Historical Womens Mystery

India, 1922: Bombay’s only female solicitor Perveen Mistry is attending a lavish fundraiser for a new women’s hospital specializing in maternal health issues when she witnesses an accident. The grandson of an influential Gujarati businessman catches fire—but a servant, his young ayah, Sunanda, rushes to save him, selflessly putting herself in harm’s way. Later, Perveen learns that Sunanda, who’s still ailing from her burns, has been arrested on trumped-up charges made by a man who doesn’t seem to exist.

In this latest captivating novel, New York Times best-selling author Fiona Davis takes listeners into the glamorous lost art school within Grand Central Terminal, where two very different women, 50 years apart, strive to make their mark on a world set against them. For most New Yorkers, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future. It is 1928, and Clara is teaching at the lauded Grand Central School of Art.

Thomas Mundy checks in to London's Wrexley Hotel, but he never checks out. The maid finds him on the floor of his room, bludgeoned to death by his own walking stick. Inspector Witherspoon is soon on the case and learns Mundy was an unlikely victim for such a violent crime. But Mrs. Jeffries and the household staff uncover that Mundy was less an amiable businessman and more a duplicitous con man with enemies on both sides of the Atlantic. Now Witherspoon and his staff must determine who on their lengthy list of suspects had the motive to put Mundy in the red.

Normally dead bodies in a graveyard are buried - but not this one. When a woman is found strangled in a North London cemetery with an old newspaper clipping clutched in her hand, Inspector Witherspoon is surprised to find that he and the victim have crossed paths before. Alice Robinson was a respectable widow who ran a quiet Islington lodging house. None of her lodgers have any apparent motive to murder their landlady.

Gemma Tate has a new job and a new address. She is putting her past—her memories of nursing in the Crimean war—behind her. But when Jacob Harrow, a journalist with ties to Crimea, is found brutally killed, Gemma is pulled into the investigation. Police inspector Sebastian Bell works alone. But when all signs point towards a dark secret Harrow brought back from the war, he realizes he needs Gemma’s help to untangle the mystery. But raking up the past has devastating consequences when Gemma’s friend, another nurse from Crimea, is found murdered in her boarding house.

In 1959, Hollywood ingenue Mercy Welles seems to have the world at her feet. Far removed from her Nebraska roots, she has crafted herself into a glamorous Oscar-nominated actress engaged to an up-and-coming director… Until she shockingly vanishes without a trace, just as her career is taking off. Almost sixty years later, Kit O’Neill, a junior television producer in Manhattan, is packing up her recently deceased grandmother’s attic, only to discover a long-lost box of souvenirs that reveal that the grandmother who raised her and her sister was, in fact, the mysterious Mercy Welles.

Minerva Kenny is a dear woman, but her tendency to "borrow" things without asking has finally caught up with her. William Barrett has learned Minerva's shameful secret, and he's holding it over her head. Mrs. Jeffries and the staff at Upper Edmonton Gardens have hatched a scheme to save her - but when they try to recover the damning evidence from Barrett, they discover something more shocking: Barrett's corpse. Considering the victim's wicked ways, Minerva is far from the only suspect.

The former Beatrice Hyde-Clare is having a little trouble adjusting to her new situation. Now installed as the duchess of Kesgrave in elegant splendor in Berkeley Square, she is confounded by the stately residence’s seemingly endless array of rooms. And every time one of the maids addresses her as "your grace", she flinches.

Frank and Sarah Malloy are enjoying married life and looking to make their family official by adopting Catherine, the child Sarah rescued and has been raising as her daughter. The newlyweds soon discover Parnell Vaughn, an actor and Catherine's legal father, is looking to fatten his pockets by insisting on a financial settlement to relinquish his parental rights. Even though exchanging money for a child is illegal, Frank and Sarah's love for Catherine drives them to take a chance. When Frank returns with the money and finds Vaughn beaten to death, all evidence points to Frank as the culprit.

World War II rages on across Europe, but Maggie Hope has finally found a moment of rest on the pastoral coast of western Scotland. Home from an undercover mission in Berlin, she settles down to teach at her old spy training camp, and to heal from scars on both her body and heart. Yet instead of enjoying the quieter pace of life, Maggie is quickly drawn into another web of danger and intrigue.

