Historical Women

On the lam for an act of violence against the American government, 25-year-old Jenny Shimada agrees to care for three younger fugitives whom a shadowy figure from her former radical life has spirited out of California. One of them, the kidnapped granddaughter of a wealthy newspaper magnate in San Francisco, has become a national celebrity for embracing her captors' ideology and joining their revolutionary cell.

A mummified corpse, over half a century old, is found in the cellar of an abandoned building in a remote New Mexico ghost town. Corrie Swanson is assigned what seems to her a throwaway case: to ID the body and determine cause of death. She brings archaeologist Nora Kelly to excavate the body and lend her expertise to the investigation, and together they uncover something unexpected and shocking: the deceased apparently died in agony, in a fetal position, skin coming off in sheets, with a rictus of horror frozen on his face. Hidden on the corpse lies a 16th-century Spanish gold cross.

In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry's last chance for a dramatic career. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job in as a script doctor on a major film shooting in Rome’s Cinecitta Studios.

Lady Eleanor Swift and her loyal butler Clifford are busy lending a hand with preparations for the big day. The grand dining room at Henley Hall is overflowing with home-sewn flags, paint, and royal rosettes. Even Gladstone the bulldog and his new friend Tomkins the ginger cat are invited! But just days before the event, Mr. Prestwick-Peterson, the chairman of the celebrations committee, is found dead in the village hall: strangled with handmade red, white, and royal blue bunting.

Regarded as yet another threat to the volatile King Henry VII's claim to the throne, Margaret Pole, cousin to Elizabeth of York (known as the White Princess) and daughter of George, Duke of Clarence, is married off to a steady and kind Lancaster supporter - Sir Richard Pole. For his loyalty, Sir Richard is entrusted with the governorship of Wales, but Margaret's contented daily life is changed forever with the arrival of Arthur, the young Prince of Wales, and his beautiful bride, Katherine of Aragon.

The master of the Providence plantation in Barbados gathers his slaves and announces the king has decreed an end to slavery. As of the following day, the Emancipation Act of 1834 will come into effect. The cries of joy fall silent when he announces that they are no longer his slaves; they are now his apprentices. No one can leave. They must work for him for another six years. Freedom is just another name for the life they have always lived. So Rachel runs.

As the Great War continues to take its toll, headstrong 21-year-old Emily Bryce is determined to contribute to the war effort. She is convinced by a cheeky and handsome Australian pilot that she can do more, and it is not long before she falls in love with him and accepts his proposal of marriage. When he is sent back to the front, Emily volunteers as a “land girl,” tending to the neglected grounds of a large Devonshire estate. It’s here that Emily discovers the long-forgotten journals of a medicine woman who devoted her life to her herbal garden.

Hana’s home has gone up in flames; the little bakery at the heart of the city is no more. Smoke curls into the sky and the buildings around her burn. But Hana has already lost far more – her blue-eyed fiancé was wrenched from her arms at the start of the war and her brave father was murdered by the Nazis. She’s determined to protect her younger sisters but every day more people are being killed… Hana realises that one person alone won’t win the war and she has to accept her sisters are playing their own part in the resistance.

When shy Miss Eliza Balfour married the austere Earl of Somerset, twenty years her senior, it was the match of the season--no matter that he was not the husband Eliza wanted. Now, ten years later, Eliza is widowed. Suddenly, she is left titled, rich, and, for the first time in her life, utterly in control of her own future. She’s always lived by society’s conventions, but now, Eliza has resolved to do as she wants. And what she wants is to head to Bath with her cousin Margaret, pursue painting, learn to drive, and flirt with Bath’s most alluring new resident, the infamous Lord Melville.

1868. La jeune Ismay n'a qu'une envie : quitter l'Irlande pour aller rejoindre son frère Bram à Swan Hill, en Australie, là où il s'est installé avec l'ambition de faire fortune. Mais son père veut la contraindre d'épouser un voisin, le sournois Rory Flynn, malgré l'antipathie qu'Ismay éprouve à son égard. Un jour que Rory l'a violemment agressée, elle décide de s'enfuir. À bord du bateau qui la conduit à l'autre bout du monde, la jeune femme se fait passer pour une veuve désargentée et se lie d'amitié avec Adam Treagar.

She steps into the room and it’s like going back in time. Catapulting her right into the heart of the 1940s. The spindle of the record player frozen and ready to play. The flowery wallpaper faded but intact. A soldier’s uniform pressed and hung on a door, coal still in the fireplace.

The Watchmaker’s Daughter is one of the greatest stories of World War II that listeners haven’t heard: the remarkable and inspiring life story of Corrie ten Boom—a groundbreaking, female Dutch watchmaker, whose family unselfishly transformed their house into a hiding place straight out of a spy novel to shelter Jews and refugees from the Nazis during Gestapo raids. Even though the Nazis knew what the ten Booms were up to, they were never able to find those sheltered within the house when they raided it.

After her foray into murder investigation, Lady Kiera Darby must journey to Edinburgh with her family so that her pregnant sister can be close to proper medical care. But the city is full of many things Kiera isn't quite ready to face: the society ladies keen on judging her, her fellow investigator (and romantic entanglement) Sebastian Gage, and ultimately, another deadly mystery.

1918: As the Great War rages, Jessie Carson takes a leave of absence from the New York Public Library to work for the American Committee for Devastated France. Founded by millionaire Anne Morgan, this group of international women help rebuild devastated French communities just miles from the front. Upon arrival, Jessie strives to establish something that the French have never seen—children’s libraries. She turns ambulances into bookmobiles and trains the first French female librarians. Then she disappears.

Welcome to the most tumultuous summer of the 20th century. It's 1969, and for the Levin family, the times they are a-changing. Every year, the children have looked forward to spending the summer at their grandmother's historic home in downtown Nantucket. But like so much else in America, nothing is the same.

One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. The Scarlet Letter was written almost two hundred years earlier, but it seems to tell the story of Mia’s mother, Ivy, and their life inside the Community—an oppressive cult in western Massachusetts where contact with the outside world is forbidden. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her?

The Investigative Countess, Rapier Sharp Logic paired with Great Insight and Boldness. A Private Inquiry Agent. When the dowager countess receives her first assignment as a private inquiry agent from Tuchinsky, an East End gangster, she immediately throws herself into the case with gusto. Meanwhile, Lord Langley hires Tabitha and Wolf for an assignment that takes them deep into London's Jewish neighbourhood. Is there a connection between the two investigations? More importantly, can the two investigative teams work together?

In London, journalist Jo Clifford plans to debunk the belief in past lives in a hard-hitting magazine piece. But her scepticism is shaken when a hypnotist forces her to relive the experiences of Matilda, Lady of Hay, a noblewoman during the reign of King John. She learns of Matilda's unhappy marriage, her love for the handsome Richard de Clare and the brutal death threats handed out by King John, before it becomes clear that Jo’s past and present are inevitably entwined.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She's in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original.

One hundred and fifty years ago, Chawton was the final home of Jane Austen, one of England's finest novelists. Now, it's home to a few distant relatives and their diminishing estate. With the last bit of Austen's legacy threatened, a group of disparate individuals come together to preserve both Jane Austen's home and her legacy. These people - a laborer, a young widow, the local doctor, and a movie star, among others - could not be more different and yet they are united in their love for the works and words of Austen.