History Social Cultural

New York Times best-selling author and award-winning broadcaster Tavis Smiley recounts the final 365 days of Martin Luther King, Jr.'s life, revealing the minister's trials and tribulations - denunciations by the press, rejection from the president, dismissal by the country's Black middle class and militants, assaults on his character, ideology, and political tactics, to name a few - all of which he had to rise above in order to lead and address the racism, poverty, and militarism that threatened to destroy our democracy.

This is the inspiring life and legacy of vocal artist and civil rights icon Paul Robeson - one of the most important public figures in the 20th century - adapted for young adults by the acclaimed Robeson biographer. Featuring a foreword by multiple award-winning author Jason Reynolds, Paul Robeson: No One Can Silence Me will introduce listeners in middle and high school to the inspiring and complicated life of one of America’s most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.

Twelve Years a Slave (Originally published in 1853 with the sub-title: "Narrative of Solomon Northup, a citizen of New-York, kidnapped in Washington city in 1841, and rescued in 1853, from a cotton plantation near the Red River in Louisiana") is the written work of Solomon Northup; a man who was born free, but was bound into slavery later in life. Northup's account describes the daily life of slaves in Bayou Beof, their diet, the relationship between the master and slave, the means that slave catchers used to recapture them and the ugly realities that slaves suffered.

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form.

Omo Moses deftly interweaves his own life story with excerpts from both his great-grandfather's sermons and the writings of his father, the civil rights activist Bob Moses. The result is a powerful chorus of voices that spans 3 generations of an African American family, all shining a light on the Black experience, all calling fiercely for racial justice. This book is at once a coming-of-age story, a multigenerational family memoir, an epic father-son road trip, a searing account of the Black male experience, and a work that powerfully revives Rev. Moses’s demand for liberation.

Neoliberalism took shape in the 1930s and 1940s as a transnational political philosophy and system of economic, political, and cultural relations. As neoliberal ideas gained political currency in the 1960s and 1970s, reactionary cultural turn catalyzed their ascension. The cinema, music, magazine culture, and current events discourse of the 1970s provided the space of negotiation permitting these ideas to take hold and be challenged.

El 2 de mayo de 1973, la integrante de los Panteras Negras Assata Shakur se hallaba en el hospital en estado crítico y esposada a la cama, mientras las autoridades locales y la policía federal trataban de interrogarla acerca del tiroteo en una autopista de Nueva Jersey que costó la vida a un policía blanco. Objetivo durante mucho tiempo de la campaña de Edgar Hoover para difamar, sabotear y criminalizar las organizaciones nacionalistas negras y a sus líderes, Shakur pasó cuatro años en la cárcel antes de su condena en 1977, sustentada en pruebas poco sólidas.

At its core, American Disgust wrestles with how changing cultural notions of digestion-what goes into the body and what comes out of it-create and impose racial categories motivated by feelings of disgust rooted in American settler-colonial racism. It shows how disgust is a changing, yet fundamental, aspect of American subjectivity and that engaging with it-personally, politically, and theoretically-opens up possibilities for conceptualizing health at the individual, societal, and planetary levels.

City of Hope, City of Rage gives a fascinating account of three turbulent and transformative decades in the history of Miami. Marked by mass immigration, racially motivated uprisings, economic inequity, rising crime, and social change, Miami's history from 1968 to 1994 saw the city evolve rapidly from a predominantly white city and vacation spot into a global, Hispanic-majority metropolis with an international tourist base. And yet Miami remains highly segregated today.

Tiffany Jenkins’s groundbreaking book traces the emergence of private sanctuaries from authority and public opinion to show that private life is a very recent – and hard-won – achievement. Strangers and Intimates is animated by dramatic human confrontations: from the political struggles in the seventeenth century that led to Edmund Coke’s rallying cry that ‘an Englishman’s home is his castle’; to the first modern privacy panic in 1844, when the British government opened private letters sent to the exiled Italian republican Giuseppe Mazzini; and more.

