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You are presumably looking here for clues to the shocking conclusion of this terminal audiobook, or the ending of the end. The end of the end is the best place to begin the end, because if you listen to the end from the beginning of the beginning of the end to the end of the end of the end, you will arrive at the end of the end of your rope.

Meet Maxwell Kane, narrator of Freak the Mighty. He's a timid soul stuck in the body of a teenage giant with size 14 shoes. Haunted by a dark secret in his past, he hides out in his basement room, avoiding the world. But when a new kid moves in next door, Max's life changes forever. The two outcasts form the "normal" world team up to become "Freak the Mighty".

The Big Wander is a trip 14-year-old Clay Lancaster and his older brother Mike have planned for years. It’s Clay’s dream to find his ex-rodeo-star uncle, who quit the tour and disappeared somewhere in the vast and colorful Monument Valley. But Mike - heartbroken and unfocused after losing his girlfriend - soon heads for home. Clay, however, will not give up. He finds a job in a remote trading post, and follows a lead on his uncle’s whereabouts that takes him deep into Navajo country.

What would happen if you discovered that your family was one of the most powerful in human history? What if you were told that the source of the family's power was hidden around the world, in the form of 39 Clues? What if you were given a choice - take a million dollars and walk away...or get the first Clue? If you're Amy and Dan Cahill, you take the Clue - and begin a very dangerous race.

With feudal wars raging through the Japanese countryside, it is no place for children, particularly homeless orphans like six-year-old Saru, who grow up fast and hard in the cold city. When begging does not fill his stomach, stealing and cunning do the trick. The only warmth Saru knows is from a kindly priest who allows him to sleep under his little Shinto shrine in the winter, and Neko, his adopted kitten. Living day-by-day, Saru gives little thought to the future or the course his life might take. But Saru’s fortunes change overnight....

Lucas Forester didn’t hate his wife. Michelle was brilliant, sophisticated and beautiful. Sure, she had extravagant spending habits, that petty attitude, a total disregard for anyone below her status. But she also had a lot to offer. Most notably: wealth that only the one percent could comprehend. For years, Lucas has been honing a flawless plan to inherit Michelle’s fortune. Unfortunately, it involves taking a hit out on her. Every track is covered, no trace left behind, and now Lucas plays the grieving husband so well he deserves an award.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

Less than 60 kids awaken on a distant planet. The colony ship they arrived on is aflame. The rest of their contingent is dead. They've only received half their training, and they are being asked to conquer an entire planet. Before they can, however, they must first survive each other.

A hungry, stray dog is the last thing Cara Butter needs. Stranded in Georgia with only her backpack and a few dwindling dollars, she already has too much baggage. Like her twin sister, Hana, who has broken Cara's heart one too many times. After a lifetime of family troubles, and bouncing from one foster home to another, Cara decides to leave it all behind and strike out alone - on foot.

Kaylee Sloan’s home in Southern California is full of wonderful memories of the woman who raised her. But the memories are prolonging her grief over her mother’s recent death. A successful author, Kaylee hoped she could pour herself into her work. Instead she has terrible writer’s block and a looming deadline.

Always Coming Home is Ursula K. Le Guin’s fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley. Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated “translations” that illuminate individual lives.

When eight-year-old Daisy Mason vanishes from her family’s Oxford home during a costume party, Detective Inspector Adam Fawley knows that nine times out of ten, the offender is someone close to home. And Daisy’s family is certainly strange—her mother is obsessed with keeping up appearances, while her father is cold and defensive under questioning. And then there’s Daisy’s little brother, so withdrawn and uncommunicative . . .

The Cuthberts had decided to adopt an orphan - a nice sturdy boy to help with the farm chores. The orphanage sent a girl instead - a mischievous, talkative redhead who'd be no use at all. She would just have to go back. But ever since Anne arrived, no one could imagine Green Gables without her.

Clara Newton is the new Housemother of Shilling Grange Orphanage. Many of the children have been bombed out of their homes and left without families, their lives torn apart by the war, just like Clara’s. Devastated by the loss of her fiancé, a brave American pilot, she is just looking for a place to start again. But the orphans are in desperate need of her help.

For nearly a century, Victorian London relied on "climbing boys" - orphans owned by chimney sweeps - to clean flues and protect homes from fire. The work was hard, thankless and brutally dangerous. Eleven-year-old Nan Sparrow is quite possibly the best climber who ever lived. With her wits and will, she's managed to beat the deadly odds time and again. But when Nan gets stuck in a deadly chimney fire, she fears her time has come. Instead, she wakes to find herself in an abandoned attic - and not alone. Huddled in the corner is a mysterious creature - a golem - made from ash and coal.

From Buck Brannaman, best-selling author of The Faraway Horses, Believe: A Horseman's Journey continues to chronicle Buck's efforts as a catalyst and mentor through the stories of thirteen people with whom he has worked.

Still undecided about a return to her teaching career, Abby Kimball has thrown herself into restoring the grand Victorian she shares with her boyfriend, Ned. She's happy to put thoughts of her strange ability to see the dead on the back burner for a while, but she realizes that won't be so easy when she's faced with two new compelling encounters. First, a plumber she's hired has a shocking experience with an old tool they find buried in the house's walls, and then the interior life of an autistic boy streams through her mind as if he were speaking.

After seeing their mother loaded into an ambulance because of Bull, her terrifying boyfriend, Jake and Taylor Wilder know they are no longer safe. So they go in search of their father, who has been living off the grid in Wyoming. After jumping trains, hitching a ride with a truck driver, and hiding in the luggage compartment of a tour bus, the boys finally find him in Grand Teton National Park. Just as the boys are getting used to their father's lifestyle - and his "my way is the only way" attitude - they learn that their mother is still alive.

This audio is the only one which describes every last detail of the Baudelaire children's miserable stay at Heimlich Hospital, which makes it one of the most dreadful audios in the world.

Traveling to be reunited with her family in the arctic, 10-year-old Margaret Pokiak can hardly contain her excitement. It’s been two years since her parents delivered her to the school run by the dark-cloaked nuns and brothers. Coming ashore, Margaret spots her family, but her mother barely recognizes her, screaming, “Not my girl”. Margaret realizes she is now marked as an outsider. And Margaret is an outsider: She has forgotten the language and stories of her people, and she can’t even stomach the food her mother prepares.