Historical Women Detectives

On a reluctant visit to her painfully respectable brother and his wife, Angela Marchmont finds herself once again caught up in murder when a local farmer is shot dead, apparently at the hands of his sworn enemy. But the case is not as simple as it seems, for other motives and suspects soon come to light. With reporters hot on the scent and her friend, Inspector Jameson, battling a conflict of interest, Angela must use all her ingenuity to unravel the case and bring the murderer to justice - or more than one person will suffer the consequences.

As the 19th century draws to a close, reporter Emma Cross is sent by the Newport Observer to cover an elite house party at Rough Point, a "cottage" owned by her distant cousin Frederick Vanderbilt that has been rented as an artist retreat. To her surprise, the illustrious guests include her estranged Bohemian parents - recently returned from Europe - as well as a variety of notable artists, including author Edith Wharton.

Nothing ever happens in August, so Kate goes off on a long-overdue holiday to Whitby to visit her friend Alma who works there as a fortune teller. She's been looking forward to a relaxing seaside sojourn, but, upon arrival, she discovers that Alma's daughter, Felicity, has disappeared, leaving her mother a note and the pawn ticket for their only asset: a watch-guard. What makes this more intriguing is that the jeweler who advanced Felicity the 30 shillings is Jack Phillips, Alma's current gentleman friend.

In September 1926, the Honorable Daisy Dalrymple Fletcher visits Sybil Sutherby, a school friend now living in Derbyshire as the confidential secretary to a novelist. Suspecting that something is seriously amiss, Sybil has asked Daisy to discretely investigate. Upon arrival, Daisy finds a household of relatives and would-be suitors living off the hospitality of Humphrey Birtwhistle, who had been supporting them through his thrice-yearly, pseudonymous Westerns. When he took ill, though, Sybil took over writing them while he recovered, only to see the sales increase. Now, she fears that someone in the household is poisoning Birtwhistle to keep him ill and Sybil writing the better-paying versions.

The letter came in secret, with a pearl eardrop from an aunt long thought dead, resurrecting the forbidden past. Banished by her spiteful half sister, Queen Mary, to Hatfield House in the English countryside, 25-year-old Princess Elizabeth cannot refuse the summons. The Boleyns are in grave danger. And Elizabeth, daughter of Anne Boleyn, is marked for death by a master poisoner whose reign of terror may have royal sanction.

Plagued with guilt, Freda Simonson, the only witness to the murder of the landlord of Langcliffe's tavern, believes that her testimony may have convicted the wrong man, but when she passes, the case seems closed. It just so happens, though, that Freda's nephew is courting the renowned amateur sleuth Kate Shackleton, who has decided to holiday in Langcliffe with her teenage niece, Harriet.

Young Harriet and her brother Austin have always been scared of the quarry where their stonemason father works. So when they find him dead on the cold ground, they scarper quick smart and look for help. When help arrives, the quarry is deserted and there is no sign of the body. Were the children mistaken? Is their father not dead? Did he simply get up and run away? It seems like another unusual case requiring the expertise of Kate Shackleton. But for Kate this is one case where surprising family ties makes it her most dangerous and delicate yet.

Cantankerous and vinegar-tongued Grandmama, from Anne Perry's Charlotte and Thomas Pitt series, is the leading character in this Christmas novel, which unfolds in the chilly, windswept Romney Marshes off the English Channel. Grandmama arrives on a holiday visit to the home of Charlotte's parents, where a fellow guest--an outcast from her own family--is subsequently murdered. Like the heroes before her in Anne Perry's Christmas novels, Grandmama is called upon to play the role of amateur detective.

Rumor has linked Queen Elizabeth I to her master of the horse, Robin Dudley. As gossip would have it, only his ailing wife, Amy, prevents marriage between Dudley and the Queen. To quell the idle tongues at court, the Queen dispatches Ursula Blanchard to tend to the sick woman's needs. But not even Ursula can prevent the "accident" that takes Amy's life. Did she fall or was she pushed? Was Ursula a pawn of Dudley and the Queen?