Twelve-year-old Flavia de Luce is back at Buckshaw at last, but her homecoming is overshadowed by news of her father's illness. Forbidden from visiting him in hospital, Flavia busies herself in the village, but she soon makes a macabre discovery: the corpse of a reclusive woodcarver in an empty house, except for a curiously uncurious cat. Curiosity may not kill this cat, but Flavia is energized at the prospect of a new investigation. However, what awaits Flavia will shake her to the core.

New York City, 1919. Lillie Mead mourns the love she lost in the war. But when a wealthy British friend offers her a reporting job across the pond, she hopes accepting will help her rebuild her life. She barely has time to unpack before she’s assigned the scoop of a poisoned socialite’s death. As the clues take a turn for the scandalous, Lillie unearths shocking skeletons in the victim’s closet. But she never expected the threads of the beloved woman’s life to weave with hers. Can Lillie expose the truth before her own death makes the front page?

India’s only female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay.

Christmas Eve, 1925. The Honourable Cressida Fawcett is delighted to attend an exclusive ball at London’s glamorous Mayfair Hotel. When she steps out into the moonlit courtyard with her little pug Ruby wrapped in her furs, she is thrilled to see a dashing man propose to her best pal under the swirling snowflakes. But instead of squealing ‘yes’, Dotty lets out a terrified scream… Because floating in the fountain, with her long blonde hair rippling in the ice-cold water, is the body of their dear friend Lady Victoria Beaumont.

When Nicole Rayburn adds a historic bookshop to her list of promotional venues, she meets the owner, Deborah Dolan, who’s desperate to discover what happened to her Victorian ancestor. A well-respected playwright, Edgar Hilliard seemingly had it all: professional success, a thriving business, and a loving family, but according to family lore, Edgar walked out one night, never to return, an unfinished manuscript his only legacy to future generations.

Sarah Brandt is shattered when she learns that a woman has inquired at Hope’s Daughters Mission for Catherine, the abandoned child she has taken as her daughter. The woman claims she was Catherine’s nursemaid, now acting on behalf of the girl’s mother to reunite them. Unwilling to simply hand Catherine over to a complete stranger, Sarah asks Malloy to investigate. But when he goes to interview the woman at her tenement in Chelsea, he finds she has been murdered. Though her death leaves Sarah’s claim to Catherine unchallenged, her sense of justice compels her to work with Malloy to find the killer.

Upon returning to the city of Khelathra-Ven after five years fighting a war in another universe, Captain John Wyndham finds himself looking for somewhere to live, and expediency forces him to take lodgings at 221b Martyrs Walk. His new housemate is Miss Shaharazad Haas, a consulting sorceress of mercurial temperament and dark reputation.

With more than a dash of glamour and serious helpings of style, the witty and courageous Phryne Fisher returns. In 1928 St Kilda’s streets hang with fairy lights. Magic shows, marionettes, tea dances, tango competitions, life-saving demonstrations, lantern shows, and picnics on the beach are all part of the Flower Parade. And who else should be chosen to be Queen of the Flowers but the gorgeous, charming and terribly fashionable Hon Phryne Fisher?

Helena Lanark is an elderly woman, living in a luxurious care home. The heiress of an immense family fortune, she keeps the secret to the horror which once occurred within the Lanark family house. Jane Tennison is leading a murder investigation into the recent brutal death of a young girl, her decomposed starved body discovered in an old air raid shelter in the garden of the Lanark's now derelict house. Initially the focus is on identifying the victim, until another body is found, hidden in the walls of the shelter.

Harriet Andover had no intention of dying young like her silly siblings had. She intended to outlive them and outdo them as she always had. But Harriet discovers that the best intentions can lead to murder when she is strangled inside her mansion with a house full of holiday guests. As much as Inspector Witherspoon enjoys his job delivering justice, the last thing he wanted was a complicated murder case just a week before Christmas. He soon discovers that Harriet's own husband and grown stepchildren are not overcome with grief and neither are most of her friends.