Stephens and his good friend the magician Max Mephisto. Edgar is happily married, with children, and promoted to Superintendent. Max has found fame and stardom in America, though he's now back in England for a funeral, and a prospective movie job. Edgar's new wife, though - former detective Emma - is restless and frustrated at home, knowing she was the best detective on the team. But when an investigation into a string of disappearing girls begins, Emma sees her chance to get back in the action. She begins her own hunt.

Summer, 1976. Jesse and his brother, Edgar, are on the road in search of victims. They’re rovers, nearly indestructible nocturnal beings who must consume human blood in order to survive. For 70 years they’ve lurked on the fringes of society, roaming from town to town, dingy motel to dingy motel, stalking the transients, addicts, and prostitutes they feed on. This hard-boiled supernatural hell ride kicks off when the brothers encounter a young woman who disrupts their grim routine.

The identity of Elizabeth Cage has always been a mystery. Even she doesn't know who, or what, she is. But she's learned to live with it. Until now, when what should have been a peaceful holiday turns into anything but, and Elizabeth is forced to recognise that she isn't what she seems. But neither is anyone else. Has her whole life been a lie? Someone very badly wants to know the truth about Elizabeth Cage. And they'll do anything to find out. But who will live to regret it?

It started the night journalist Briar Thorne’s mother died in their rambling old mansion on Chicago’s South Side. The nightmares of a woman in white pleading to come home, music switched on in locked rooms, and the panicked fear of being swallowed by the dark…Bri has almost convinced herself that these stirrings of dread are simply manifestations of grief and not the beyond-world of ghostly impossibilities her mother believed in. And more tangible terrors still lurk outside the decaying Victorian greystone.

William Arrowood, Victorian London’s less salubrious private detective, is paid a visit by Captain Moon, the owner of a pleasure steamer moored on the Thames. He complains that someone has been damaging his boat, putting his business in jeopardy. Arrowood and his trusty sidekick Barnett suspect professional jealousy, but when a string of skulls is retrieved from the river, it seems like even fouler play is afoot. It’s up to Arrowood and Barnett to solve the case before any more corpses end up in the watery depths.

It’s just before Christmas, 1953. Grasby and Juggers are investigating a puzzling murder in the remote village of Uthley’s Bay. A fisherman has been found dead on the beach, with a stocking wound tight round his throat. Hundreds of pairs of stockings, in neat cellophane bags, soon wash up on the shore. A blizzard cuts off Grasby and Juggers from help, and the local innkeeper is murdered. Any remaining Christmas cheer goes up in smoke as the villagers refuse to talk, leaving the two detectives chasing false leads in the snow.

Rose Baker seals men’s fates. With a few strokes of the keys that sit before her, she can send a person away for life in prison. A typist in a New York City Police Department precinct, Rose is like a high priestess. Confessions are her job. It is 1923, and while she may hear every detail about shootings, knifings, and murders, as soon as she leaves the interrogation room she is once again the weaker sex, best suited for filing and making coffee. This is a new era for women, and New York is a confusing place for Rose. Gone are the Victorian standards of what is acceptable. All around her women bob their hair, they smoke, they go to speakeasies.

The Dance of the Dolls tells the story of identical twin ballerinas rehearsing for the ballet Coppélia at the recently opened Sadler’s Wells Theatre in London. Superficially, even their differences are complementary: Olivia aspires to be the perfect ballerina while Clara is rebellious and independent. Clara has been seeing a pianist at the theater, the passionate Nathan, while Olivia is unaware that she’s cast a spell on Samuel, a bashful apprentice ballet shoemaker who steals into Sadler’s Wells as often as he can to watch her dance.

In 1921, the bloodied bodies of Colonel Fletcher, his wife and two staff are found in a manor house in Surrey. The police have put the murders down to a violent robbery, but Detective Inspector Madden from Scotland Yard has his own suspicions. In the meantime the killer is plotting his second strike.

In Let It Come Down, Paul Bowles plots the doomed trajectory of Nelson Dyar, a New York bank teller who comes to Tangier in search of a different life and ends up giving in to his darkest impulses. Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles's second novel is an alternately comic and horrific account of a descent into nihilism.

