Historical Suspense Women Sleuths

Taking on the responsibilities that come with being Lady Lyndhurst, Stella is eager to embrace yuletide traditions in the Edwardian English countryside and use her strong social influence for good. Her world becomes so consumed with starting a horse farm charity for the holidays that she barely notices the usual oddities attached to her upper crust lifestyle. At least, not until items vanish from her bedroom and maligned housekeeper, Mrs. Nelson, becomes seriously ill—only to be found dead in the cold on Mistletoe Lane.

Travelling at high speed in her beloved Hispano-Suiza, accompanied by her maid and trusted companion, Dot; her two adoptive daughters, Jane and Ruth; and their dog, Molly, The Hon Miss Phryne Fisher is off to Queenscliff. She'd promised everyone a nice holiday by the sea with absolutely no murders, but when they arrive at their rented accommodation that doesn't seem likely at all.

Molly Murphy's beau Captain Daniel Sullivan may be out of jail on bail, but he's still a ways from clearing his name, and his foul mood has Molly in search of a little breathing room when providence steps in in the form of a proposition from New York City's renowned theatrical impresario Tommy Burke. America has been very good to Tommy, and now that he's getting on in years, he'd like to pass some of that good fortune on to his family back in Ireland.

The inimitable Daisy Dalrymple Fletcher and her husband Detective Chief Inspector Alec Fletcher seem to get a reprieve from their sleuthing duties when they are invited to the wedding of their friend, Lucy Fotheringay. Lucy's grandfather is hosting the ceremony at his beautiful estate and so it promises to be a typical affair with hordes of gossipy aunts and other colorful, but not necessarily pleasant, relatives. Daisy meets all these characters and observes the ensuing familial fraternization with a certain kind of amusing nonchalance.

She keeps house for Inspector Witherspoon...and keeps him on his toes. Everyone's awed by his Scotland Yard successes - but they don't know about his secret weapon. No matter how messy the murder or how dirty the deed, Mrs. Jeffries' polished detection skills are up to the task...proving that behind every great man, there's a woman - and that a crime-solver's work is never done.

Chicago, 1923: Ten-year-old Dani Flanagan returns home to find police swarming the house, her parents dead. Michael Malone, the young patrolman assigned to the case, discovers there’s more to the situation—and to Dani Flanagan herself—than the authorities care to explore. Malone is told to shut his mouth, and Dani is sent away to live with her spinster aunts in Cleveland.

Arriving in Cairo for another thrilling excavation season, Amelia is relaxing in a well-earned bubble bath in her elegant hotel suite in Cairo when a man with a knife protruding from his back staggers into the bath chamber and utters a single word - "murder" - before collapsing on the tiled floor, dead. Among the few possessions he carried was a sheet of paper with Amelia's name and room number.

The former Beatrice Hyde-Clare is having a little trouble adjusting to her new situation. Now installed as the duchess of Kesgrave in elegant splendor in Berkeley Square, she is confounded by the stately residence’s seemingly endless array of rooms. And every time one of the maids addresses her as "your grace", she flinches.

When a body is unceremoniously dumped outside her home, Lady Ottilia Fanshawe is once more drawn into a murder case. Ottilia is recovering from the birth of her first child and her husband, Lord Francis Fanshawe, is worried that she has finally taken on more than she can handle. But Ottilia will not be diverted. Motherhood has always been her deepest desire, but solving crimes is her passion. And she is determined to balance both.

The Honourable Miss Phryne Fisher is feeling dull. But is shebored enough to leave her identity, her home and family behind and join Farrell’s Circus and Wild Beast Show? There have beenstrange things happening at the circus. And when Phryne is asked by her friends – Samson the Strong Man, Alan the carousel operator and Doreen the Snake Woman – to help them, curiosity gets the better of her.

In Allison Montclair's The Lady from Burma, murder once again stalks the proprietors of The Right Sort Marriage Bureau in the surprisingly dangerous landscape of post-World War II London.

Rosalind Thorne has slowly but assuredly gained a reputation as "a useful woman" - by helping respectable women out of some less-than-respectable predicaments. Her latest endeavor is a tragedy waiting to happen. Desperate Margaretta Seymore is with child - and her husband is receiving poisoned pen letters that imply that her condition is the result of an affair with the notorious actor Fletcher Cavendish.

India’s only female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay.

When Kat's employer asks for help in clearing her friend's name, Kat trades her kitchen for the homes of Mayfair's wealthiest families. Soon antiquities are disappearing not only from the extravagant households of connoisseurs and collectors but also from the illustrious British Museum. As the thefts increase in frequency, Kat calls upon her friend Daniel McAdam, who has already set himself up in a pawnshop on the Strand as a seedy receiver of stolen goods. When a man is murdered in the shop, Kat must use all of her wits to see that the thieves are caught and justice is done.

Enola Holmes, the much younger sister of Sherlock and Mycroft, owns a building in the heart of 19th-century London, a place she uses under pseudonyms to front for her investigative work. Employed there is a porter - Joddy, a young boy in a uniform festooned with buttons - whose even younger brother substitutes for him when he's sick. But Paddy disappears after one day at the job, and Enola Holmes is alerted to this by the still ill Joddy.

Newly minted PI Emma Holmes and her partner Sam Collins are just settling into their business when they’re chosen for a high-profile case: retired music-hall star Verity Malone hires them to find out who poisoned her husband, a theater impresario. Verity herself has been accused of the crime. The only hitch—the Brighton police are already on the case, putting Emma in direct competition with her husband, police superintendent Edgar Stephens.

Molly’s policeman husband, Daniel, is late returning home. He comes with a tale to tell: There was a murder on Ellis Island that day, and the main suspect is the spitting image of Molly. The circumstances are eerily similar to when Molly herself arrived on Ellis Island, and she can’t help but feel a sense of fate. Molly was meant to be there that day so that she can clear this woman’s name.

It's 1945: When the critically wounded Captain Cooper Ravenal is brought to a private hospital on Manhattan's Upper East Side, young Dr. Kate Schuyler is drawn into a complex mystery that connects three generations of women in her family to a single extraordinary room in a Gilded Age mansion. Who is the woman in Captain Ravenel's portrait miniature who looks so much like Kate? And why is she wearing the ruby pendant handed down to Kate by her mother?

Maggie Hope has come a long way since serving as a typist for Winston Churchill. Now she's working undercover for the Special Operations Executive in the elegant but eerily silent city of Paris, where SS officers prowl the streets in their Mercedes and the Ritz is draped with swastika banners. Walking among the enemy is tense and terrifying, and even though she's disguised in chic Chanel, Maggie can't help longing for home.

Sydney, Australia, 1946. Though war correspondent Billie Walker is happy to finally be home, the heady post-war days are tarnished by the death of her father and the disappearance in Europe of her husband, Jack. To make matters worse, now that the war is over, the newspapers are sidelining her reporting talents to prioritize jobs for returning soldiers. But Billie is a survivor and she's determined to take control of her own future. She reopens her late father’s business, a private investigation agency, and slowly, the women of Sydney come knocking.