Historical Womens Mystery

When a body is unceremoniously dumped outside her home, Lady Ottilia Fanshawe is once more drawn into a murder case. Ottilia is recovering from the birth of her first child and her husband, Lord Francis Fanshawe, is worried that she has finally taken on more than she can handle. But Ottilia will not be diverted. Motherhood has always been her deepest desire, but solving crimes is her passion. And she is determined to balance both.

She keeps house for Inspector Witherspoon...and keeps him on his toes. Everyone's awed by his Scotland Yard successes - but they don't know about his secret weapon. No matter how messy the murder or how dirty the deed, Mrs. Jeffries's polished detection skills are up to the task...proving that behind every great man there's a woman - and that a crimesolver's work is never done. When the general office manager of Sutcliffe Manufacturing is murdered, no one is really surprised. Ronald Dearman was anything but a dear man. The tyrannical bully had more than enough enemies to go around.

Maple Bishop is ready to put WWII and the grief of losing her husband, Bill, behind her. But when she discovers that Bill left her penniless, Maple realizes she could lose her Vermont home next and sets out to make money the only way she knows how: by selling her intricately crafted dollhouses. Business is off to a good start—until Maple discovers her first customer dead, his body hanging precariously in his own barn.

When Gino Donatelli is accused of a brutal murder, beloved sleuths Sarah and Frank Malloy have to catch a killer who is out to destroy their innocent friend's life in the latest installment of the national best-selling Gaslight mysteries. A victim is found, brutally murdered and the police are certain they've caught the killer. Their only suspect: Gino Donatelli. Frank and Sarah know Gino is innocent, but the police have a one-track mind. Once Frank struck it rich and left their ranks taking Gino with him, there has been a simmering resentment in the department.

It is every mama's dearest wish that her daughter marries well. But how to ensure that a seemingly earnest suitor is not merely a fortune hunter? Rosalind is involved in just such a case, discreetly investigating a client's prospective son-in-law, when she is drawn into another predicament shockingly close to home.

Miss Julia, a recently bereaved and newly wealthy widow, is only slightly bemused when one Hazel Marie Puckett appears at her door with a youngster in tow and unceremoniously announces that the child is the bastard son of Miss Julia's late husband. Suddenly, this longtime church member and pillar of her small Southern community finds herself in the center of an unseemly scandal - and the guardian of a wan nine-year-old whose mere presence turns her life upside down.

1793, England. After a not-so-relaxing holiday in Tunbridge Wells, Lady Ottilia and Lord Francis Fanshawe have returned to their home with a young orphaned girl, Pertesia "Pretty" Brockhurst. After losing both her parents in tragic circumstances, Pretty had been abandoned by the rest of her family and the childless Fanshawes have delighted in having her around. But when her estranged grandfather turns up on their doorstep, Ottilia is worried she will lose the child she is growing so close to.

It’s wintertime in New York, and for the first time since Irish immigrant Molly Murphy started her early-twentieth-century detective agency, she is completely snowed in with work. While she’s proving to be quite the entrepreneur and is very much in demand by some of Broadway’s brightest stars and Fifth Avenue’s richest families, she has to grudgingly admit that if she’s going to work more than one case at a time, then she’s going to need some help.

For years, the Duchess of Fournier has buried a shameful secret connected to her remarkable, if bizarre, ability. While Audrey's gift has helped her solve cases alongside the captivating Bow Street officer Hugh Marsden, she longs to forget her previous committal to an insane asylum. But now, a blackmailer with a taste for violence is threatening former patients of Shadewell Sanatorium, and it appears the ghosts of Audrey's past have finally found her.

Another day, another dead woman in Ellison Russell's study. Only this one claimed to be Mrs. Anarchy Jones. As Ellison juggles mothers, daughter, unhappy wives, and near-miss murder attempts, one thing is clear - someone will go to any lengths to hide the truth. Can Ellison and Anarchy catch a killer before the body count rises? Or will Ellison be the next corpse in the study?

