Horror Fiction Stories

Waking the Dead by breakout author Bryan Asbury features eight short stories that will take you by the hand and lead you down a dark, shadowy path where terror and retribution reign supreme. Asbury, the product of far too many 80’s and 90’s cinematic thrillers, knows what horror fans want, and he knows how to deliver! Lock the doors and sit back, because this is a collection that you will appreciate—at least until it’s time to shut off the lights...

Scare Street is proud to present Night Terrors volumes seven to nine in a single collection. A bone-chilling anthology of fiendish fiction, featuring 41 terrifying tales for your listening pleasure. Haunted houses, vicious killers, insane horrors from beyond... Every nightmare you’ve ever had hunts you through the shadows.

The Spook and his apprentice, Thomas Ward, have returned to the county after a long journey and a hard battle. But their troubles are far from over. Their home has been over-run by enemy soldiers. The Spook's house is in ruins, the boggart protecting it has fled, and the malicious witches imprisoned in the gardens have escaped. Tom, Alice, and the Spook must flee, too, across the ocean to the island of Mona. And it's on Mona that this small band fighting against the dark will face an old enemy grown terrifyingly powerful.

Set 17 years after the main events of We’re Alive, We’re Alive: Goldrush is a recollection story that describes the efforts of the “soldiers” (Greg Muldoon, Anthony Robbins, Carl Thomas, and Samuel Puck) as they attempt a side mission to retrieve a suspected stash of gold bullion. An aging General Puck confides this previously undisclosed tale to Alex Robbins, the son of his former teammate and friend, Anthony Robbins.

Scary stories help children face fear and master it, by portraying the elements of conflict in clear, good-versus-evil terms with good triumphant in the end.

It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day. But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night.

Darren, the vampire's assistant, gets a taste of the city when he leaves the Cirque du Freak with Evra the snake-boy and Mr. Crepsley. When corpses are discovered - corpses drained of blood - Darren and Evra are compelled to hunt down whatever foul creature is committing such horrendous acts. Meanwhile, beneath the streets, evil stalks Darren and Evra, and all clues point to Mr. Crepsley. Can they escape, or are they doomed to perish in the tunnels of blood?

Shane Ryan returns to his hometown of Nashua, and the childhood memories that have haunted him throughout his life. Something sinister prowls the shadows of his family home. And a darkness threatens to destroy all he holds dear.

Seventeen-year-old Josephine Jagger is a talented writer with special abilities she doesn't fully understand. Over the years she has developed methods to cope with the voices she hears in her head, but the old house her family has inherited in Vermont makes Josephine question what's real and what's not more than anything she's ever encountered before. It's filled with shadows, and whispers, and the unshakable feeling of being watched. Josephine then catches her first glimpse of a shadowy woman with long hair, pale skin, an impossibly wide smile and hollow pits for eyes.

A young boy, Tineboy, is having trouble with his multiplication tables and the number seven. Bored in class one day, he falls asleep and dreams of a story told by his teacher about the number seven going mad. This leads to a world without the number seven and the confusion that comes from getting rid of a number. The schoolhouse bully and Tineboy’s own pet crow play important roles in his vivid daydream, full of intelligent wit and humor.

"Perfect deadpan marks the opening of Ali Simpson’s The Monster'" writes Susan Merrell of The Southampton Review in her introduction to this issue of Recommended Reading.

It's been one year since all the adults disappeared. Gone. Despite the hunger, despite the lies, even despite the plague, the kids of Perdido Beach are determined to survive. Creeping into the tenuous new world they've built, though, is the worst incarnation yet of the enemy known as the Darkness: fear. Within the FAYZ, life breaks down while the Darkness takes over - turning the dome-world of the FAYZ entirely black.

Karl Edward Wagner (1945-1994) has earned a reputation as one of the finest horror writers of the modern era, but his work has been out of print and nearly unobtainable for many years. His seminal volume In a Lonely Place collects eight of his best tales, including "In the Pines," a classic ghost story evocatively set in the Tennessee woods, "Beyond Any Measure," an original take on the vampire story.

What William Gibson did for science fiction, China Miéville has done for fantasy, shattering old paradigms with fiercely imaginative works of startling, often shocking, intensity. Now from this brilliant writer comes a groundbreaking collection of stories, many of them previously unavailable in the United States, and including four never-before-published tales - one set in Miéville’s signature fantasy world of New Crobuzon.

Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business. But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after.

City of elegance and squalor. Of religious fervor and wanton lusts. And everywhere, on the walls of courtyards and churches, an incandescent fungus of mysterious and ominous origin. In Ambergris, a would-be suitor discovers that a sunlit street can become a killing ground in the blink of an eye. An artist receives an invitation to a beheading - and finds himself enchanted. And a patient in a mental institution is convinced he has made up a city called Ambergris, imagined its every last detail, and that he’s really from a place called Chicago.

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

Jo, Melissa, and Jenny, the stars of the school play, are about to discover that being granted everything you wish for has consequences. When the girls come face-to-face with the real witches from the play and a mysterious ghost from the past, the three friends realize they must do whatever they can to stop the witches' evil plan.

From twisted toys to gut-wrenching games, this collection of terrifying tales is unsettling enough to mess with even the most hardened Five Nights at Freddy's fans. In this volume, series creator Scott Cawthon spins three sinister novella-length stories from different corners of his series' canon.

Mankind in its present state has been around for a quarter of a million years, yet only the last 4,000 have been of any significance. So, what did we do for nearly 250,000 years? We huddled in caves and around small fires, fearful of the things that we didn't understand. It was more than explaining why the sun came up; it was the mystery of enormous birds with heads of men and rocks that came to life. So we called them "gods" and "demons", begged them to spare us, and prayed for salvation.