Historical Womens Mystery

Unsettled with his new role in society, and being deemed one of London's most eligible bachelors, Hugh is happy to fall back on his Bow Street skills to track down Lady Redding—and to see Audrey again. But the viscountess's disappearance is only half of the puzzle. A long-lost ring worth a fortune could be the driving force behind the deadly events, and as Audrey and Hugh unravel the truth—along with the secrets and complications surrounding their future—a killer closes in on the house party . . . and selects a new victim.

Sarah Brandt is shattered when she learns that a woman has inquired at Hope’s Daughters Mission for Catherine, the abandoned child she has taken as her daughter. The woman claims she was Catherine’s nursemaid, now acting on behalf of the girl’s mother to reunite them. Unwilling to simply hand Catherine over to a complete stranger, Sarah asks Malloy to investigate. But when he goes to interview the woman at her tenement in Chelsea, he finds she has been murdered. Though her death leaves Sarah’s claim to Catherine unchallenged, her sense of justice compels her to work with Malloy to find the killer.

January 1922, and the Bangalore constabulary is on high alert. Edward, Prince of Wales, is scheduled to visit the city, seeking to redeem his reputation after disastrous visits to Bombay and Calcutta which were marked by violent anti-British riots. Kaveri has none of these concerns on her mind; she's excited as she and her husband Ramu have been given VIP tickets to the famous Bangalore circus. But when a celebrity magician disappears into thin air and his son pleads with Kaveri to find his vanished father, she is stunned to discover Inspector Ismail telling her to leave the case well alone.

Summer, 1958. Vivienne Rhodes thinks she’s finally landed her break playing Helen of Troy in Apex Pictures’ big-budget epic, A Thousand Ships, an anticipated blockbuster meant to resurrect the failing studio. Naturally, she’s devastated when she arrives on the remote Italian island of Tavalli and finds herself cast as the secondary character, Cassandra—while her nemesis, the fiancé-stealing Lottie Lawrence, America’s supposed “sweetheart,” is playing the lead role instead.

Regency widow Lily Adler has finally settled into her new London life when her semi-estranged father arrives unexpectedly, intending to stay with her while he recovers from an illness. Hounded by his disapproval, Lily is drawn into spending time with Lady Wyatt, the new wife of an old family friend. Lily barely knows the woman, but she and her husband, Sir Charles, seem as happy as any newly married couple...until the morning Lily arrives to find the house in an uproar and Sir Charles dead.

Denver, 1962: Kitty Miller has come to terms with her unconventional single life. She loves the bookshop she runs with her best friend, Frieda, and enjoys complete control over her day-to-day existence. There was a man once, a doctor named Kevin, but it didn’t quite work out the way Kitty had hoped. Then the dreams begin. Denver, 1963: Katharyn Andersson is married to Lars, the love of her life. They have beautiful children, an elegant home, and good friends. It’s everything Kitty Miller once believed she wanted - but it only exists when she sleeps.

The sedate English countryside can host - or hide - any number of secrets. Frances, the widowed Countess of Harleigh, needs a venue for her sister Lily’s imminent wedding, away from prying eyes. Risings, George Hazleton’s family estate in Hampshire, is a perfect choice, and soon the guests have gathered to enjoy the usual country pursuits - shooting, horse riding, and romantic interludes in secluded gardens. But the bucolic setting harbors a menace, and it’s not simply the arrival of Frances’ socially ambitious mother. Mysterious accidents befall guests and staff alike.

July 1831. It's been 15 years since Sebastian Gage has set foot in Langstone Manor. Though he has shared little with his wife, Lady Kiera Darby, about his past, she knows that he planned never to return to the place of so many unhappy childhood memories. But when an urgent letter from his grandfather reaches them in Dublin, Ireland, and begs Gage to visit, Kiera convinces him to go.

She witnessed a murder - and now her life is in danger. Fifteen year-old Belle, though raised in a London brothel, is an innocent. But when she witnesses one of the girls brutally strangled by a client, she is cast into a cruel, heartless world. Snatched from the streets and sold into prostitution, she is made a courtesan in New Orleans.

