Historical Women Detectives

London, 1937. Following the gloomy days of the abdication of King Edward VIII, the entire city is elated to welcome King George. Just one of the many planned festivities for the historic coronation is a BBC radio adaptation of Queen of Scots, and the original playwright, Josephine Tey, has been invited to sit in on rehearsals. Soon, however, Josephine gets wrapped up in another sort of drama. The lead actress has been sleeping with Britain's most venerable newsman, Anthony Beresford - and his humiliated wife happens to work in the building.

Plagued with guilt, Freda Simonson, the only witness to the murder of the landlord of Langcliffe's tavern, believes that her testimony may have convicted the wrong man, but when she passes, the case seems closed. It just so happens, though, that Freda's nephew is courting the renowned amateur sleuth Kate Shackleton, who has decided to holiday in Langcliffe with her teenage niece, Harriet.

December, 1925. A dark, smog-filled London doesn’t seem very Christmassy or exciting, but then Posie Parker, London’s premier female private detective, receives an urgent call from one of her oldest friends: Rufus, Earl of Cardigeon. Summoned to The Mermaid, an ancient hotel in Rye on the Sussex Coast, in the heart of smuggling country, Posie, together with her husband Richard, finds her friend in a real state. As the snow falls and Christmas lights go up, secrets are revealed, and Posie becomes involved in perhaps her most personal case so far.

Cantankerous and vinegar-tongued Grandmama, from Anne Perry's Charlotte and Thomas Pitt series, is the leading character in this Christmas novel, which unfolds in the chilly, windswept Romney Marshes off the English Channel. Grandmama arrives on a holiday visit to the home of Charlotte's parents, where a fellow guest--an outcast from her own family--is subsequently murdered. Like the heroes before her in Anne Perry's Christmas novels, Grandmama is called upon to play the role of amateur detective.

London, 1894. Albertine Honeycombe never wanted a husband and certainly not the one with fifteen children that her cousin, Aubrey, is trying to marry her off to. She reinvents herself as Countess Von Dagga, a private detective aiding the upper echelons of women in society. As the Countess, she is a married woman, with a conveniently absent husband who doesn’t exist, which allows her far more freedom than being single. When Lord Grendel, from whom she has recovered blackmail letters, is murdered, Albertine is suspect number one—having been the last person to see him.

Nell'autunno del 1915, Constance Kopp, dopo aver scartato sdegnosa il mestiere di giardiniera e intagliatrice, per non parlare di quello di governante, si destreggia nel suo nuovo mondo: la prigione dello sceriffo Heath, ad Hackensack, in New Jersey. Il suo posto da vicesceriffa è in bilico, perché le ingessate leggi dello Stato ancora non prevedono che quella carica possa essere ricoperta da una donna. E così viene retrocessa a direttrice della sezione femminile, dove sorveglia le detenute o rincorre giovani ragazze in fuga sui treni.

“An ingenious marriage of comedy and crime” (Olga Tokarczuk, Nobel Laureate): When amateur sleuth and cunning socialite Zofia Turbotyńska’s beloved maid goes missing, she dives deep into Cracow’s web of crime, with only her trusted cook for company.

England, 1865: Celine verlässt das aufregende London, um in dem beschaulichen Dorf Roscave mit ihrem Vater eine Schneiderei zu eröffnen. Sie rechnet mit geschwätzigen Nachbarn, langweiligen Nähaufträgen und matschigem Wetter.

Sherlock Holmes said that Mary Morstan might have been most useful in detective work if she had only remained single. She had a decided genius. So, bored with staying at home while her husband is away helping Holmes catch criminals, Dr. Watson's wife decides to have a go at the game herself. In this she is ably assisted by her friend Emily Fanshaw, who likes to play a transvestite role occasionally.

Sally Meredith's young life has been full of adventure. As a suffragist, she fought for women's right to vote. She drove an ambulance in France during the war. And she's already had a proposal and a broken engagement. But the past few years have been deadly dull, taking care of a cranky relative and now living alone in a quiet village. So when her eccentric uncle Fritzi arrives with the tale of his most recent invention - a deadly gas that nations are striving to get hold of - she's intrigued.