London, 1894. Albertine Honeycombe never wanted a husband and certainly not the one with fifteen children that her cousin, Aubrey, is trying to marry her off to. She reinvents herself as Countess Von Dagga, a private detective aiding the upper echelons of women in society. As the Countess, she is a married woman, with a conveniently absent husband who doesn’t exist, which allows her far more freedom than being single. When Lord Grendel, from whom she has recovered blackmail letters, is murdered, Albertine is suspect number one—having been the last person to see him.

Nell'autunno del 1915, Constance Kopp, dopo aver scartato sdegnosa il mestiere di giardiniera e intagliatrice, per non parlare di quello di governante, si destreggia nel suo nuovo mondo: la prigione dello sceriffo Heath, ad Hackensack, in New Jersey. Il suo posto da vicesceriffa è in bilico, perché le ingessate leggi dello Stato ancora non prevedono che quella carica possa essere ricoperta da una donna. E così viene retrocessa a direttrice della sezione femminile, dove sorveglia le detenute o rincorre giovani ragazze in fuga sui treni.

“An ingenious marriage of comedy and crime” (Olga Tokarczuk, Nobel Laureate): When amateur sleuth and cunning socialite Zofia Turbotyńska’s beloved maid goes missing, she dives deep into Cracow’s web of crime, with only her trusted cook for company.

England, 1865: Celine verlässt das aufregende London, um in dem beschaulichen Dorf Roscave mit ihrem Vater eine Schneiderei zu eröffnen. Sie rechnet mit geschwätzigen Nachbarn, langweiligen Nähaufträgen und matschigem Wetter.

Sherlock Holmes said that Mary Morstan might have been most useful in detective work if she had only remained single. She had a decided genius. So, bored with staying at home while her husband is away helping Holmes catch criminals, Dr. Watson's wife decides to have a go at the game herself. In this she is ably assisted by her friend Emily Fanshaw, who likes to play a transvestite role occasionally.

It’s August 1861, and her latest assignment could end the bloody Civil War and bring the fractured United States together again. All she must do is win the trust of her captive: Confederate spy and socialite Rose Greenhow. But with Rose well aware of Kate’s working-class background and belief in abolitionism, it seems an impossible task. Worse, Kate has secrets that make her vulnerable, such as her forbidden love affair with a colleague.

Sherlock Holmes has been missing and is presumed dead for some time, and his grief-stricken landlady, Mrs. Hudson, is anxious for a distraction. However, she is in for a culture shock when she travels to Ireland with her friend, Kitty Melrose, to try and stop a forced marriage. What she finds is a countryside steeped in superstition and beliefs in the old ways, a place of fairy forts and holy wells, and of changelings and banshees. A place, moreover, where an impoverished peasantry remains under the heel of oppressive English landlords, but not for much longer.

Murder is a royal affair in this enchanting series by Sarah E. Burr. Welcome to the Realm of Virtues, where mystery and intrigue await. Before the Court of Mystery, Jacqueline Arienta Xavier reigned as the Ducal Detective.

Jane Prescott is taking a break from her duties as lady's maid for a week, and plans to begin it with attending the hottest and most scandalous show in town: The opening of an art exhibition, showcasing the cubists, that is shocking New York City. 1913 is also the 50th anniversary of Lincoln's Emancipation Proclamation speech, and the city's great and good are determined to celebrate in style.

New York City, 1910. Invisible until she’s needed, Jane Prescott has perfected the art of serving as a ladies’ maid to the city’s upper echelons. Then she takes up a position with the Benchley family, dismissed by the city’s elite as "new money". The Benchleys cause further outrage when their daughter Charlotte becomes engaged to notorious playboy Norrie, the son of the eminent Newsome family. But when Norrie is found murdered at a party, Jane discovers she is uniquely positioned - she’s a woman no one sees, but who witnesses everything - and therefore has the tools to solve his murder.

Helen Carter has just landed her first case as a detective: a murder in an abandoned cinema. A mysterious clock-like symbol is drawn on the wall...in blood. Stranger still is what the killer left behind: the business card of an ex-cop. Since being promoted from WPC, Helen is having trouble making her mark in the male-dominated Edinburgh CID, working under Inspector Jack Craven. He’s not happy about having a woman on his team. Witnesses won’t talk to her; her colleagues don’t take her seriously.