Father Jonah Barlow is dead. The respected Jesuit scholar of apocalyptic studies might have died from a fall in his apartment...or was he pushed? All that is known for sure is that the provocative manuscript he was working on—a book that promised to reveal the upcoming fulfillment of ancient and recent prophecies, including the shocking Third Secret of Fatima—is missing. Two female detectives take on the investigation as a possible homicide, turning to Vatican archivist Father Michael Dominic for his help, since Barlow sent the young priest the only other copy of the manuscript.

In 1917, Jessie Carr, fourteen years old and sole heiress to her family's vast fortune, disappeared without a trace. Now, years later, her uncle Oliver Beckett thinks he's found her: a young actress in a vaudeville playhouse is a dead ringer for his missing niece. But when Oliver confronts the girl, he learns he's wrong. Orphaned young, Leah's been acting since she was a toddler.

Kitty Underhay is looking forward to a week of long lunches and wedding planning with her husband-to-be, Captain Matthew Bryant. But the plan is derailed when he is called on to collect a former comrade-in-arms, arriving on the 15:50 from Paddington. As the train bearing Simon Travers pulls up to the platform, a piercing scream rises over the screech of its brakes. Travers is dead in his seat, a dagger in his heart. Only a few individuals had access to Travers’s compartment, and Kitty must find out which of these seemingly benign passengers is, in fact, a cross-country killer.

When Gino Donatelli is accused of a brutal murder, beloved sleuths Sarah and Frank Malloy have to catch a killer who is out to destroy their innocent friend's life in the latest installment of the national best-selling Gaslight mysteries. A victim is found, brutally murdered and the police are certain they've caught the killer. Their only suspect: Gino Donatelli. Frank and Sarah know Gino is innocent, but the police have a one-track mind. Once Frank struck it rich and left their ranks taking Gino with him, there has been a simmering resentment in the department.

The eccentric Olive Kettering swore someone was trying to harm her. Too bad no one listened, though plenty wanted her dead. When Olive is shot and killed, Mrs. Jeffries has no problem speaking her mind to see justice served.

For years, the Duchess of Fournier has buried a shameful secret connected to her remarkable, if bizarre, ability. While Audrey's gift has helped her solve cases alongside the captivating Bow Street officer Hugh Marsden, she longs to forget her previous committal to an insane asylum. But now, a blackmailer with a taste for violence is threatening former patients of Shadewell Sanatorium, and it appears the ghosts of Audrey's past have finally found her.

On the occasion of the centenary of Mata Hari's execution for espionage in 1917, Paulo Coelho reconsiders her life and character in a fictional memoir. In a series of letters written from prison on the eve of her death, Mata Hari reflects on the choices she has made to always pursue her own truth - from her childhood in a small Dutch town to unhappy years as the wife of an alcoholic diplomat in Java to her calculated and self-fashioned rise to celebrity in Paris and across Europe as an exotic dancer.

New York City, 1899. Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be - can it? A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death.

India, 1922: Bombay’s only female solicitor Perveen Mistry is attending a lavish fundraiser for a new women’s hospital specializing in maternal health issues when she witnesses an accident. The grandson of an influential Gujarati businessman catches fire—but a servant, his young ayah, Sunanda, rushes to save him, selflessly putting herself in harm’s way. Later, Perveen learns that Sunanda, who’s still ailing from her burns, has been arrested on trumped-up charges made by a man who doesn’t seem to exist.

England, 1926: Wedgefield Manor, deep in the tranquil Essex countryside, provides a welcome rest stop for Jane and her matchmaking Aunt Millie before their return to America. While Millie spends time with her long-lost daughter, Lillian, and their host, Lord Hughes, Jane fills the hours devouring mystery novels and taking flying lessons - much to Millie's disapproval. But any danger in the air is eclipsed by tragedy on the ground when one of the estate's mechanics, Air Force veteran Simon Marshall, is killed in a motorcar collision.

In the west end of London, an apparently crazed individual is on the loose, breaking into art galleries and private homes to slash valuable paintings of women. Despite Scotland Yard's best efforts, the criminal remains at large and continues on his destructive path. When Joanna and the Watsons are called in to solve the mystery, they soon discover that although the canvases have been slashed, their backings remain pristine, with no cuts or scratches. The criminal, it seems, is no mere vandal - he's searching for something hidden behind the portraits.