Historical Suspense Women Sleuths

Margaret Starling wasn't the sort of woman anyone expected to be murdered. She was a wealthy upper-class widow. But money alone won't protect you when someone decides it's high time you met your maker. Margaret wasn't as well-regarded as she'd always thought she was. But Mrs. Jeffries and Inspector Witherspoon know that justice isn't a popularity contest, and they won't rest until they sift through the suspects to catch a sinister scrooge.

A traumatic personal crisis has left Lady Arianna bedeviled by guilt and questioning whether she has lost her nerve. Her circle of friends can't seem to help rekindle her fire. Even a challenge from Lord Grentham, Britain's shadowy head spymaster, to undertake a vital mission to Russia in aid of her old friend, Tsar Alexander, fails to spark any interest . . . Until Grentham mentions that Arianna's half-brother has gone in her place and may be in mortal danger. Resentful of the minister's attempt to manipulate her emotions, she still refuses to be drawn back into the fray.

A stranger who appears on Kat's doorstep turns out to be one Charlotte Bristow, legal wife of Joe Bristow, the man Kat once believed herself married to—who she thought died at sea twelve years ago. Kat is jolted by Charlotte’s claims that Joe was not only murdered but that he also had amassed a small fortune before he died. Charlotte makes the cook an offer she cannot refuse—if Kat can discover the identity of Joe's murderer, Charlotte will give her a share of the fortune Joe left behind. Kat must race to catch the real killer before she loses her job and possibly her life.

Southland brings us a fascinating story of race, love, murder, and history, against the backdrop of an ever-changing Los Angeles. A young Japanese-American woman, Jackie Ishida, is in her last semester of law school when her grandfather, Frank Sakai, dies unexpectedly. While trying to fulfill a request from his will, Jackie discovers that four African-American boys were killed in the store Frank owned during the Watts Riots of 1965. Along with James Lanier, a cousin of one of the victims, Jackie tries to piece together the story of the boys' deaths.

With her new husband George busy on a special mission for the British Museum, Frances has taken on an assignment of her own. The dowager Viscountess Wingate needs someone to sponsor her niece, Kate, for presentation to Queen Victoria. Frances—who understands society’s quirks and constraints as only an outsider can—is the perfect candidate. Kate is charming and intelligent, though perhaps not quite as sheltered as she might first appear. More worrying to Frances is the viscountess’s sudden deterioration.

Dublin, 1943. Actress Julia Bridges disappears. She was last seen entering the house of Gloria Fitzpatrick, who is later put on trial for the murder of a woman whose abortion she facilitated. But it’s never proved that Gloria had a hand in Julia’s death—and Julia’s body has never been found. Gloria, however, is sentenced to life in an institution for the criminally insane, where she’s found dead a few years later from an apparent suicide, and the truth of what happened to Julia Bridges dies with her.

Hannah Cameron was not well-liked, but who stabbed her in the back? To almost everyone, the answer was clear: she was killed by a burglar. This case is given to Inspector Nivens, so Mrs. Jeffries and the rest of the household must tiptoe around this case to find the real killer.

The letter came in secret, with a pearl eardrop from an aunt long thought dead, resurrecting the forbidden past. Banished by her spiteful half sister, Queen Mary, to Hatfield House in the English countryside, 25-year-old Princess Elizabeth cannot refuse the summons. The Boleyns are in grave danger. And Elizabeth, daughter of Anne Boleyn, is marked for death by a master poisoner whose reign of terror may have royal sanction.

Years before the Great War summoned Bess Crawford to serve as a battlefield nurse, the indomitable heroine spent her childhood in India under the watchful eye of her friend and confidant, the young soldier Simon Brandon. The two formed an inseparable bond on the dangerous Northwest Frontier where her father’s Regiment held the Khyber Pass against all intruders. It was Simon who taught Bess to ride and shoot, escorted her to the bazaars and the Maharani’s Palace, and did his best to keep her out of trouble.

In spring 1889, Prudence and Geoffrey set sail from New York Harbor on a private yacht bound for Bradford Island, where her friend Eleanor Dickson is to be wed. The Sea Islands along the Georgia coast serve as a winter playground for the likes of the Carnegies, Rockefellers, Vanderbilts, and Dicksons. Despite her Yankee pedigree, Eleanor is marrying a Southern gentleman, Teddy Bennett, and Prudence is thrilled to be the maid of honor.

With the threat of war looming over the Continent now that Napoleon has reseized the throne of France, London is abuzz with intrigue as diplomats from the European powers gather to negotiate a military alliance against him. But Lady Arianna and her husband, the Earl of Saybrook, are intent on staying clear of the conflict, deciding it's a battle for nations and armies to fight. Until things turn very personal. When a Prussian diplomat is murdered, two items found in his pocket force Arianna and Saybrook to once again become reluctant allies with the shadowy head of British security.