It’s August 1861, and her latest assignment could end the bloody Civil War and bring the fractured United States together again. All she must do is win the trust of her captive: Confederate spy and socialite Rose Greenhow. But with Rose well aware of Kate’s working-class background and belief in abolitionism, it seems an impossible task. Worse, Kate has secrets that make her vulnerable, such as her forbidden love affair with a colleague.

Sherlock Holmes has been missing and is presumed dead for some time, and his grief-stricken landlady, Mrs. Hudson, is anxious for a distraction. However, she is in for a culture shock when she travels to Ireland with her friend, Kitty Melrose, to try and stop a forced marriage. What she finds is a countryside steeped in superstition and beliefs in the old ways, a place of fairy forts and holy wells, and of changelings and banshees. A place, moreover, where an impoverished peasantry remains under the heel of oppressive English landlords, but not for much longer.

Murder is a royal affair in this enchanting series by Sarah E. Burr. Welcome to the Realm of Virtues, where mystery and intrigue await. Before the Court of Mystery, Jacqueline Arienta Xavier reigned as the Ducal Detective.

Ireland. AD 671. Sister Fidelma has a mission, and she is sworn by oath to reveal her purpose to no other. The secret investigation leads Fidelma and her companions to the abbey of Finnbarr to question the abbot. But before they have a chance to speak to him, the abbot is found murdered - and the young girl suspected of the crime has fled the scene. Despite their protests, Fidelma's cohorts agree to accompany her in pursuit of the girl for answers.

Jane Prescott is taking a break from her duties as lady's maid for a week, and plans to begin it with attending the hottest and most scandalous show in town: The opening of an art exhibition, showcasing the cubists, that is shocking New York City. 1913 is also the 50th anniversary of Lincoln's Emancipation Proclamation speech, and the city's great and good are determined to celebrate in style.

New York City, 1910. Invisible until she’s needed, Jane Prescott has perfected the art of serving as a ladies’ maid to the city’s upper echelons. Then she takes up a position with the Benchley family, dismissed by the city’s elite as "new money". The Benchleys cause further outrage when their daughter Charlotte becomes engaged to notorious playboy Norrie, the son of the eminent Newsome family. But when Norrie is found murdered at a party, Jane discovers she is uniquely positioned - she’s a woman no one sees, but who witnesses everything - and therefore has the tools to solve his murder.

On a reluctant visit to her painfully respectable brother and his wife, Angela Marchmont finds herself once again caught up in murder when a local farmer is shot dead, apparently at the hands of his sworn enemy. But the case is not as simple as it seems, for other motives and suspects soon come to light. With reporters hot on the scent and her friend, Inspector Jameson, battling a conflict of interest, Angela must use all her ingenuity to unravel the case and bring the murderer to justice - or more than one person will suffer the consequences.

Detective Helen Carter is called to a crime scene: a barmaid, Tina French, has been strangled. Murdered on her way home from work to look after her sick son. Meanwhile, Moira McKenzie leaves her lover's townhouse and gets home to find her abusive husband, Reggie, washing blood from his hands. Later, in their garden shed, she finds incriminating photos, keepsakes and newspaper cuttings about old murder cases. When the police are called to their home, they find a pool of blood and a shattered glass table, but no sign of Moira.

Helen Carter has just landed her first case as a detective: a murder in an abandoned cinema. A mysterious clock-like symbol is drawn on the wall...in blood. Stranger still is what the killer left behind: the business card of an ex-cop. Since being promoted from WPC, Helen is having trouble making her mark in the male-dominated Edinburgh CID, working under Inspector Jack Craven. He’s not happy about having a woman on his team. Witnesses won’t talk to her; her colleagues don’t take her seriously.

Londres, 1929. Maisie Dobbs abre una oficina como flamante investigadora privada en el centro de Londres y se convierte en una de las primeras mujeres detective de la época. Su primer caso, la investigación de la supuesta infidelidad dela esposa de un hombre de la alta sociedad, la lleva a un lugar conocido como El Retiro, un refugio de convalecientes de la Primera Guerra Mundial.