El panteón mexica tenía más de cien deidades, en su mayoría seccionadas de forma jerárquica. Entre los poderes que se les atribuía se encontraban: inmortalidad y capacidad de renacer o reencarnar si morían, omnipresencia, omnipotencia, invisibilidad y el poder de manifestarse visiblemente en sueños o como nahuales. Los dioses mexicas no eran sólo justicieros, bondadosos y equitativos, sino que también eran arbitrarios, bromistas, caprichosos y malévolos.

Daryl Joji Maeda's account of Bruce Lee's legacy traces how movements and migrations across the Pacific Ocean structured the cultures Lee inherited, the milieu he occupied, the martial art he developed, the films he made, and the world he left behind. A unique blend of cultural history and biography, Like Water unearths the cultural strands intertwined in Lee's rise to a new kind of global stardom. Moving from the gold rush in California and the British occupation of Hong Kong to the Cold War, Maeda builds depth and complexity to this larger-than-life figure.

License to Travel exposes the passport as both an instrument of personal freedom and a tool of government surveillance powerful enough to define our very humanity. Patrick Bixby examines the passports of artists and intellectuals, ancient messengers and modern migrants to reveal how these seemingly humble documents implicate us in larger narratives about identity, mobility, citizenship, and state authority.

The findings from wide-ranging interviews and careful historical research, Black Genius explores the roots of Black achievement in America. The results are surprising and inspiring. Interweaving past and present, beginning with this country's inception, Russell covers the importance of continuity and tradition in nurturing Black artists, scientists, and leaders. Here are memorable portraits of Wynton Marsalis, Ralph Ellison, Louis Armstrong, Toni Morrison, Duke Ellington, James Baldwin, Paul Robeson, Muhammad Ali, Lois Mailou-Jones, and other Black notables.

In the early 1960s, the nation was on track to fulfill its destiny in what was being called "the American Century." Baby boomers and rock & roll shared the country's optimism and energy. For "one brief, shining moment" in the early 1960s, both President John F. Kennedy and young people across the country were riding high. The dream of a New Frontier would soon give way, however, to a new reality involving assassinations, the Vietnam War, Cold War crises, the civil rights movement, a new feminist movement, and various culture wars.

Why is the athlete so important to us? Few public figures can dominate the public imagination with such power and authority. Drawing from art, literature, politics, and history, Something like the Gods explores the powerful grip the athlete has always held on the Western imagination. Amidon examines the archetype of the competitor as it evolved from antiquity to the present day, from athlete-warriors such as Achilles and Ulysses to global media icons like Ali, Jordan, and Tiger Woods.

In Possessed, Rebecca R. Falkoff asks how hoarding - once a paradigm of economic rationality - came to be defined as a mental illness. Hoarding is unique among the disorders included in the American Psychiatric Association's DSM-5 because its diagnosis requires the existence of a material entity: the hoard. Possessed therefore considers the hoard as an aesthetic object produced by clashing perspectives about the meaning or value of objects.

When 14-year-old Carlotta Walls walked up the stairs of Little Rock Central High School on September 25, 1957, she and eight other Black students only wanted to make it to class. But the journey of the “Little Rock Nine”, as they came to be known, would lead the nation on an even longer and much more turbulent path, one that would challenge prevailing attitudes, break down barriers, and forever change the landscape of America.

Caliph Washington's life was never supposed to matter. As a Black teenager from the vice-ridden city of Bessemer, Alabama, Washington was wrongfully convicted of killing an Alabama policeman in 1957. Sentenced to death, he came within minutes of the electric chair - nearly a dozen times. A Kafka-esque legal odyssey in which Washington's original conviction was overturned three times before he was finally released in 1972, his story is the kind that pervades the history of American justice.

In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free Black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than 150 years, the handwritten document is the first known prison memoir written by an African American.