History Essays

In 1860, a sloop drifted into New York Harbor. Not a soul on board - just blood from cabin to deck. Looted coins led to Bowery thug Albert Hicks, the ax slayer who turned his shipmates into chum. His crimes were absolutely fiendish. His execution was pure ballyhoo. It drew nearly ten thousand bloodthirsty sightseers to the city - including the enterprising showman P. T. Barnum. Refreshments were served as the most notorious and unrepentant mass murderer of the era made history as one of America’s first celebrity killers.

What was the real significance of William James's breakdown? Of the anti-Semitism in T.S. Eliot's writing? At each step in his latest journey through American cultural history, Menand has an original point to make.

In Flamboyants, George M. Johnson celebrates writers, performers, and activists from 1920s Black America whose sexualities have been obscured throughout history. Through 14 essays, Johnson reveals how American culture has been shaped by icons who are both Black and Queer–and whose stories deserve to be celebrated in their entirety.

This collection of short essays examines the place of women in the history of psychedelics. While some of the subjects are pioneers in their own right, the authors in this collection go beyond merely adding women to the past in psychedelic history, exploring some of the significant ways that women have contributed to psychedelic knowledge.

The speech "The Strenuous Life" by Theodore Roosevelt, is one of his most famous and enduring speeches. Delivered in Chicago on April 10, 1899, to the Hamilton Club, it served as a call to action for Americans to embrace hard work, duty, and perseverance as the foundation of a prosperous and strong nation.

In Drama in the Bahamas, Dave Hannigan tells the occasionally poignant, often troubling, yet always entertaining story behind Ali's last bout. Through interviews with many of those involved, he discovers exactly how and why, a few weeks short of his 40th birthday, a seriously diminished Ali stepped through the ropes one more time to get beaten up by Trevor Berbick.

Fictional? Authoritative? Fantastic? Deadpan? Investigations into the real, the true...and the things that should be true....

Las indómitas rinde tributo al rostro anónimo de las mujeres que lucharon en la Revolución, a la inconfundible Jesusa Palancares y al silencio de las mujeres del servicio. Madres, activistas, revolucionarias, artistas y trabajadoras incansables; desde sus trincheras, han luchado por trastocar el orden patriarcal, pero también han sido el motor que le ha dado un nuevo giro a la historia y cuyo brillante ejemplo es el faro que nos guía hacia al futuro.

With a blend of reportage, historical data, and pop culture, Black Genius touches on timely issues of race, class, and creativity. Tre’s life and career put him in a unique position to become a cultural observer, diving into predominantly-Black cities, communities, and schools with an ever-watchful eye of what was happening around Black opportunity, mobility, politics, and institutions. In this collection Tre pinpoints four key aspects of Black American genius—innovation, family, celebration, and community as the recipe to coming out on top.

The Civil War, the most dramatic moment in this nation's history, also produced some of our greatest literature. From tragic charges to prison escapes to the desolation wrought on those who stayed behind, Blood is an extraordinary collection of reminiscences, fiction, and excerpts from diaries and letters by an array of soldiers, writers, and observers.

In this stunning debut, Laura Lee weaves unforgettable and eye-opening essays on a variety of taboo topics. In “History of Scars” and “Aluminum’s Erosions”, Laura dives head-first into heavier themes revolving around intimacy, sexuality, trauma, mental illness, and the passage of time. In “Poetry of the World”, Laura shifts and addresses the grief she feels by being geographically distant from her mother whom, after being diagnosed with early onset Alzheimer’s, is relocated to a nursing home in Korea.

Эжен Сю, родился 26 января 1804 года в Париже, в семье хирурга, его отец был врачом Наполеона, в период возвращения власти Бурбонов служил королевским лекарем. После окончания колледжа Эжен поступил в университет, на медицинский факультет. Отец владел миллионами, поэтому молодому парню не нужно было работать. Однако, когда капитан судна предложил ему должность корабельного врача на военном судне, он согласился. С 1825 по 1827 годы Эжен побывал на Антильских островах, на Гваделупе и Мартинике, был свидетелем боёв французской армии против испанцев. В свободное время он начал описывать то, что видел вокруг себя.

Available once again for a new generation of audiences, the second volume in Arthur Ashe’s epic trilogy that chronicles the remarkable legacy of Black athletes in the United States—a major addition to our understanding of American history and the fulfillment of this legendary sports star and global activist’s lifelong dream.

A partir de siete preguntas que funcionan como disparadores, ¿A qué llamamos literatura? intenta responder cuestiones centrales en los estudios literarios: cómo se clasifican las obras, por qué las valoramos, qué valoramos en ellas, cómo representan mundos posibles, cómo las leemos, cómo circulan en la vida social, cómo se insertan en los conflictos que atraviesan nuestra cultura. Dirigido por José Luis de Diego, el presente volumen es el resultado de convertir -obligado por las restricciones sanitarias de 2020- las clases orales en clases escritas.

Si bien el ensayo emplea un narrador ficticio y la prosa para explorar a mujeres (tanto escritoras como personajes de ficción), y el manuscrito preparado para las conferencias se tituló "Mujeres y Ficción", el ensayo está considerado no-ficción. Generalmente se clasifica como un texto feminista, y su argumento gira en torno a un espacio literal y ficticio para escritoras que se encuentran dentro de una tradición literaria dominada por hombres.

The JDC at 100: A Century of Humanitarianism traces the history of the JDC - an organization founded to aid victims of World War I that has played a significant role in preserving and sustaining Jewish life across the globe.

Recuperando el título de un pequeño cuento con el que la puertorriqueña Rosario Ferré analizó la misoginia literaria en los años noventa, "El coloquio de las perras" pretende ser un homenaje a las escritoras hispanohablantes que sortearon todo tipo de obstáculos para hacer su literatura. Desde populares figuras como Elena Garro, Gabriela Mistral o Alejandra Pizarnik hasta otras más desconocidas como Alcira Soust Scaffo, Agustina González López o María Emilia Cornejo, la periodista y poeta Luna Miguel entabla una conversación llena de ladridos con una docena de mujeres...

As any fan of Jo Walton's Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic rereader of books. In 2008, then-new science fiction mega-site Tor.com asked Walton to blog regularly about her rereading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor. Now this volume presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.

Part history, part memoir, I Am a Stranger Here Myself taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West. Gwartney becomes fascinated with the missionary Narcissa Prentiss Whitman, the first Caucasian woman to cross the Rocky Mountains and one of 14 people killed at the Whitman Mission in 1847 by Cayuse Indians. Whitman's role as a white woman drawn in to "settle" the West reflects the tough-as-nails women in Gwartney's own family.

Everyone’s a critic, especially in the digital age—but no one takes on the movies like multiple award-winning author Harlan Ellison. Renowned both for fiction (A Boy and His Dog) and pop-culture commentary (The Glass Teat), Ellison offers in this collection twenty-five years’ worth of essays and film criticism.