Home Fiction

When her last two plays are dismal failures and her relationship with her temperamental mentor falls apart, writer Bree O’Brien abandons Chicago and the regional theater where she hoped to make a name for herself to return home. Opening Flowers on Main promises to bring her a new challenge and a new kind of fulfillment. But not all is peaceful and serene in Chesapeake Shores, with her estranged mother on the scene and her ex-lover on the warpath.

Piper McCaulley doesn’t know which way is up or down. Her gran, her last remaining family, died two weeks before Christmas, leaving Piper to reevaluate her life. Did she really want to stay chained to the family business just to hang on to this old house? She didn’t care that her great-great-great grandpa had built it with his own hands. How could she make huge life decisions if she’d never even been outside of Alaska?

Sunday the Rabbi Stayed Home portrays the unassuming Rabbi Small joyously preparing to celebrate Passover. However, the holiday season is marred when local violence, racism, and misplaced pride run amok. Miffed over the sanctuary’s new seating policy, several families are secretly planning to start their own temple in an unoccupied mansion in the country. When some teenagers break into the house for a party - and one ends up dead - the temple plot is interrupted.

Always Coming Home is Ursula K. Le Guin’s fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley. Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated “translations” that illuminate individual lives.

Clara Newton is the new Housemother of Shilling Grange Orphanage. Many of the children have been bombed out of their homes and left without families, their lives torn apart by the war, just like Clara’s. Devastated by the loss of her fiancé, a brave American pilot, she is just looking for a place to start again. But the orphans are in desperate need of her help.

Mack Anders will do anything for his wife, Daisy. Even die. With the woman he loves fading away from Alzheimer’s, Mack fakes his own passing. The insurance makes certain that Daisy will be taken care of with dignity and comfort until the end. In a lonesome cabin in the Wyoming wilderness, he lives off the grid with nothing but thoughts of the past to keep him company and the belief that Daisy is better off without him.

A young homeless woman suffering from memory loss begins to realize that she is actually actress Marilyn Monroe - who is supposed to be dead. Why is she out here on the streets? Who did this to her? As she begins her own investigation into the real truth behind her so-called "death", the truth behind it all is almost too bizarre - and terrifying - for her to handle without losing her mind altogether.

Like the previous books in A Series of Unfortunate Events, there is nothing to be heard here but misery, despair, and discomfort, and you still have time to choose something else to listen to.

Less than 60 kids awaken on a distant planet. The colony ship they arrived on is aflame. The rest of their contingent is dead. They've only received half their training, and they are being asked to conquer an entire planet. Before they can, however, they must first survive each other.

With Fred ready to give birth and the revelation that Mary is also pregnant, spirits are high in the community. For Morgan, however, it's just one more thing to worry about. His mom and dad are now settled in and getting to work, but the babies are coming, the milking barn needs to be built, and the power plant must be kept running. To make matters worse, they're now dealing with the US Army. Morgan has real concerns once he hears about the Army's plans and what they expect of the people of Lake County. After more than a year without the rule of law, are the people ready to return to it?

Young architect Wren Fontaine lands her dream job: restoring Greenleaf House, New York’s finest Gilded-Age mansion, to its glory days. But old homes have old secrets: Stephen Greenleaf—heir to what’s left of his family’s legacy—refuses to reveal what his plans are once the renovation is completed. And still living in a corner of the home is Stephen’s ninety-year-old Aunt Agnes who’s lost in the past, brooding over a long-forgotten scandal while watching Wren with mistrust.

Governments were toppled and rulers were killed during the last attempt to find the lost treasure Amy and Dan Cahill are searching for - do they even stand a chance?

Ryan “Sully” Sullivan is a winner. So when the former hockey great accepts a job coaching the bottom rung Boston Beacons, he’s ready to win it all—even if his new assistant coach isn’t exactly his #1 fan. Eric Aronson’s wins have always come with a well-earned reputation for trouble—and were never quite enough to bring home championships. When the new guy skates in and takes the job he’s worked so hard for, he’s not about to fall short again.

Finally, Cath has met someone: a man she loves, Robin, and who adores her in return. And after years of managing fine on her own, running a successful business, raising her son and caring for her elderly mother, she feels she deserves some happiness. She expected everyone to be delighted for her. But her friends and family are suspicious of Robin. And Rebecca, a desperate single mother whom Cath has hired as a live-in housekeeper, doesn’t trust him either.

Hazel Elliot never looks back. If a door closes, she burns the whole house down. But when she’s invited to her father’s wedding, she’s forced to return to Lockett Prairie, Texas, for the first time since she fled for college. Ash Campbell has been in love with Hazel since she dated his best friend in high school. Now, Ash and Hazel’s relationship is limited to playful feuding over the best chair in their favorite coffee shop, but his attraction to the prickly girl from home has only grown stronger.

Step into a heartwarming world of cowboys and courage, family and fun, sweet romance and happily ever afters. Come home to Sweet Water, North Dakota, a small town where faith changes things and everyone knows your name.

In Avenging Home, we see how the long-running battle between Morgan's people and their number one nemesis plays out. While Morgan thinks this is the biggest threat they face, there are things on the horizon he cannot yet see that are going to dwarf these problems. Morgan has lived in a vacuum. He's had little information about the outside world. While he's used radios to listen to what he can, there's been precious little real information.

One night, Jess, a struggling actress, finds a five-year-old runaway hiding in the bushes outside her apartment. After a violent, bloody encounter with the boy's father, she and the boy find themselves running for their lives. As they attempt to evade the boy's increasingly desperate father, Jess slowly comes to a horrifying understanding of the butchery that follows them—the boy can turn his every fear into reality. And when the wolf finally comes home, no one will be spared.

Like handshakes or housepets, many things are preferable when not slippery. Unfortunately, in this miserable volume, I am afraid that Violet, Klaus, and Sunny Baudelaire run into more than their fair share of slipperiness during their harrowing journey up, and down, a range of strange and distressing mountains.

When Mike Radley inherited a mysterious old house from a long-lost relative, he wasn't sure what to expect. He didn't expect a sexual encounter with the nymph in his bathtub. He really didn't expect to discover a house full of affectionate monsters. And he definitely didn't expect a pair of witches bent on stealing the home's magic from him. Welcome to the Radley House. Expect the unexpected.