Historical Women Detectives

Revered mystery writer Josephine Tey is traveling from Scotland to London for the final week of her play Richard of Bordeaux, the surprise hit of the season, with pacifist themes that resonate in a world still haunted by war. But joy turns to horror when her arrival coincides with the murder of a young woman she had befriended on the train ride - and Tey is plunged into a mystery as puzzling as any in her own works.

Twelve-year-old Flavia de Luce is back at Buckshaw at last, but her homecoming is overshadowed by news of her father's illness. Forbidden from visiting him in hospital, Flavia busies herself in the village, but she soon makes a macabre discovery: the corpse of a reclusive woodcarver in an empty house, except for a curiously uncurious cat. Curiosity may not kill this cat, but Flavia is energized at the prospect of a new investigation. However, what awaits Flavia will shake her to the core.

After losing her copywriting job, young Gwynne Dacres seeks a place to live when she stumbles upon Mrs. Garr's old boarding house. Despite the gruff landlady and an assortment of shifty tenants, Gwynne rents a room for herself. She spends her first few nights at 593 Trent Street tensely awake, the house creaking and groaning as if listening to everything that happens behind its closed doors. A chain of chilling events leads to the gruesome discovery of a mutilated body in the basement kitchen, dead of unknown circumstances. Was it an accident or murder?

November, 1923. Olive’s school chum, Gigi, invites Olive to London because Gigi’s dotty grandmother fears for her life—or so she’s said to Gigi. However Olive is surprised to find that the dowager is far from muddled. The sharp and imperious matriarch refuses to admit to her worries and sends Olive on her way. Without a client or case, Olive is swept into the glittering lifestyle of the “fast set,” and their decadent excess. But then among the cocktails and champagne, a murderer strikes during a frivolous party game, and Olive realizes the dowager’s fears were well-founded.

In March of 1926, Daisy Dalrymple Fletcher and her friend and collaborator, Lady Lucy Gerald, head off for several days to a stately home reputed to have the best grotto in the country. Working on a book of architectural follies, they plan to research and photograph it. Leaving her husband and young twins behind, Daisy is expecting a productive weekend at Appsworth Hall, with the only potential difficulty being keeping Lucy from offending the current owner, a manufacturer of plumbing products. Alas, it's not to be quite so simple.

Sally Meredith's young life has been full of adventure. As a suffragist, she fought for women's right to vote. She drove an ambulance in France during the war. And she's already had a proposal and a broken engagement. But the past few years have been deadly dull, taking care of a cranky relative and now living alone in a quiet village. So when her eccentric uncle Fritzi arrives with the tale of his most recent invention - a deadly gas that nations are striving to get hold of - she's intrigued.

It’s October, 1923, and Olive Belgrave has a new case. Her client, Lady Agnes doesn’t believe in curses, and she hires Olive to prove her Egyptologist uncle wasn’t the victim of a malevolent mummy. Olive investigates and discovers the truth is much worse—it’s murder. Can Olive debunk the curse and reveal the true culprit before the supposed curse claims another victim?

December 1918: As a difficult year draws to a close, there is much to celebrate for 19-year-old Phoebe Renshaw and her three siblings at their beloved family estate of Foxwood Hall. The dreadful war is finally over; eldest daughter Julia's engagement to their houseguest, the marquis of Allerton, appears imminent; and all have gathered to enjoy peace on Earth, goodwill toward men. But the peace of Foxwood Hall is shattered on the morning of Boxing Day, when the marquis goes missing.

When Sylvia Shipman's uncle plunges to his death on the eve of a catastrophic stock market crash, the verdict is suicide. But Sylvia doubts the official story after seeing a sinister stranger fleeing the scene. She doubts it even more after learning of her uncle's secret criminal connections. With the help of her family's attractive new chauffeur, the mysteriously capable Miles, Sylvia chases the true killer through the swanky jazz clubs and shadowed alleyways of 1920s New York.

Willa Noble knew it was bad luck when it was pouring rain on the day of her ever-important job interview at the Dickinson home in Amherst, Massachusetts. When she arrived late, disheveled with her skirts sodden and filthy, she'd lost all hope of being hired for the position. As the housekeeper politely told her they'd be in touch, Willa started toward the door of the stately home only to be called back by the soft but strong voice of Emily Dickinson. What begins as tenuous employment turns to friendship as the reclusive poet takes Willa under her wing.