Revered mystery writer Josephine Tey is traveling from Scotland to London for the final week of her play Richard of Bordeaux, the surprise hit of the season, with pacifist themes that resonate in a world still haunted by war. But joy turns to horror when her arrival coincides with the murder of a young woman she had befriended on the train ride - and Tey is plunged into a mystery as puzzling as any in her own works.

She witnessed a murder - and now her life is in danger. Fifteen year-old Belle, though raised in a London brothel, is an innocent. But when she witnesses one of the girls brutally strangled by a client, she is cast into a cruel, heartless world. Snatched from the streets and sold into prostitution, she is made a courtesan in New Orleans.

Charlotte Pitt’s mother, Caroline, travels with her young husband, Joshua Fielding, and his theatrical troupe to Whitby, where Dracula first touched English soil. Joshua has arranged to produce a stage adaptation of Dracula by the daughter of Whitby millionaire Charles Netheridge, but the amateurish script produces a disastrous first read-through. As tempers flare and wind and snow swirl around Netheridge’s lonely hilltop mansion, a black-cloaked stranger emerges from the storm - an eerily opportune arrival, for this enigmatic figure, one Anton Ballin, turns out to be a theatrical genius.

London, December 1943. As the Russian army repels German forces from Stalingrad, Maggie Hope takes a much-needed break from spying to defuse bombs in London. But Maggie herself is an explosion waiting to happen. Traumatized by her past, she finds herself living dangerously - taking huge risks, smoking, drinking, and speeding through the city streets on a motorbike. The last thing she wants is to get entangled in another crime.

It is 1936. Undercook Joan Hart and lady's maid Verity Hunter are back in London after a long stay in the country. The capital is fraught and unsettled. Protests and riots are taking place regularly, fascism is on the rise and trouble in Europe is brewing, but the girls are still thrilled to be back in the Big Smoke, ready for some fun and frivolity. That is, until an old friend of Verity's contacts the servant sleuths, asking for help.

Calabria, 1960. Francesca Loftfield, a twenty-seven-year-old, starry-eyed American, arrives in the isolated mountain village of Santa Chionia tasked with opening a nursery school. There is no road, no doctor, no running water or electricity. And thanks to a recent flood that swept away the post office, there’s no mail, either. Most troubling, though, is the human skeleton that surfaced after the flood waters receded. Who is it? And why don’t the police come and investigate?

Sarah Woolson has always dreamed of becoming a lawyer. The trouble is that, in 1880, everyone believes a woman belongs in the home, married and taking care of babies. Using her brains and a little bit of subterfuge, Sarah somehow manages to finagle her way into one of the city's most prestigious law firms, becoming an associate attorney and acquiring her very first client, a lovely young society matron accused of brutally stabbing to death her wealthy but abusive husband.

When an explosion kills wealthy industrialist Gregory Van Dyke, police commissioner Teddy Roosevelt presumes that anarchists are responsible and personally asks detective sergeant Frank Malloy to track them down. Malloy is up to the task, but he faces a different kind of challenge when he encounters Sarah Brandt paying a condolence call on the Van Dykes.

Helena Lanark is an elderly woman, living in a luxurious care home. The heiress of an immense family fortune, she keeps the secret to the horror which once occurred within the Lanark family house. Jane Tennison is leading a murder investigation into the recent brutal death of a young girl, her decomposed starved body discovered in an old air raid shelter in the garden of the Lanark's now derelict house. Initially the focus is on identifying the victim, until another body is found, hidden in the walls of the shelter.

With London's streets deserted, a young flower girl is murdered. But why was she out so late on the foggiest night of the year? Inspector Witherspoon of Scotland Yard has nowhere to even begin looking for a suspect. However, Mrs. Jeffries, his housekeeper, is even more accomplished at detection than she is at household management. A policeman's widow herself, her quick wits allow her to nudge the inspector in the right direction to solve the mystery.