Historical Suspense Women Sleuths

A timeless murder mystery with the fascinating, glamorous Mitford sisters at its heart, The Mitford Trial is the fourth installment in the Mitford Murders series from Jessica Fellowes, inspired by a real-life murder in a story full of intrigue, affairs and betrayal....

New York, 1939 Giddy Brodsky knows she’s lucky to have a job as a cigarette girl at a Manhattan jazz club, but she dreams of opening her own beauty shop and lifting her family out of poverty. The Brodskys have lived cheek to jowl in the Lower East Side tenements since they came to America nineteen years ago, fleeing a deadly pogrom in their Russian village. But they continue to face prejudice. Yet Giddy is focused on the future—until she recognizes one of the Cossacks who irrevocably changed her life and the past comes flooding back.

It was a most peculiar murder. A man's body was found in the canal - but the evidence showed that he had drowned in a bathtub. A theater critic known for his savage reviews, the victim had had a full cast of enemies. While Inspector Witherspoon scoured the theater, his housekeeper and unofficial sleuthing partner Mrs. Jeffries uncovered the critic's secret past: a real-life drama more compelling than any stage play.

Summoned to Edinburgh by the Dowager Countess of Pembroke, Tabitha and Wolf reluctantly board a train and head north to Scotland. The dowager's granddaughter, Lily, refuses to participate in the preparations for her first season unless Tabitha and Wolf investigate the disappearance of her friend, Peter. Initially skeptical of the need to investigate, Tabitha and Wolf quickly realize that the idealistic Peter may have stumbled upon dark secrets. How far would someone go to cover their tracks?

A stranger who appears on Kat's doorstep turns out to be one Charlotte Bristow, legal wife of Joe Bristow, the man Kat once believed herself married to—who she thought died at sea twelve years ago. Kat is jolted by Charlotte’s claims that Joe was not only murdered but that he also had amassed a small fortune before he died. Charlotte makes the cook an offer she cannot refuse—if Kat can discover the identity of Joe's murderer, Charlotte will give her a share of the fortune Joe left behind. Kat must race to catch the real killer before she loses her job and possibly her life.

The fighting has ended, the Armistice signed, but the war has left wounds that are still agonizingly raw. Battlefield Nurse Bess Crawford has been assigned to a clinic for amputees, and the Welsh patients worry her. She does her best to help them, but it’s clear that they have nothing to go home to, in a valley where only the fit can work in the coal pits. When they are released, she fears that peace will do what war couldn’t - take their lives.

The new decade is going well for Edgar Stephens and his good friend the magician Max Mephisto. Edgar is happily married, with children, and promoted to Superintendent. Max has found fame and stardom in America, though he's now back in England for a funeral, and a prospective movie job. Edgar's new wife, though - former detective Emma - is restless and frustrated at home, knowing she was the best detective on the team. But when an investigation into a string of disappearing girls begins, Emma sees her chance to get back in the action. She begins her own hunt.

It’s 1968, London is in full swing, and the Savoy Hotel is at the height of its legendary glitz and glamour, welcoming the rich, famous, and aristocratic into its rarified world of perfection. Royals wait upstairs in luxurious suites for discreet encounters. All is as it should be at the Savoy. If only it weren’t for the dead body in Room 705. Could it be murder? Impossible! Who could have done such a thing? Suspicion falls upon Priscilla Tempest, the quick-witted Canadian head of the Savoy press office who has a penchant for champagne, the wrong sort of men—and trouble.

Along with cheering on her soon-to-be brother-in-law, Freddie Kentfield, at The British Open in Scotland, Stella embraces the chance to connect with her distant cousins, the McEwens, at their grand estate, Glenloch Hill. But she and Lyndy don’t receive the warm welcome they expect when their arrival is marred by missing luggage, evasive hosts, and the perceived mistreatment of a young laundry maid. Adding to the tense atmosphere, Freddie’s roguish father, Sir Edwin, appears at the manor uninvited, his presence casting a shadow over the events—and stirring up more unanswered questions …

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

When young cook Kat Holloway learns that the children of London's Foundling Hospital are mysteriously disappearing and one of their nurses has been murdered, she can't turn away. She enlists the help of her charming and enigmatic confidant Daniel McAdam, who has ties to Scotland Yard, and Errol Fielding, a disreputable man from Daniel’s troubled past, to bring the killer to justice. Their investigation takes them from the grandeur of Mayfair to the slums of the East End, during which Kat learns more about Daniel and his circumstances than she ever could have imagined.