In 1886, a respectable young woman must acquire a husband. But Violet Pring does not want to marry. She longs to be a professional artist and live on her own terms. When her scheming mother secures a desirable marriage proposal from an eligible Brighton gentleman for her, Violet protests. Her family believes she is deranged and deluded, so she is locked away in Hillwood Grange Lunatic Asylum against her will. In her new cage, Violet faces an even greater challenge: she must escape the clutches of a sinister and formidable doctor and set herself free.

Tudor England. The word treason is on everyone's lips. Arbella Stuart, niece to Mary, Queen of Scots, and presumed successor to Elizabeth I, has spent her youth behind the towering windows of Hardwick Hall. As presumed successor to the throne, her isolation should mean protection - but those close to the crown are never safe. Aemilia Lanyer, writer and poet, enjoys an independence denied to Arbella. Their paths should never cross. But when Arbella enlists Aemilia's help in a bid for freedom, she risks more than her own future.

Goldengrove’s towers and twisted chimneys rose at the very edge of the peaceful Weald, a stone’s throw from the poisonous marshes and merciless waters of Rye Bay. Young Tabby Palethorp had been running wild there, ever since her mother grew too ill to leave her room. I was the perfect choice to give Tabby a good English education: thoroughly respectable and far too plain to tempt her lonely father, Sir Kit, to indiscretion. I knew better than to trust my new employer with the truth about my past. But knowing better couldn’t stop me from yearning for impossible things.

Thirteen-year-old Lizzie Hood and her next-door neighbor Evie Verver are inseparable, best friends who swap clothes, bathing suits, and field-hockey sticks and between whom—presumably—there are no secrets. Then one afternoon, Evie disappears, and as a rabid, giddy panic spreads through the balmy suburban community, everyone turns to Lizzie for answers. Was Evie unhappy, troubled, or upset? Had she mentioned being followed? Would she have gotten into the car of a stranger?

Caroline Verlaine knows something is wrong. Her sister has gone missing, and no one can tell her why. The only option is to go where Roma was last seen—an estate with a deadly history. The Stacy family has lived off the Dover coast for generations, carefully navigating the treacherous quick sands nearby. But the sands aren't Caroline's biggest threat. Everyone here has a secret, especially the enigmatic young heir Napier Stacy. No matter where Caroline turns, the ground she walks is dangerous.

Major Hugh Dégaré never thought working a desk job could be worse than combat. But shortly after starting a new position in a bureaucratic military headquarters far from the front lines, he finds himself fighting to maintain his grip on reality. Amid sleepless nights and intense memories from his combat service, he does what he's always done - takes action. Afraid of being stigmatized by his chain of command, he turns to a psychologist and an estranged friend, Daryl, now an ex-soldier. Despite his best efforts, Hugh's rage continues to grow.

A young homeless woman suffering from memory loss begins to realize that she is actually actress Marilyn Monroe - who is supposed to be dead. Why is she out here on the streets? Who did this to her? As she begins her own investigation into the real truth behind her so-called "death", the truth behind it all is almost too bizarre - and terrifying - for her to handle without losing her mind altogether.

It's the 1960s and Louise is running. From her past in England, from the owners of the money she has stolen—and from Henri, the person who has been sent to collect it. Across the Continent—from Granada to Paris, from Belgrade to Istanbul—Henri follows, desperate to leave behind his own troubles. The memories of his past life as a gendarme in Algeria that keep resurfacing. His inability to reconcile the growing responsibilities of his current criminal path with this former self. But Henri soon realizes that Louise is no ordinary mark.

Falkenberg, Sweden. The mutilated body of talented young jewellery designer, Linnea Blix, is found in a snow-swept marina. Hampstead Heath, London. The body of a young boy is discovered with similar wounds to Linnea's. Buchenwald Concentration Camp, 1944. In the midst of the hell of the Holocaust, Erich Hebner will do anything to see himself as a human again. Are the two murders the work of a serial killer, and how are they connected to shocking events at Buchenwald?

1786, Jerusalem College, Cambridge. The ghost of Sylvia Whichcote is rumoured to be haunting Jerusalem, since disturbed fellow-commoner, Frank Oldershaw, claims to have seen the dead woman prowling the grounds. Desperate to salvage her son’s reputation, Lady Anne Oldershaw employs John Holdsworth, author of The Anatomy of Ghosts a stinging account of why ghosts are mere delusion to investigate.