Historical Psychological Thriller

In 1892 Paris, Julius Stewart painted The Baptism, a Vanderbilt family scene that contains an embarrassing secret. In the present day, art historian Grace Atwood becomes obsessed with the painting and its hidden clues for reasons that have more to do with her personal ghosts. Either her doting husband is trying to make her think she's crazy, or she really is in the early stages of dementia.

Coral Glynn arrives at Hart House, an isolated manse in the English countryside, early in the very wet spring of 1950, to nurse the elderly Mrs. Hart. Hart House is also inhabited by a perpetually disgruntled housekeeper and Major Clement Hart, Mrs. Hart's war-ravaged son, who is struggling to come to terms with his latent homosexuality. When a child's game goes violently awry in the woods surrounding Hart House, a great shadow - love, perhaps - descends upon its inhabitants.

The man couldn't help himself. His captor was the most beautiful woman he had ever seen. Her powerful eyes held his attention and made him forget that she had him confined in a basement, his hands and feet bound with duct tape. She fed him when he was hungry and kept him alive for the telling of her horrific tale. After getting past the terror and discomfort, he reasoned that there was nothing to worry about for the moment.

Kate Lawrence can sense the shadow of violent death. In her struggle to cope with her unwelcome gift, she has frozen people out of her life. Her marriage is on the rocks, her career in chaos. So she decides to start again, joining her cousin Sylvia and partner Michael in their mission to restore Llys y Garn, an old mansion in deepest Pembrokeshire. The house and grounds are full of mysteries that only she can sense, but she is determined to face them - so determined that she fails to notice that ancient energies are not the only shadows threatening Llys y Garn....

The last summer before the end of World War II, Walter Proska is posted to a small unit tasked with ensuring the safety of a railway line deep in the forest on the border with Ukraine and Belarus. In this swampy region, a handful of men - stunned by the heat, attacked by mosquitoes, and abandoned by their own troops in the face of the Resistance - must also submit to the increasingly absurd and inhuman orders of their superior.

Set in pre-World War I Europe, The World Is Made of Glass is a powerful novel of love, sexual obsession, murder and guilt. A cryptic and mysterious case history appears in the autobiography of pioneering Swiss psychiatrist Carl Jung: ‘A lady came to my office. She refused to give her name. What she had to communicate to me was a confession. Some 20 years ago, she had committed a murder.’ Jung’s encounter with the woman had an explosive effect on him and brought him very close to total breakdown.

Schweden 1981: In einer forensischen Psychiatrie - nahe Stockholm - sitzt der gefährlichste Serienmörder seiner Zeit: KURT SENGE. Obwohl er insgesamt sechs Frauen tötete, bereut er bis heute nichts und legte nie ein Geständnis ab. Trotzdem löste dieser Mann einen wahren Tumult um seine Person aus, denn Kurt war jung, gutaussehend und charismatisch. Seit seinem Gerichtsprozess vor 17 Jahren, kennt ihn in Schweden jedes Kind. Noch heute erhält er täglich Post von liebeshungrigen Frauen und anderen Verehrern.

Eine Begegnung von Vergangenheit und Gegenwart, die du sicher nicht so schnell vergessen wirst... 1495: Eigentlich ist das kleine Städtchen Zons, zwischen Düsseldorf und Köln gelegen, immer besonders friedlich gewesen. Doch eines Tages wird eine junge Frau geschändet und verstümmelt aufgefunden. Alles deutet auf einen Ritualmord hin. Bastian Mühlenberg von der Zonser Stadtwache ist geschockt von der Brutalität des Täters und verfolgt seine Spur – nicht ahnend, dass auch er bereits in den Fokus des Puzzlemörders geraten ist.

In a small, rural Arkansas town in the midst of World War II, hotel house detective George "Jojo" Walker wearily maintains the status quo in the wake of personal devastation. That status quo is disrupted when a hygiene picture roadshow rolls into town with a controversial program on display and curious motives in mind. What begins with a gruesome and impossible murder soon spirals into hallucinatory waking nightmares for Jojo - nightmares that converge with his reality and dredge up his painful, secret past.

When 54-year-old Julianna Dapper slips out of a mental hospital in Bangor, Maine, on a June day in 1962, it's with one purpose in mind. Julianna knows she must go back to the tiny farming community in Northern Missouri where she was born and raised. It's the place where she and her best friend, Ben Taylor, roamed as children, and where her life's course shifted irrevocably one night long ago. Embarking on her journey, Julianna meets Elijah Hunter, a shy teenage African-American boy, and Jon Tate, a young hitchhiker on the run from the law.

