History Social Cultural

12 Years a Slave is the harrowing account of a Black man, born free in New York State, who was drugged, kidnapped, and sold into slavery in 1841. Having no way to contact his family, and fearing for his life if he told the truth, Solomon Northup was sold from plantation to plantation in Louisiana, toiling under cruel masters for twelve years before meeting Samuel Bass, a Canadian who finally put him in touch with his family, and helped start the process to regain his freedom.

If you're Irish American or African American or Eastern European Jewish American, there's a rich literature to give you a sense of your family's arrival-in-America story. Until now, that hasn't been the case for Chinese Americans. From noted historian Mae Ngai, The Lucky Ones uncovers the three-generational saga of the Tape family. It's a sweeping story centered on patriarch Jeu Dips' (Joseph Tapes') self-invention as an immigration broker in post-gold rush San Francisco, and the extraordinary rise it enables.

Omo Moses deftly interweaves his own life story with excerpts from both his great-grandfather's sermons and the writings of his father, the civil rights activist Bob Moses. The result is a powerful chorus of voices that spans 3 generations of an African American family, all shining a light on the Black experience, all calling fiercely for racial justice. This book is at once a coming-of-age story, a multigenerational family memoir, an epic father-son road trip, a searing account of the Black male experience, and a work that powerfully revives Rev. Moses’s demand for liberation.

Award-winning author Lisandro Perez tells Cuba's story through the lens of a single family: his own. The House on G Street is a unique depiction of one of the most consequential events of the twentieth century, told through generations of ancestors whose lives were shaped by dramatic historical forces. Perez disentangles the complex history by following his family's thread, imbuing political events with personal meaning. Their story begins with emigration to Cuba and follows the waning years of the colony.

Before and since its official closure in 1985, historic US 66 became associated with the deserts, Indians, and cowboys of the Southwest; the "Okies" of the Great Depression; and the millions of vacationers who took to the highway in their streamlined automobiles and found adventure on the open road from the late 1940s to the 1970s.

Redemption is an intimate look at the last 31 hours and 28 minutes of King's life. King was exhausted from a brutal speaking schedule. He was being denounced in the press and by political leaders as an agent of violence. He was facing dissent even within the civil rights movement and among his own staff at the Southern Christian Leadership Conference. In Memphis, a federal court injunction was barring him from marching. As threats against King mounted, he feared an imminent, violent death. The risks were enormous, the pressure intense.

Talking about race relations is never easy. Bruce A. Jacobs has written a book that shows us how we can begin - not with lofty abstractions or policy arguments, but with practicality and directness. Completely revised and updated, this is a candid assessment of, and guide to, improving race relations, a book Kirkus Reviews called "shocking" and Publishers Weekly termed "a frank, intelligent guide".

This audiobook tells the story of how viniculture in America was started and sustained by a broad spectrum of religious denominations. In the process, it offers new insights into the special relationship between wine production and consumption and the spiritual dimension of human experience.

In 1951, Carlotta Walls Lanier was one of the nine African-American students to integrate Little Rock High School, and the first to earn a diploma. Here she provides a firsthand account of her experiences - including the bombing that rocked her home, the constant threats she and her classmates faced, and the pressure and bullying her parents endured.

New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in Black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one chapter remains untold: The story of a group of women collectively dubbed “Miss Anne.” Kaplan’s formidable work remaps the landscape of the 1920s, and alters our perception of this historical moment.

Modern Shanghai: a global city in the midst of a renaissance, where dreamers arrive each day to partake in a mad torrent of capital, ideas, and opportunity. Marketplace's Rob Schmitz is one of them. He immerses himself in his neighborhood, forging deep relationships with ordinary people who see in the city's sleek skyline a brighter future, and a chance to rewrite their destinies.

To his contemporaries in Gilded Age Manhattan, Guillermo Eliseo was a fantastically wealthy Mexican, the proud owner of a luxury apartment overlooking Central Park, a busy Wall Street office, and scores of mines and haciendas in Mexico. But for all his obvious riches and his elegant appearance, Eliseo was also the possessor of a devastating secret: He was not, in fact, from Mexico at all. Rather, he had begun life as a slave named William Ellis, born on a cotton plantation in Texas during the waning years of King Cotton.

From South Park to Kathy Acker, and from Lars Von Trier to Sex and the City, women's sexual organs are demonized. Rees traces the fascinating evolution of this demonization, considering how calling the "c-word" obscene both legitimates and perpetuates the fractured identities of women globally. Rees demonstrates how writers, artists, and filmmakers contend with the dilemma of the vagina's puzzlingly "covert visibility".

Former Internet entrepreneur Andrew Keen was among the earliest to write about the dangers that the Internet poses to our culture and society. His 2007 book The Cult of the Amateur was critical in helping advance the conversation around the Internet, which has now morphed from a tool providing efficiencies and opportunities for consumers and business to an elemental force that is profoundly reshaping our societies and our world.

At its core, American Disgust wrestles with how changing cultural notions of digestion-what goes into the body and what comes out of it-create and impose racial categories motivated by feelings of disgust rooted in American settler-colonial racism. It shows how disgust is a changing, yet fundamental, aspect of American subjectivity and that engaging with it-personally, politically, and theoretically-opens up possibilities for conceptualizing health at the individual, societal, and planetary levels.

Tiffany Jenkins’s groundbreaking book traces the emergence of private sanctuaries from authority and public opinion to show that private life is a very recent – and hard-won – achievement. Strangers and Intimates is animated by dramatic human confrontations: from the political struggles in the seventeenth century that led to Edmund Coke’s rallying cry that ‘an Englishman’s home is his castle’; to the first modern privacy panic in 1844, when the British government opened private letters sent to the exiled Italian republican Giuseppe Mazzini; and more.

"Have to keep that smile", said Booker Wright in the 1966 NBC documentary Mississippi: A Self-Portrait. At the time Wright was a waiter in a Whites-only restaurant and a local business owner who would become an unwitting icon of the civil rights movement. For he did the unthinkable: Before a national audience, he described what life was truly like for the Black people of Greenwood, Mississippi.

In 1904 Ota Benga, a young Congolese "pygmy" - a person of petite stature - arrived from central Africa and was featured in an anthropology exhibit at the St. Louis World's Fair. Two years later the New York Zoological Gardens displayed him in its Monkey House, caging the slight 103-pound, 4-foot 11-inch tall man with an orangutan. The attraction became an international sensation, drawing thousands of New Yorkers and commanding headlines across the nation and in Europe.

In Calculating Race, Benjamin Wiggins analyzes the historical relationship between statistical risk assessment and race in the United States. He illustrates how actuarial science transformed the nature of racism and helped usher racial disparities in wealth, incarceration, and housing from the 19th century into the 20th.

Daniel Hill will never forget the day he heard these words: "Daniel, you may be white, but don't let that lull you into thinking you have no culture. White culture is very real. In fact, when white culture comes in contact with other cultures, it almost always wins. So it would be a really good idea for you to learn about your culture." Confused and unsettled by this encounter, Hill began a journey of understanding his own white identity. Today he is an active participant in addressing and confronting racial and systemic injustices.