Hannah Cameron was not well-liked, but who stabbed her in the back? To almost everyone, the answer was clear: she was killed by a burglar. This case is given to Inspector Nivens, so Mrs. Jeffries and the rest of the household must tiptoe around this case to find the real killer.

When a fellow passenger is found dead on Audrey's packet ship from France, a mysterious note on the body points to her as the killer. Detained in Dover for an inquest that is being led by a prejudiced magistrate, she is joined by trusted friends and family—and the newly minted viscount, Hugh Marsden—to prove her innocence. But when it's discovered the murdered man was a private inquiry agent, hired to follow the duchess while she traveled the Continent, they enter a race to find out who hired him and why.

It's 1942 and Willowjean "Will" Parker is a scrappy circus runaway whose knife-throwing skills have just saved the life of New York's best, and most unorthodox, private investigator, Lillian Pentecost. When the dapper detective summons Will a few days later, she doesn't expect to be offered a life-changing proposition: Lillian's multiple sclerosis means she can't keep up with her old case load alone, so she wants to hire Will to be her right-hand woman. In return, Will is to receive a salary, room and board, and training in Lillian's very particular art of investigation.

Called to the home of her fiancé's former mistress late one night, Francesca finds her curiosity piqued. But upon arrival, she is shocked to find Daisy Jones's bloodied body…and even more devastated when the evidence points to one suspect—her fiancé, Calder. Francesca cannot—will not—believe that Calder is capable of such an act. Still, she is unable to shake her instinctive sense that Calder is lying about something. The police are far less inclined to believe his innocence, and Calder is arrested for Daisy's murder.

The year is 1928, and after the death of a maid at a glamorous society party, fortune heir Bryan Guinness seizes life and proposes to 18-year-old Diana, the most beautiful of the six Mitford sisters. The maid's death is ruled an accident, and the newlyweds put it behind them to begin a whirlwind life. Accompanying Diana as her lady's maid is Louisa Cannon, as well as a coterie of friends, family and hangers on, from Nancy Mitford to Evelyn Waugh. When a second victim is found in Paris in 1931, Louisa begins to see links with the death of the maid two years previously.

England, 1926: Wedgefield Manor, deep in the tranquil Essex countryside, provides a welcome rest stop for Jane and her matchmaking Aunt Millie before their return to America. While Millie spends time with her long-lost daughter, Lillian, and their host, Lord Hughes, Jane fills the hours devouring mystery novels and taking flying lessons - much to Millie's disapproval. But any danger in the air is eclipsed by tragedy on the ground when one of the estate's mechanics, Air Force veteran Simon Marshall, is killed in a motorcar collision.

On a visit to the estate of her friend, the young and beautiful Isobel, countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband - a gentleman of mature years - is felled by a mysterious and agonizing ailment. The earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the earl's nephew of adultery - and murder. Desperately afraid that the letter will expose her to the worst sort of scandal, Isobel begs Jane for help.

New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming "trouser roles"-male characters played by women - and captivating audiences far and wide with her travelling theater company. But Ella's flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini's I Capuleti e i Montecchi.

Chicago, 1938. Late one night, before the 10:00 show, the body of a prominent radio actress is found dead in the station's lounge. All the evidence points to murder and one young up-and-coming radio actress, Vivian Witchell, as the next victim. But Viv isn't the type to leave her fate in the hands of others - she's used to stealing the show. Alongside charming private detective Charlie Haverman, Vivian is thrust into a world of clues and motives, suspects and secrets. And with so much on the line, Viv finds her detective work doesn't end when the "On-Air" light goes out.