Horror Anthology

They Hide: Short Stories to Tell in the Dark collects 13 chilling tales that weave through the shadows, exploring the nature of fear, powerlessness, and control.

Listeners know that few authors are able to create an atmosphere of unease and terror as well as Oates, a fact confirmed by the four novellas presented here. All the novellas in this collection revolve around the theme of love gone wrong - horribly, shockingly wrong.

Pierce the curtain of reality into a world of the bizarre and the macabre: a midnight realm of the creaking footsteps on the stairs, of the pale visage in the dark, and of the tingling shivers down your spine.

The King in Yellow is a collection of 10 short stories on supernatural subjects first published 1895. The title refers to a mysterious play which causes derangement in the minds of those who read or see it, and which is mentioned in the first four stories.

Our story begins in 1785 when a young seafarer, Captain Thornhill, disappears while visiting the shop of a barber in London, a certain Sweeney Todd whose shop in Fleet Street is situated by St. Dunstan's church, just round the corner from the famous and popular meat pie shop run by Mrs. Lovett. Thornhill was carrying a string of pearls as a gift for Johanna Oakley, the sweetheart of his friend Mark Ingestrie who is missing, presumed lost at sea.

El miedo que acecha, El modelo de Pickman, Arthur Jermyn, Celephais, La tumba, La Musica de Erich Zann, Del mas allá, La ciudad sin nombre, El horror oculto, La llave de plata, El alquimista

¿Es más punzante el sonido que el silencio? En estas páginas, Uriel Reyes ha vertido relatos escalofriantes en los que la noche se presenta afilada y solitaria. Esa noche cae como un pesado cuchillo sobre la realidad que abre una grieta hacia lo paranormal. El rechinar de una puerta, un cristal roto, una voz distorsionada… con la puesta del sol, estas cosas sufren una metamorfosis literal y metafórica que nos empujan hacia un miedo sofocante. Estos son sucesos que uno quisiera contar a susurros, como para no invocar algo terrible.

The horror genre is full of remarkable writers—masters of prose that can make your skin crawl, your pulse quicken, and your breath ragged. But nothing is as special as a badass female author who evokes a sense of fear and dread so intense that it affects the listener for days afterward.

Justin managed to get the day off work. He has plans to make the most of it. Drugs, booze, hookers - total degradation. There's just one problem. Those damn flies.

From Daniel Mallory Ortberg comes a collection of darkly mischievous stories based on classic fairy tales. Adapted from his beloved Children's Stories Made Horrific series, The Merry Spinster takes up the trademark wit that endeared Ortberg to listeners of both The Toast and his best-selling debut Texts from Jane Eyre. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.

Here there be gods and monsters—forged from flesh and stone and vengeance—emerging from the icy abyss of deep space, ascending from dark oceans, and prowling strange cities to enter worlds of chaos and wonder, where scientific rigor and human endeavor is tested to the limits. These are cosmic realms and watery domains where old offerings no longer appease the ancient Gods or the new and hungry idols. Deities and beasts. Life and death. Love and hate. Science and magic. And smiling monsters in human skin.

Goblin seems like any other ordinary small town. But with the master storyteller Josh Malerman as your tour guide, you’ll discover the secrets that hide behind its closed doors. These six novellas tell the story of a place where the rain is always falling, nighttime is always near, and your darkest fears and desires await. Welcome to Goblin....

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

This stunning anthology of classic colonial suspense fiction plunges deep into the native soil from which American horror literature first sprang. While European writers of the Gothic and bizarre evoked ruined castles and crumbling abbeys, their American counterparts looked back to the colonial era’s stifling religion, and its dark and threatening woods.

Now, available in audio for the first time, Side Effects is narrated by Woody Allen himself. A humor classic by one of the world’s funniest writers, Side Effects is a treat for Allen fans and those just discovering how gifted he is. In classics including "Remembering Needleman", "The Kugelmass Episode", "Confessions of a Burglar", and others, Allen discusses such subjects as the nature of relativity, the UFO menace, and the predicament of modern man.

City of elegance and squalor. Of religious fervor and wanton lusts. And everywhere, on the walls of courtyards and churches, an incandescent fungus of mysterious and ominous origin. In Ambergris, a would-be suitor discovers that a sunlit street can become a killing ground in the blink of an eye. An artist receives an invitation to a beheading - and finds himself enchanted. And a patient in a mental institution is convinced he has made up a city called Ambergris, imagined its every last detail, and that he’s really from a place called Chicago.

It was the eye. The dull, sightless, vulture's eye that shredded his final nerve. But the murder was done so carefully, so perfectly, that only one thing could reveal the whereabouts of the body. B. J. Harrison gives a masterful reading of the famous murder that wouldn't keep quiet. This audiobook was the #3 best-selling audiobook in 2008 at the iTunes Music Store!

Editors Randy Chandler and Cheryl Mullenax put the call out to horror writers and editors of extreme stories, the hardcore stuff that breaks boundaries and trashes taboos, the transgressive tales you can't "unread" (as Chuck Palahniuk says). Some of the stories you'll find here are loaded with very graphic descriptions of violence, sex, and depravities, while others may contain only one shocking moment of brutality. In others, the hardcore aspect may be less graphic and subtler than you might expect.

Sympathy with the sea, with the weird, and with monsters fills the stories of Imperfect Commentaries. Ruthanna Emrys' collection offers listeners feminist and #ownvoices Neo-Lovecraftian fiction, anthropological science fiction, and fantasies of belonging, plus miscellaneous deleted scenes, poems, and secret story origins. Listeners familiar with her novels (Winter Tide and Deep Roots) will see the first appearance of Aphra Marsh, an Innsmouth survivor, still recovering from her losses and making a life for herself in late-1940s San Francisco.

Nato a Boston nel 1809, Edgar Allan Poe è considerato l'inventore del genere letterario del terrore e del mistero, nonché iniziatore del genere poliziesco. Nei suoi quarant'anni di vita travagliata scrisse centinaia di racconti pubblicati su varie riviste e fu Charles Baudelaire, suo grande ammiratore, che lo fece conoscere al pubblico europeo e che lo definì "uomo dalle facoltà sovracute".