Horror Fiction Stories

It's a night like any other on board the Icarus. Then, catastrophe strikes: the massive luxury spaceliner is yanked out of hyperspace and plummets into the nearest planet. Lilac LaRoux and Tarver Merendsen survive. And they seem to be alone. Lilac is the daughter of the richest man in the universe. Tarver comes from nothing, a young war hero who learned long ago that girls like Lilac are more trouble than they're worth. But with only each other to rely on, Lilac and Tarver must work together, making a tortuous journey across the eerie, deserted terrain to seek help.

You can't kill the dead! Like any good monster, the zombie has proven to be ever-evolving, monumentally mutable, and open to seemingly endless imaginative interpretations: the thralls of voodoo sorcerers, George Romero's living dead, societal symbols, dancing thrillers, viral victims, reanimated ramblers, video-gaming targets, post-apocalyptic permutations, shuffling sidekicks, literary mash-ups, the comedic, and, yes, even the romantic.

They didn't mean it. They didn't mean to hit the boy. There was a party, and it was an accident... that wasn't who they were. They were pre-law, a football player, bound for New York. No one could know, so Barry, Julie, Helen, and Ray swore one another to secrecy. But now, a year later, someone knows. Julie receives a haunting, anonymous threat: "I know what you did last summer." The dark lie is unearthed, and before the four friends know it they need to outsmart a killer... or they will be the next to die.

In 1919, Kitty Weekes, pretty, resourceful, and on the run, falsifies her background to obtain a nursing position at Portis House, a remote hospital for soldiers left shell-shocked by the horrors of the Great War. Hiding the shame of their mental instability in what was once a magnificent private estate, the patients suffer from nervous attacks and tormenting dreams. But something more is going on at Portis House—its plaster is crumbling, its plumbing makes eerie noises, and strange breaths of cold waft through the empty rooms.

A young boy, Tineboy, is having trouble with his multiplication tables and the number seven. Bored in class one day, he falls asleep and dreams of a story told by his teacher about the number seven going mad. This leads to a world without the number seven and the confusion that comes from getting rid of a number. The schoolhouse bully and Tineboy’s own pet crow play important roles in his vivid daydream, full of intelligent wit and humor.

Father John has lived his whole life without knowing a woman's touch. Hard at first, his self-denial grew easier over time, as he learned to master his urges with a regimen of prayer, cold showers, and jigsaw puzzles. That changes the day that Debra Rocks enters his confessional. A rough-talking adult film actress, she has come to ask him to pray for a murdered costar.

One witch is the most feared, the most ruthless, and the most deadly of all the witches in the county. If she hunts for you, she will find you. If you have crossed her, you don't stand a chance. She is the witch assassin, and her name is Grimalkin. Grimalkin's one alliance is with Tom Ward, the Spook's apprentice. With Tom, she plans to rid the world of the most terrifying evil, the Fiend, who once did her a great wrong. For the first time, fans of the Last Apprentice series will hear the story from Grimalkin's side.

A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

The dense Michigan forest. Haunting wails. The clip-clop of demon hooves on a bridge to nowhere. It’s more than a tall tale to Brenda Jennings, whose sister disappeared in those woods one fateful night. Three years later, on a solo stakeout in the dark, Brenda goes in after her. She’s desperate for answers, and terrified to find what lies waiting on the other side of that bridge.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Prepare to be GRIPPED by a chilling tale that will haunt your thoughts long after the final word! "The Smiling Mannequin" isn't just an audiobook—it's a spine-tingling journey into the heart of a vintage boutique where every shadow hides a sinister secret! Step into Clara Prescott's world, where a seemingly innocent mannequin holds the key to unspeakable horrors.

When Abbey’s best friend, Kristen, vanishes at the bridge near Sleepy Hollow Cemetery, everyone else is all too quick to accept that Kristen is dead, and rumors fly that her death was no accident. Abbey goes through the motions of mourning her best friend, but privately, she refuses to believe that Kristen is really gone. Then she meets Caspian, the gorgeous and mysterious boy who shows up out of nowhere at Kristen’s funeral, and who keeps reappearing in Abbey’s life. Caspian clearly has secrets of his own, but he’s the only person who makes Abbey feel normal again.

An elderly couple living in Victorian London struggle against despair as their small resources dwindle. When an eccentric and mysterious gentleman answers their advertisement for a lodger, they celebrate. But as women begin dying at the hands of "The Avenger", they start to suspect something too horrific for words.

I wasn't always like this, you know - paranoid, temperamental, vindictive. I mean, sure, I've always been a bit....high strung. But, I never used to stalk my therapist patients. Or yell at them. Or hold them captive in my garage. No, all of that started after the incidents at Lonesome Woods Boarding School. And I'm not talking about the school shooter. This was something far more insidious - something....infectious. Like a cancerous disease that tore through the student body, rotting young hearts one by one.

A collection of classic works by Edgar Allan Poe, American author, poet, editor and literary critic. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.

"The Crystal Cup" reveals the struggle a young artist faces when he is taken from his family and forced to work for the king. He is promised freedom in return for his hard work making a perfect crystal vase. But the story takes a tragic twist when he dies immediately following his completion of the vase. The king jeopardizes his reign after displaying the artist's remains alongside the vase during a feast at the castle.

The Cottage on the Hill is a horror story, but it’s a J. Robert Lennon horror story, in which the characters’ loneliness - their disconnectedness, their inability, at times, even to speak or listen to one another - is more chilling than any of the supernatural elements.

This is the tale of a 228 year old man, born in 1690, telling about his interactions with Dr. Samuel Johnson. A large part focuses on their belonging to a literary club and the other men who also participated in the club. It is a simple observance of social interactions, as put forth by a very old man and his dated voice.

“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories — she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he'd built for his family.

Featuring stories from R.L. Stine and Madeleine Roux, this middle-grade horror anthology, curated by New York Times best-selling author and master of macabre Jonathan Maberry, is a chilling tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark. Flesh-hungry ogres? Brains full of spiders? Haunted houses you can’t escape? This collection of 35 terrifying stories from the Horror Writers Association has it all, including ghastly illustrations from Iris Compiet that will absolutely chill listeners to the bone.