Horror Fairy

Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls’ orchestra and become a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena. After a scandal threatens her noble family’s reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known.

As a mortal girl dating a vampire, Raven knows that love isn't always easy. Now that Alexander's parents have returned to Romania, Raven and her dreamy vampire boyfriend are happy to resume their cryptic romance. But soon another visitor comes knocking: Sebastian, Alexander's best friend, arrives for a stay at the mansion.

Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city. The locals treat the Sanchez women like outsiders, while Carmen's contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen's had enough. They're leaving. Back home in New York, malevolent and unexplainable happenings seem to swarm the Sanchez family.

Ares, god of war, is leading the other dying gods into battle. Which is just fine with Athena. She's ready to wage a war of her own, and she's never liked him anyway. If Athena is lucky, the winning gods will have their immortality restored. If not, at least she'll have killed the bloody lot of them, and she and Hermes can die in peace. Cassandra Weaver is a weapon of fate. The girl who kills gods. But all she wants is for the god she loved and lost to return to life. If she can't have that, then the other gods will burn, starting with his murderer, Aphrodite.

Marshall Seaver is being haunted. In the first installment of this chillingly compelling trilogy, sixteen-year-old Marshall discovers that something beyond our world is after him. The eerie clues pile up quickly, and when people start dying, it's clear whatever this is - it's huge. Marshall has no idea what's happening to him, but he's soon convinced that it has something to do with his best friend, Cooper, who's been missing for over a week.

Der siebzehnjährige Charlie Reade hat kein leichtes Leben. Seine Mutter starb, als er drei war, und sein Vater ist dem Alkohol verfallen. Eines Tages offenbart ihm der von allen gemiedene mysteriöse Nachbar auf dem Sterbebett ein Geheimnis, das Charlie schließlich auf eine abenteuerliche Reise in eine andere, fremde Welt führt. Dort treiben mächtige Kreaturen ihr Unwesen. Die unterdrückten Einwohner sehen in Charlie ihren Retter. Aber dazu muss er erst die Prinzessin, die rechtmäßige Herrin des fantastischen Märchenreichs, von ihrem schrecklichen Leiden befreien.

In November 2014 Arla Macleod bludgeoned her mother, father and sister to death with a hammer. Now incarcerated at a medium-security mental-health institution, Arla will speak to no one but Scott King, an investigative journalist, whose Six Stories podcasts have become an internet sensation. King finds himself immersed in an increasingly complex case, interviewing five witnesses and Arla herself as he questions whether Arla's responsibility for the massacre was a diminished as her legal team made out.

Dracula is the seminal gothic horror novel of its time as Bram Stoker introduced the world to the legendary vampire Count Dracula. Published in 1897 and told through a series of diary entries and letters, the story journeys into the dark world of Count Dracula through the eyes of several different narrators. The novel explores many themes, the role of women in Victorian culture, conventional and conservative sexuality, immigration, colonialism, post colonialism and folklore.

In isolated British Columbia, girls, mostly native, are vanishing from the sides of a notorious highway. Leo Kreutzer and his four friends are barely touched by these disappearances-until a series of mysterious and troublesome outsiders come to town. Then it seems as if the devil himself has appeared among them.

"Perfect deadpan marks the opening of Ali Simpson’s The Monster'" writes Susan Merrell of The Southampton Review in her introduction to this issue of Recommended Reading.

Scary stories help children face fear and master it, by portraying the elements of conflict in clear, good-versus-evil terms with good triumphant in the end.

For reasons of her own, Hero Tojosoa accepts an invitation she was half expected to decline, and finds herself in Prague on a bachelorette weekend hosted by her estranged friend Sofie. Little does she know she’s arrived in a city with a penchant for playing tricks on the unsuspecting. A book Hero has brought with her seems to be warping her mind: the text changes depending on when it’s being read and who’s doing the reading, revealing startling new stories of fictional Praguers past and present.

It's 1997. Scarclaw Fell. The body of teenager Tom Jeffries is found at an outward bound centre. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who took that fateful trip and the flimsy testimony of those living nearby.

Rick Yancey’s first gothic suspense tale, The Monstrumologist, earned him a prestigious Michael L. Printz Award. The second installment of this acclaimed series, Curse of the Wendigo, finds young Will Henry on the hunt for a supernatural beast plaguing New England in the late 1800s. Will and his mentor, the domineering Dr. Warthrop, are enlisted to help the doctor’s former fiancée. It seems her husband has been lost in the Canadian wilderness.

Rick Yancey won the Michael L. Printz Award for the stunning first entry in his Monstrumologist saga. In the series’ third entry, Will Henry is left behind as Dr. Warthrop and his eager new assistant Arkwright embark on a quest to find the “Holy Grail of Monstrumology.” But when Arkwright returns with news of the doctor’s demise, Will sets off on his own quest, to the Isle of Blood, to determine the truth.

Step beyond the veil of the ordinary and into a realm where fairytales are not as they seem. 'The Grimoire of Forgotten Fairytales' beckons you into a world of eldritch lore and enigmatic verses. From twisted nursery rhymes to cryptic riddles, each minute is a key to a door yet unopened, a path yet untraveled. Will you heed the whispers of forgotten tales and unlock the secrets that lie within? Venture forth, if you dare, but remember: some doors, once opened, can never be closed.

Owen Pitt ist Buchprüfer. Eines Abends erfüllt er sich einen lang gehegtenTraum und wirft seinen Boss aus dem Fenster. Allerdings nicht ganz freiwillig, denn dieser hatte sich vor seinen Augen in einen leibhaftigen Werwolf verwandelt und versucht, ihn zu fressen. Als Owen im Krankenhaus erwacht, ist ein Agent bei ihm. Er erklärt ihm, dass es Monster wirklich gibt und seine Organisation sie im Zaum hält, natürlich unter strenger Geheimhaltung. Und er macht Owen ein interessantes Jobangebot.

Patrick Lafcadio Hearn, was an Irish writer known also by the Japanese name Koizumi Yakumo. His book Kwaidan: Stories and Studies of Strange Things, comprises two parts, the first being the "Kwaidan Proper" and the second, "Insect-Studies", which consists of an essay each on ants, butterflies and mosquitos. According to the author, most of the folk tales and ghost stories in the first part were translated from old Japanese texts. The themes encompass resurrection, sacrifice, magic, and the realm of dreams.

The empire rests on the edge of a knife, and sisters Ashyn and Moria are the handle and the blade. Desperate to outmaneuver the evil Alvar Kitsune, whose hold on the people grows stronger every day, Emperor Tatsu begs Moria to put aside past grievances and ally with Gavril - at least long enough to make an attempt on Alvar's life.

Screenwriter and noted film critic C. Robert Cargill continues the story begun in his acclaimed debut Dreams and Shadows in this bold and brilliantly crafted tale involving fairies and humans, magic and monsters - a vivid phantasmagoria that combines the imaginative wonders of Neil Gaiman, the visual inventiveness of Guillermo Del Toro, and the shocking miasma of William S. Burroughs.