Horror Anthology

Evenson's first collection of 25 short stories and one novella, Altmann's Tongue (1994), garnered comparisons to Paul Bowles, Poe, and Kafka and is considered by many an existential masterpiece.

We’re all grown up, right? Or, are we? Do things in the night still make you wanna cry to Mama? Well, you can’t anymore, she’s not around. Time to face your demons, man or woman. Mama ain’t here, but all she ever wanted was to hear your laughter and to know you’re safe.

Goblin seems like any other ordinary small town. But with the master storyteller Josh Malerman as your tour guide, you’ll discover the secrets that hide behind its closed doors. These six novellas tell the story of a place where the rain is always falling, nighttime is always near, and your darkest fears and desires await. Welcome to Goblin....

Edgar Allan Poe may be 150 years beyond this world, but the themes of his beloved works have much in common with modern young adult fiction. Whether the stories are familiar or discovered for the first time, listeners will revel in both Edgar Allan Poe's classic tales, and in the 13 unique and unforgettable ways that they've been brought to life.

When bar owner Devon Kincaid finds a bleeding man - a hot, hard, handsome, naked bleeding man - in the snow one night, she brings him home to care for him. He's definitely not like any man she's ever met before, but what she doesn't realize is that he's not just a man.

Fear isn’t always loud. It doesn’t always scream or announce itself with a loud thud on the closet door. Sometimes it creeps, slithers, and crawls. Sometimes it’s waiting in the shadows, whispering as you pass by. These stories may not scare you, but one or two whispers may just burrow into the back of your brain. They may make you shiver at night and consider, for just a moment, that maybe you left the front door unlocked and maybe those were footsteps you heard inside.

The King in Yellow is a collection of 10 short stories on supernatural subjects first published 1895. The title refers to a mysterious play which causes derangement in the minds of those who read or see it, and which is mentioned in the first four stories.

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

In this sweeping, threaded narrative of the global phenomenon known as the Vampire Wars, mankind is unwittingly infected by a millennia-old bacteria unknowingly exhumed by a scientific expedition in Antarctica. Now, in some rare cases, a person’s so-called junk DNA becomes activated. Depending on their racial and ethnic heritage, they begin to manifest one of the many diverse forms of the "others" that are the true basis for the legends of supernatural creatures. These aren’t your usual vampires and werewolves - it goes much deeper than that.

You can't kill the dead! Like any good monster, the zombie has proven to be ever-evolving, monumentally mutable, and open to seemingly endless imaginative interpretations: the thralls of voodoo sorcerers, George Romero's living dead, societal symbols, dancing thrillers, viral victims, reanimated ramblers, video-gaming targets, post-apocalyptic permutations, shuffling sidekicks, literary mash-ups, the comedic, and, yes, even the romantic.

"Einmal wollte der Kranzedan mit der Untergrundbahn fahren. Am Ende der Rolltreppe, die ihn tief, tief in die Erde hinab führte, befand sich – zwischen verblichenen Reklametafeln leicht zu übersehen – eine kleine Metalltür. Dahinter vernahm der Kranzedan ein ganz feines Stimmchen, das sprach: "Komm, komm, komm …". Da öffnete er die Tür und quetschte sich geduckt hindurch und nie wieder ward er gesehen …”.

Since the first appearance of a vampire in Robert Southey’s Thalaba the Destroyer, we mortals have endured a morbid fascination with these peculiar creatures of the night. They come in many forms: charming and seductive; ghastly and terrible. Join us as we explore a number of classic yarns concerning the various guises of the vampire, from Aleksey Tolstoy’s horrifying description of a vampiric family to Robert E. Howard’s tale of a creature loosed from bondage after having been buried for over three centuries. Thank the gods these creatures are fictitious…aren’t they?

En los doce soberbios cuentos que componen este volumen Mariana Enriquez despliega todo un repertorio de recursos del relato clásico de terror: apariciones espectrales, brujas, sesiones de espiritismo, grutas, visiones, muertos que vuelven a la vida... Pero, lejos de proponer una mera revisitación arqueológica del género, reelabora ese material con una voz propia y radicalmente moderna. Tirando del hilo de la mejor tradición, la lleva un paso más allá, con historias que indagan en lo siniestro que se agazapa en lo cotidiano.

"Stranger's Thing" by Robert Bevan: Four friends get more than they bargained for when they break into a seemingly abandoned research lab. "The Shingling" by Steve Wetherell: Johnny Terry, a recovering meth addict, is excited to start his new life as the caretaker at the Underpass Motel. Unfortunately, the Underpass is haunted by the ghosts of dead porn stars. "The Haunting of Whore House" by Robert Bevan: Lucy and her brother, Junkie, find out that moving was only the beginning of their troubles when they encounter the ghost of a little boy in the woods. Plus three more!

First published in an 1839 edition of Burton's Gentleman's Magazine, "The Fall of the House of Usher" is the story of the declining physical and psychological health of the residents of the House of Usher - and the way in which the house itself reflects that. Gothic in theme and style, the story is an exemplar of Poe's philosophy of composition, which dictates that literary works should be short and methodological and have a unity of effect wherein all the elements of the story are related and relevant.

Eve has a fake ID, a .38, and a violent lover receding in the rearview mirror. He’ll never find her at the isolated motel, and its kindly manager is happy to ease her fears. But if Eve is the only guest, whom does she keep hearing on the other side of the wall? Eve won’t get a good night’s rest until she finds out.

Blackfoot storyteller Alex Soop plunges us into a shocking well of imagination in this collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, listeners get a wicked glimpse into the genre of Indigenous horror.

Acclaimed in her own time for her short story “The Lottery” and her novel The Haunting of Hill House - classics ranking with the work of Edgar Allan Poe - Shirley Jackson blazed a path for contemporary writers with her explorations of evil, madness, and cruelty. Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection.

The Ultimate Ghost Stories Collection is a fully indexed collection of classic ghost stories, read by three Audie-winning narrators. Included here are stories by Henry James, M.R. James, Edgar Allan Poe, Charles Dickens, Edith Wharton and Washington Irving.

Katie Berry, award-winning author of CLAW: A Canadian Thriller would like you to meet Kitty Welch, a working girl who never thought her day would end this way: On the run, and on the dinner menu. When an appointment with a client goes awry, working girl Kitty finds her day becoming much, much more than she ever bargained for, leading her on a wild adventure of greed, obsession, and a date with destiny. Now, all she has to do is survive....