The Prodigal Son Mission on Mulberry Bend stands as a refuge for girls who otherwise would have to live by selling the only thing they have of value - themselves. The work being done there so impresses midwife Sarah Brandt that she volunteers to help out however she can - with clothes, with medical assistance, and with the organization of a benefit dinner. And when one of the girls is found dead and refused burial because of her former life, Sarah's passion for justice is aroused.

>In July of 1923, the Honorable Daisy Dalrymple travels to Henley-on-Thames to visit her aunt and uncle, as well as to work on her latest writing assignment: covering the Henley Royal Regatta for an American magazine. Daisy plans a simple trip researching her article, enjoying the races, and, come the weekend, having a pleasant time with her fiancé, Detective Chief Inspector Alec Fletcher of Scotland Yard. But the tensions between the Ambrose team's coxswain, Horace Bott - a shopkeeper's son and scholarship student at Oxford - and rower Basil DeLancey - the younger son of an earl and all-around bounder - are constantly threatening to erupt into violence.

London, 1894. Albertine Honeycombe never wanted a husband and certainly not the one with fifteen children that her cousin, Aubrey, is trying to marry her off to. She reinvents herself as Countess Von Dagga, a private detective aiding the upper echelons of women in society. As the Countess, she is a married woman, with a conveniently absent husband who doesn’t exist, which allows her far more freedom than being single. When Lord Grendel, from whom she has recovered blackmail letters, is murdered, Albertine is suspect number one—having been the last person to see him.

Restless and uncertain of her future in the wake of World War I, former battlefield nurse Bess Crawford agrees to travel to Yorkshire to help a friend of her cousin Melinda through surgery. But circumstances change suddenly when news of a terrible accident reaches them. Bess agrees to go to isolated Scarfdale and the Neville family, where one man has been killed and another gravely injured. The police are asking questions, and Bess is quickly drawn into the fray as two once close families take sides, even as they are forced to remain in the same house until the inquest is completed.

1784 London. Miss Tiffany Woodall didn’t murder her half-brother, but she did bury him in the back garden so that she could keep her cottage. Now, the confirmed spinster has to pretend to be Uriah and fulfill his duties as the Duke of Beaufort’s librarian while searching Astwell Palace for Uriah’s missing diamond pin, the only thing of value they own. Her ruse is almost up when she is discovered by Mr. Samir Lathrop, the local bookseller, who tries to save her from drowning while she's actually just washing up in a lake after burying her brother.

December 1935. Director Monty Harrison's production of A Christmas Carol has had a troubled run on its tour of regional theatres. With tensions amongst the cast running high, the company reach their final stop—London's Theatre Royale. Catastrophe, however, strikes on opening night: Scrooge dies on stage, the result (it is presumed) of a heart attack. But the show must go on. Until, that is, a leading theatre critic—and old rival of Monty's—is killed backstage.

Istanbul, 1926: After her archeologist father makes a clandestine journey abroad, Jane and the dapper Mr. Redvers trace his footsteps while signs of danger loom back home in the United States. They're greeted at their destination by Aunt Millie and unsettling news: Professor Wunderly was on a mission to locate the lost heart of Sultan Suleiman the Magnificent—a legendary relic from the Ottoman Empire said to possess potent mystical powers—then vanished completely, leaving behind his unpacked luggage, a perplexing riddle, and an eerie mystery Jane must solve to keep her loved ones safe.

With more than a dash of glamour and serious helpings of style, the witty and courageous Phryne Fisher returns. In 1928 St Kilda’s streets hang with fairy lights. Magic shows, marionettes, tea dances, tango competitions, life-saving demonstrations, lantern shows, and picnics on the beach are all part of the Flower Parade. And who else should be chosen to be Queen of the Flowers but the gorgeous, charming and terribly fashionable Hon Phryne Fisher?

"Ogni mattina Anita si accomoda alla Olivetti e digita digita digita. Le storie che deve trascrivere sono belle. Anita coi personaggi entra subito in confidenza. Tempo due racconti e le sembra di conoscerli da una vita. In ogni storia il protagonista di turno si ritrova in un agguato, in una sparatoria, in una rissa. E Anita ormai lo sa che il personaggio ne uscirà intero, o perlomeno con buone prospettive di ripresa, perché sono racconti seriali, giusto? Mica lo fai crepare, il protagonista che deve tornare ancora e ancora, ci arriverebbe anche un cretino."