Germany, 1926. When Richard and Paula meet in bustling, cosmopolitan Hamburg, everything feels possible. They fall in love, marry and are soon blessed with twins. When Richard qualifies as a psychiatrist, life ahead looks bright. Their only sadness is that their son, Georg, was born deaf, although with his family to protect him they’re sure he’ll be okay. But happiness turns to horror when the Nazis seize power and begin forcing doctors to euthanise anyone the regime deems imperfect. Suddenly, Richard is falsifying medical records to save his patients - and hiding Georg.

Il 1955 è l'anno del grande schermo. Gli italiani vogliono sognare e affollano le sale cinematografiche. Anche il commissario Clodoveo si è lasciato tentare. Un pomeriggio diverso con la figlioletta in affido, Isabella. In cartellone c'è ‘Sabrina' con la mitica Audrey Hepburn. Ma, prima, sul palco arrivano comici e ballerine. La compagnia dell'avanspettacolo accende applausi, risate e battute sagaci. Fulmineo, si compie il dramma. Grida di raccapriccio, sguardi pietrificati. L'impensabile è di scena. L'assurdo carico di realtà.

Head of an elite anti-terrorist unit, Major Noah Blakeley is hunting for the clandestine organization he believes to be at the center of a spate of seemingly random acts of terror. When his ex-wife is killed while on an archaeological expedition to Mongolia, closely followed by an attempt on his life, Noah finds himself hurled into a world where the lines between historical research and present-day terrorism are blurred. To discover the answers, Noah must trace his wife's final footsteps and beyond.

The year is 1962, and every night Grace lays her head on her pillow at the Texas State Lunatic Hospital, she reminds herself she is not what they say she is. Her children and her husband are not dead...they’re searching for her. Someone knows the truth. Strangely, that someone is hell-bent on making sure the truth stays buried. The question is… why? Meanwhile, Grace has bigger fish to fry, starting with her new roommate. Elizabeth is certifiable, and she has star status—a deadly combination, Grace realizes.

Isaac Crawley has just returned home from London and is obsessed with the Jekyll and Hyde play, which has opened at Macauley's Theater in Louisville, Kentucky. On the fourth night of the show, a body is found on the riverbank, butchered like Jack the Ripper's first victim. The police set their sights on Issac, who has recently developed an opium habit, a propensity for blackouts, and noticeable changes in behavior. Since Isaac was in London during the horrific killing spree, they think he may be the Ripper himself.

I ask you: How do you reconcile a man who is capable of deep, tender love (because I've felt it), a man, who - by public standards - is a health reformer, assistant to the future British prime minister, and the son-in-law of a wealthy industrialist, but who, when the moment overtakes him, kills women? I don't know what to make of it myself, but that's me. I've been told I have a philosopher's mind, that I'm ambitious and can do anything I set my mind to - but sometimes my sadomasochistic tendencies get the better of me.

It’s 1970, and young Annette Cooley is part of a small team working on an archaeological dig on the New South Wales south coast - a site that appears to prove that Aboriginal societies in the late Holocene were becoming less nomadic, even sedentary. The discovery is thrilling in its significance, and the atmosphere in the group is one of charged excitement. The team is led by a husband-and-wife pair, stars in their field, Aled Wray and Marilyn Herr, and working on their sites promises to be the making of Annette as an archaeologist.

The Eyler family was anything but average. The father a top literary agent and the mother a duchess, they thrived in their prestigious Oakmont mansion surrounded by luxury…and secrets. On a cold autumn night, their legacy ended with a grisly massacre in one of the most horrific scenes ever investigated. Soon details splashed across every newspaper of how the family of five lay slaughtered in their library, cursing the mansion as it became branded the Execution Estate. With no witnesses and no motives, the killer remained free. Speculations grew darker. Answers grew dimmer. Until now.

Part diary, part scientific journal, part detective story, part love story: The Case of Emily V is thoroughly post-modern in its deliberate blurring of the distinction between fact and fiction, its cavalier blending of literary genres. But Oatley's first novel also resembles old 19th-century literature. His characters are dynamic, his storylines complex and suspenseful, his social commentary broad and integral to the plot.

Come smascherare coloro che esercitano il potere nell'ombra? Come vendicarsi di chi ti ha inferto le ferite più sanguinose e umilianti? Ritroviamo in questo nuovo romanzo Melchor Marín, il poliziotto appassionato di libri protagonista di Terra Alta. Ad alcuni anni di distanza dalla morte dell'amatissima moglie Olga, torna insieme alla figlia Cosette nella sua Barcellona, dove dovrà affrontare l'indagine più spinosa e difficile: qualcuno infatti tiene sotto ricatto la sindaca della città, utilizzando un video hard che risale a molto tempo prima.