History Social Cultural

Alan Riding introduces a pageant of 20th-century artists who lived and worked under the Nazis and explores the decisions each made about whether to stay or flee, collaborate or resist. We see Maurice Chevalier and Edith Piaf singing before French and German audiences; Picasso painting and occasionally selling his work from his Left Bank apartment; and Marcel Carné and Henri-Georges Clouzot, among others, directing movies....

Slave narratives are extremely rare. Of the 100 or so of these testimonies that survive, a mere handful are first-person accounts by slaves who ran away and freed themselves. Now two newly uncovered narratives, and the biographies of the men who wrote them, join that exclusive group.

The word cowboy conjures up vivid images of rugged men on saddled horses - men lassoing cattle, riding bulls, or brandishing guns in a shoot-out. White men, as Hollywood remembers them. What is woefully missing from these scenes is their counterparts: the Black cowboys who made up one-fourth of the wranglers and rodeo riders. This book tells their story.

License to Travel exposes the passport as both an instrument of personal freedom and a tool of government surveillance powerful enough to define our very humanity. Patrick Bixby examines the passports of artists and intellectuals, ancient messengers and modern migrants to reveal how these seemingly humble documents implicate us in larger narratives about identity, mobility, citizenship, and state authority.

In the early 1960s, the nation was on track to fulfill its destiny in what was being called "the American Century." Baby boomers and rock & roll shared the country's optimism and energy. For "one brief, shining moment" in the early 1960s, both President John F. Kennedy and young people across the country were riding high. The dream of a New Frontier would soon give way, however, to a new reality involving assassinations, the Vietnam War, Cold War crises, the civil rights movement, a new feminist movement, and various culture wars.

Daryl Joji Maeda's account of Bruce Lee's legacy traces how movements and migrations across the Pacific Ocean structured the cultures Lee inherited, the milieu he occupied, the martial art he developed, the films he made, and the world he left behind. A unique blend of cultural history and biography, Like Water unearths the cultural strands intertwined in Lee's rise to a new kind of global stardom. Moving from the gold rush in California and the British occupation of Hong Kong to the Cold War, Maeda builds depth and complexity to this larger-than-life figure.

The millions of fans who watch World Wrestling Entertainment (WWE) programs each year are well aware of their role in building the narrative of the sport. #WWE: Professional Wrestling in the Digital Age explores the intersections between media, technology, and fandom in WWE's contemporary programming and business practices. In the Reality Era of WWE (2011 to the present), wrestling narratives have increasingly drawn on real-life personalities and events that stretch beyond the story-world created and maintained by WWE.

The findings from wide-ranging interviews and careful historical research, Black Genius explores the roots of Black achievement in America. The results are surprising and inspiring. Interweaving past and present, beginning with this country's inception, Russell covers the importance of continuity and tradition in nurturing Black artists, scientists, and leaders. Here are memorable portraits of Wynton Marsalis, Ralph Ellison, Louis Armstrong, Toni Morrison, Duke Ellington, James Baldwin, Paul Robeson, Muhammad Ali, Lois Mailou-Jones, and other Black notables.

Neoliberalism took shape in the 1930s and 1940s as a transnational political philosophy and system of economic, political, and cultural relations. As neoliberal ideas gained political currency in the 1960s and 1970s, reactionary cultural turn catalyzed their ascension. The cinema, music, magazine culture, and current events discourse of the 1970s provided the space of negotiation permitting these ideas to take hold and be challenged.

El panteón mexica tenía más de cien deidades, en su mayoría seccionadas de forma jerárquica. Entre los poderes que se les atribuía se encontraban: inmortalidad y capacidad de renacer o reencarnar si morían, omnipresencia, omnipotencia, invisibilidad y el poder de manifestarse visiblemente en sueños o como nahuales. Los dioses mexicas no eran sólo justicieros, bondadosos y equitativos, sino que también eran arbitrarios, bromistas, caprichosos y malévolos.

Climbing the Rough Side of the Mountain is the remarkable story of a couple who came together during the Civil Rights Movement and made fighting for equality and civil and workers’ rights their purpose for more than sixty years, overcoming adversity—with the strength of their love and commitment—to bring about meaningful change.

City of Hope, City of Rage gives a fascinating account of three turbulent and transformative decades in the history of Miami. Marked by mass immigration, racially motivated uprisings, economic inequity, rising crime, and social change, Miami's history from 1968 to 1994 saw the city evolve rapidly from a predominantly white city and vacation spot into a global, Hispanic-majority metropolis with an international tourist base. And yet Miami remains highly segregated today.

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form.

At fourteen years old, Carlotta Walls was the youngest member of the Little Rock Nine. The journey to integration in a place deeply against it would not be not easy. Yet Carlotta, her family, and the other eight students and their families answered the call to be part of the desegregation order issued by the US Supreme Court in its 1954 Brown v. Board of Education case.

Award-winning author Lisandro Perez tells Cuba's story through the lens of a single family: his own. The House on G Street is a unique depiction of one of the most consequential events of the twentieth century, told through generations of ancestors whose lives were shaped by dramatic historical forces. Perez disentangles the complex history by following his family's thread, imbuing political events with personal meaning. Their story begins with emigration to Cuba and follows the waning years of the colony.

In Possessed, Rebecca R. Falkoff asks how hoarding - once a paradigm of economic rationality - came to be defined as a mental illness. Hoarding is unique among the disorders included in the American Psychiatric Association's DSM-5 because its diagnosis requires the existence of a material entity: the hoard. Possessed therefore considers the hoard as an aesthetic object produced by clashing perspectives about the meaning or value of objects.

To his contemporaries in Gilded Age Manhattan, Guillermo Eliseo was a fantastically wealthy Mexican, the proud owner of a luxury apartment overlooking Central Park, a busy Wall Street office, and scores of mines and haciendas in Mexico. But for all his obvious riches and his elegant appearance, Eliseo was also the possessor of a devastating secret: He was not, in fact, from Mexico at all. Rather, he had begun life as a slave named William Ellis, born on a cotton plantation in Texas during the waning years of King Cotton.

At its core, American Disgust wrestles with how changing cultural notions of digestion-what goes into the body and what comes out of it-create and impose racial categories motivated by feelings of disgust rooted in American settler-colonial racism. It shows how disgust is a changing, yet fundamental, aspect of American subjectivity and that engaging with it-personally, politically, and theoretically-opens up possibilities for conceptualizing health at the individual, societal, and planetary levels.

In the early sixties, Calvin Trillin got his start as a journalist covering the Civil Rights Movement in the South. Over the next five decades of reporting, he often returned to scenes of racial tension. Now, for the first time, the best of Trillin’s pieces on race in America have been collected in one volume.

Have you ever wondered about the origin of the terrifying Wendigo? How about the Philippine shape-shifting vampire? What about the Māori forest spirits? Join award winning podcaster and researcher Kamuela Kaneshiro as he takes you on a thrilling trip through Asia, the Americas, and other fascinating cultures touching the Pacific Ocean. And as you marvel at this captivating assortment of deities, monsters, and historical backdrops, you’re sure to have your imagination sparked by the wonders of the world.