History Science Art

In the old, abandoned Greyford house on the outskirts of the Mayfield School for Girls, Delany would be completely and purposefully alone...or so she thought. Yet there was more to this house than first met the eye: There were secret passages and hidden treasures, lost and forgotten with the passing of time, and a room...a fantastic and otherworldly sort of room, which she had decided to call "the Window Room". This is a story about the dangerous and mysterious adventures she found there.

For a person who has not encountered John McPhee's lively writing, The Second John McPhee Reader is the perfect introduction. McPhee, author of Coming Into the Country, punctuates his delightful prose with a sharp sense of humor, and a fascination with things most of us never bother to notice.

Albert Richardson and Junius Browne, two correspondents for the New York Tribune, were captured at the Battle of Vicksburg and spent 20 months in horrific Confederate prisons before escaping and making their way to Union territory. Their amazing, long-forgotten odyssey is one of the great escape stories in American history, packed with drama, courage, horrors and heroics, plus many moments of antic comedy.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. The Value Gap traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

An Oxford-educated scholar of the Middle East and a former foreign correspondent for the Wall Street Journal, Hugh Pope lived and worked in two dozen countries throughout the region. Following in the footsteps of Sir Richard Burton and Lawrence of Arabia, Hugh Pope's explorations of the people, politics, religion, and culture of Islamic nations shows there is no such thing as a monolithic "Muslim World".

The British Broadcasting Corporation is a British institution, and its story during the Second World War is also our story. This was a period of remarkable voices: Churchill’s speeches, de Gaulle’s broadcasts from exile, Richard Dimbleby and Vera Lynn. Radio offered an incomparable tool for propaganda while at the same time eyewitness testimonies gave a voice to everyone, securing the BBC’s reputation as a purveyor of truth.

John James Audubon's The Birds of America stands as an unparalleled achievement in American art. With that work, Audubon became one of the most adulated artists of his time, and America's first celebrity scientist. A self-made man incessantly striving to secure his place in American society, Audubon made himself into a skilled painter, a successful entrepreneur, and a prolific writer, whose words went well beyond birds and scientific description.

In his analysis of films, novels, paintings, photographs, popular music, jokes, and videos, Peter Lehman investigates the patriarchal culture that keeps the male body, and especially male genitals, out of sight.

When Anna Broinowski learned that fracking had invaded downtown Sydney, she had a brilliant idea: she would seek guidance for a kryptonite-powerful, anti-fracking movie from the world's greatest propaganda factory - apart from Hollywood. After two years of trying, she was allowed to make her case in Pyongyang and was granted full permission to film. She worked closely with the leading lights of North Korean cinema, even playing an American in a military thriller.

In Buffoon Men: Classic Hollywood Comedians and Queered Masculinity, Scott Balcerzak reads the performances of notable comedians such as W. C. Fields, Eddie Cantor, Jack Benny, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, and Bud Abbott and Lou Costello through humor and queer theory to expose a problematic history of maleness in their personas.

Folk music is more than an idealized reminder of a simpler past. It reveals a great deal about present-day understandings of community and belonging. It celebrates the shared traditions that define a group or nation. In America, folk music - from African-American spirituals to English ballads and protest songs - renders the imagined community more tangible and comprises a critical component of our diverse national heritage.

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

The Beatles: Image and the Media charts the transformation of the Beatles from teen idols to leaders of the youth movement and powerful cultural agents. Drawing upon American mainstream print media, broadcasts, albums, films, and videos, the study covers the band's career in the United States. Michael R. Frontani explores how the Beatles' media image evolved and how this transformation related to cultural and historical events.

Fighting a superior foe is a momentous task. There are many ways it can be done; there are many ways victories can be achieved. In war, there are no rules, there are no laws; there are only strategies and tactics. Many say what they would do in the face of tyranny; many know what they should do when the powerful become predators. A divided people can be isolated and devoured. Survival depends upon the masses forming one mind.

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement.

Reality TV's influence is seismic: twenty-five years ago, the concept didn't exist. Yet today, it is one of the most powerful cultural forces on earth; a multi-billion-dollar machine. Despite that, it is often derided as "trash"; a cultural McDonalds not worthy of examination. The truth is that reality TV offers a profound insight into who we are as human beings, questioning the very nature of what we deem to be entertaining. Writer, broadcaster and reality TV-obsessive Jacques Peretti goes behind the scenes of a world that has entranced and consumed him for two decades.

La storia dell'arte può essere raccontata da tanti punti di vista: attraverso le tecniche, i movimenti, le committenze, i linguaggi o gli stili. Questo audiolibro sceglie un'altra strada. Ci invita a compiere un viaggio nel tempo, dall'antichità ad oggi, per scoprire come gli artisti hanno rappresentato le emozioni, quelle che si annidano nei nostri stati d'animo più ineffabili e affascinanti.

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.