Emily and her husband, Colin Hargreaves, have accompanied her dear friend Ivy Brandon on a trip to Pompeii. When they uncover a corpse and the police dismiss the murder as the work of local gangsters, Emily launches an investigation of her own. She seems to be aided by the archaeologists excavating the ruins, including a moody painter, the enigmatic site director, and a free-thinking American capable of sparring with even the Duke of Bainbridge. But each of them has secrets hiding among the ruins.

With London's streets deserted, a young flower girl is murdered. But why was she out so late on the foggiest night of the year? Inspector Witherspoon of Scotland Yard has nowhere to even begin looking for a suspect. However, Mrs. Jeffries, his housekeeper, is even more accomplished at detection than she is at household management. A policeman's widow herself, her quick wits allow her to nudge the inspector in the right direction to solve the mystery.

Undeterred by world war and enemy submarines, Amelia Peabody, grandmaster Elizabeth Peters' indomitable archaeologist-sleuth, once again sets sail for Egypt, where ghosts of an ancient past and specters of a present-day evil hover silently over an inscrutable land.

Ireland, AD 670. When an eminent scholar is found murdered in his cell in the abbey of Lios Mór, fear spreads among his brethren; his door was secured from the inside, with no other means of exit. How did the murderer escape? And what was the content of the manuscripts apparently stolen from the scholar's room? Abbot Iarnla insists on sending for Sister Fidelma and her companion Brother Eadulf to investigate the killing. But even before they reach the abbey walls, there is an attempt on their lives.

Flavia is enjoying the summer, spending her days punting along the river with her reluctant family. Languishing in boredom, she drags a slack hand in the water - and catches her fingers in the open mouth of a drowned corpse. Flavia needs to put her super-sleuthing skills to the test to investigate the murder of three gossips in the local church and to keep her sisters out of danger.

When Flavia de Luce is banished to Miss Bodycote's Female Academy in Canada, she’s soon on familiar ground when, on her first night, a mummified body is dislodged from a chimney, and she is presented with a gruesome puzzle to solve. Girls have been disappearing with alarming regularity, leading Flavia to wonder not only how and why but what exactly is the academy's true purpose? Flavia must enter a shadowy world where truth and lies seem interchangeable and no one can be trusted.

Claudine Burroughs, a volunteer in Hester Monk's clinic for sick and injured prostitutes, no longer expects closeness with her coldly ambitious husband and dreads the holidays. Then, at a glittering Yuletide gala, she meets the attractive poet Dai Tregarron, and suddenly her spirits lift. But an hour later, this fascinating man is enmeshed in a nightmare - accused of killing a young streetwalker who had been smuggled into the party.

New York, 1958. Even though Evelyn Murphy has made progress conquering her agoraphobia by leaving the Pinnacle, she still feels most comfortable in her father's hotel. With Malcolm Cooper, her new boyfriend and fellow employee at the hotel, Evelyn feels prepared for whatever happens next. In this case, it’s throwing a big fundraiser with the who’s who of New York City. The night is a success, and Evelyn finally takes up Malcolm’s offer to visit his apartment in Yonkers. As the party ends, they sneak away to the garage to get Evelyn's car. But Evelyn's always been good at finding things.

December, 1925. A dark, smog-filled London doesn’t seem very Christmassy or exciting, but then Posie Parker, London’s premier female private detective, receives an urgent call from one of her oldest friends: Rufus, Earl of Cardigeon. Summoned to The Mermaid, an ancient hotel in Rye on the Sussex Coast, in the heart of smuggling country, Posie, together with her husband Richard, finds her friend in a real state. As the snow falls and Christmas lights go up, secrets are revealed, and Posie becomes involved in perhaps her most personal case so far.

Ireland. AD 671. Sister Fidelma has a mission, and she is sworn by oath to reveal her purpose to no other. The secret investigation leads Fidelma and her companions to the abbey of Finnbarr to question the abbot. But before they have a chance to speak to him, the abbot is found murdered - and the young girl suspected of the crime has fled the scene. Despite their protests, Fidelma's cohorts agree to accompany her in pursuit of the girl for answers.