Historical Womens Mystery

Birds of a Feather finds psychologist and private investigator Maisie Dobbs on another adventure in London. It is the spring of 1930, and Maisie has been hired to find a runaway heiress. But what seems a simple case at the outset soon becomes increasingly complicated when three of the heiress’s old friends are found dead. Is there a connection between the woman’s mysterious disappearance and the murders? Who would want to kill three seemingly respectable young women? As Maisie investigates, she discovers that the answers lie in the unforgettable agony of the Great War.

London 1815. Newly widowed Lily Adler is returning to a society that frowns on independent women. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden. Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables - until Lord Walter bribes the investigating magistrate to drop the case. Stunned, Lily realizes she's the only one with the key to catching the killer.

The Lusitania has just been sunk, and headlines about a shooting at J. P. Morgan's mansion and the Great War are splashed across the front page of every newspaper. Capability "Kitty" Weeks would love nothing more than to report on the news of the day, but she's stuck writing about fashion and society gossip over on the Ladies' Page - until a man is murdered at a high society picnic on her beat. Determined to prove her worth as a journalist, Kitty finds herself plunged into the midst of a wartime conspiracy that threatens to derail the United States's attempt to remain neutral.

England, 1867: Miss Poppy Delamare is living a lie. To escape an odious betrothal, she fled to London where she’s been hiding as the unassuming secretary Flora Deaver. However, when her beloved sister is accused of murder, Poppy cannot leave her to the wolves. Only a most unexpected—and unwelcome—collision interrupts her journey home.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

Agatha Award-winning author Rhys Bowen’s charming combination of intrigue and romance blended with a touch of humor shines when performed by Audible Hall of Fame narrator Katherine Kellgren, whose deft range and impeccable accent work make it hard to believe this isn’t a multicast performance.

It is 1951, and at number six Sycamore Street, fifteen-year-old Edie Green is lonely. Living with her eccentric mother and her mother's new boyfriend, she is desperate for something to shake her from her dull, isolated life. So when the popular, pretty Lucy Theddle befriends Edie, she thinks all her troubles are over. Even though Lucy has a secret, one Edie is not certain she should keep. Then Lucy goes missing. Now in 2018, Edie is eighty-four and still living in the same small town, when one afternoon she glimpses Lucy Theddle, still looking the same as she did at fifteen.

With the social season just around the corner, the women in Cleo’s family are having new outfits made by the most sought-after designer in the city. Madame Poitiers is bold, self-absorbed, and not French, despite her claims. When Cleo stumbles on her dead body in the salon, she is in a unique position to gather clues and speak to witnesses. But she doesn’t expect to find Harry Armitage’s business card in Madame’s possession. What is the alluring private detective’s connection to the victim? And why is he avoiding Cleo?

Egypt, 1936: When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt’s Valley of the Kings, she leaps at the opportunity. That is until an unbearable tragedy strikes. New York City, 1978: Nineteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for former Vogue fashion editor Diana Vreeland, who’s in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the “party of the year.”

Poppy Denby is intrigued when she is invited to attend the auction for the death mask of Nefertiti. Held on the country estate of Sir James Maddox, a famous explorer, the auction promises to be a controversial and newsworthy affair. Representatives from the world's leading museums are gathering to bid on the mask, which was discovered in Egypt. Poppy quickly sniffs out that the mask was not the only thing found that night: the underground chamber also contained a dead body.

When a set of bound manuscripts written on magician-made paper is brought to the Glass Library, Sylvia and the professor send the owner away. After all, the library collects books about magic, not containing it. But the murder of the bookbinder who bound them sees the books returned to the library, along with Gabe in his role as consultant for Scotland Yard. When his investigation uncovers a link to Sylvia’s past, they’re even more determined to find the murderer. But they’re not the only ones searching for answers.

1927: Accompanying Mr. Redvers on an assignment to Ootycamund to quell revolutionary rumblings, Jane finds there’s more than meets the eye to India’s Queen of Hill Stations. Ooty’s lush tea plantations and tranquil gardens barely conceal its secrets--scandalous affairs, political sabotage, and a mounting anti-colonial movement. Even Redvers intends to subvert his official mission in Ooty, by arranging a series of clandestine meetings with local resistance leaders. But it’s not until the shocking death of a British national that Jane and Redvers are truly drawn into Ooty’s deepest shadows.

When his uncle dies, Liam Taggart reluctantly returns to his childhood home in Northern Ireland for the funeral—a home he left years ago after a bitter confrontation with his family, never to look back. But when he arrives, Liam learns that not only was his uncle shot to death, but that he’d anticipated his own murder: In an astonishing last will and testament, Uncle Fergus has left his entire estate to a secret trust, directing that no distributions be made to any person until the killer is found.

December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager. With the New Year’s Eve ball approaching fast and the hotel’s reputation hanging by a thread, Cleo must find the killer before the ball, and the hotel itself, are ruined.

London, 1945: Four adolescent orphans with a dark wartime history are squatting in a vacant Belgravia mansion—the owners having fled London under heavy Luftwaffe bombing. Psychologist and Investigator Maisie Dobbs visits the mansion on behalf of the owners and discovers that a demobilized soldier, gravely ill and reeling from his experiences overseas, has taken shelter with the group.

New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming "trouser roles"-male characters played by women - and captivating audiences far and wide with her travelling theater company. But Ella's flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini's I Capuleti e i Montecchi.

Isobel Kingston is dead. Or so everyone believes. When a mysterious woman writes her last words in sand, Isobel steps out of the shadows to uncover the truth. As she plunges into a storm of betrayal, the winds are determined to throw Atticus Riot on her course, and the two detectives collide in a sea of madness and murder.

It is 1921 and Mary Russell—Sherlock Holmes's brilliant apprentice, now an Oxford graduate with a degree in theology—is on the verge of acquiring a sizable inheritance. Independent at last, with a passion for divinity and detective work, her most baffling mystery may now involve Holmes and the burgeoning of a deeper affection between herself and the retired detective.

It's late 1936, and King Edward is in turmoil, having fallen in love with the scandalously divorced and even more scandalously American Wallis Simpson. He wants to marry her but knows that doing so will jeopardize his crown. Edward confides in his dear friend Darcy, Georgie's husband, and the couple agree to hide Wallis in their home while Edward figures out what to do. But unbeknownst to Georgie and Darcy, Sir Hubert, the owner of the estate, has given a film crew permission to shoot a motion picture about Henry the Eighth and Anne Boleyn on the grounds

As Miss Lucy Harrington, daughter of the village rector, and Major Sir Robert Kurland plan their nuptials, the major is beginning to wonder if he'll ever hear wedding bells. He's seen complex military campaigns that involved less strategy, and he's finding Lucy's meddling family maddening. When the body of Ezekiel Thurrock, the church verger, is discovered crushed by a gargoyle that has fallen from the bell tower, the wedding is delayed.