Horror Fiction Stories

Both day and night, Lisa Brooks is plagued with nightmares and hallucinations. Could they be caused by the horrifying accident that landed her in the hospital for weeks? When Lisa finds out that a neighbor is looking for a babysitter for her little boy, Lisa jumps at the chance to keep busy and take her mind off of her troubling thoughts. But then the murders start -- and her friends begin dying one by one. Are Lisa's nightmares coming true? Find out in the next installment of R.L. Stine's Fear Street series, Don't Stay Up Late.

I wasn't always like this, you know - paranoid, temperamental, vindictive. I mean, sure, I've always been a bit....high strung. But, I never used to stalk my therapist patients. Or yell at them. Or hold them captive in my garage. No, all of that started after the incidents at Lonesome Woods Boarding School. And I'm not talking about the school shooter. This was something far more insidious - something....infectious. Like a cancerous disease that tore through the student body, rotting young hearts one by one.

You can't kill the dead! Like any good monster, the zombie has proven to be ever-evolving, monumentally mutable, and open to seemingly endless imaginative interpretations: the thralls of voodoo sorcerers, George Romero's living dead, societal symbols, dancing thrillers, viral victims, reanimated ramblers, video-gaming targets, post-apocalyptic permutations, shuffling sidekicks, literary mash-ups, the comedic, and, yes, even the romantic.

James Stark, a.k.a. Sandman Slim, has a new job, but being the new Lucifer in town gives fresh meaning to the word "Hell." Especially when he hears of hideous massacres near a haunted fortress out on Hell's frontier. As far as Stark's concerned, the more dead Hellions, the better, but he still has to prove that no one screws with Sandman Slim. And facing creatures so terrible even Hell does not want them is no cakewalk, even for Lucifer.

They didn't mean it. They didn't mean to hit the boy. There was a party, and it was an accident... that wasn't who they were. They were pre-law, a football player, bound for New York. No one could know, so Barry, Julie, Helen, and Ray swore one another to secrecy. But now, a year later, someone knows. Julie receives a haunting, anonymous threat: "I know what you did last summer." The dark lie is unearthed, and before the four friends know it they need to outsmart a killer... or they will be the next to die.

A young boy, Tineboy, is having trouble with his multiplication tables and the number seven. Bored in class one day, he falls asleep and dreams of a story told by his teacher about the number seven going mad. This leads to a world without the number seven and the confusion that comes from getting rid of a number. The schoolhouse bully and Tineboy’s own pet crow play important roles in his vivid daydream, full of intelligent wit and humor.

For more than three decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror fans crave. Now, with the ninth volume of the series, Datlow is back again to bring you the stories that will keep you up at night.

Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business. But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after.

In 1919, Kitty Weekes, pretty, resourceful, and on the run, falsifies her background to obtain a nursing position at Portis House, a remote hospital for soldiers left shell-shocked by the horrors of the Great War. Hiding the shame of their mental instability in what was once a magnificent private estate, the patients suffer from nervous attacks and tormenting dreams. But something more is going on at Portis House—its plaster is crumbling, its plumbing makes eerie noises, and strange breaths of cold waft through the empty rooms.

A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

The dense Michigan forest. Haunting wails. The clip-clop of demon hooves on a bridge to nowhere. It’s more than a tall tale to Brenda Jennings, whose sister disappeared in those woods one fateful night. Three years later, on a solo stakeout in the dark, Brenda goes in after her. She’s desperate for answers, and terrified to find what lies waiting on the other side of that bridge.

Prepare to be GRIPPED by a chilling tale that will haunt your thoughts long after the final word! "The Smiling Mannequin" isn't just an audiobook—it's a spine-tingling journey into the heart of a vintage boutique where every shadow hides a sinister secret! Step into Clara Prescott's world, where a seemingly innocent mannequin holds the key to unspeakable horrors.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

DES HISTOIRES À NE PAS ÉCOUTER LA NUIT. Seize récits d'épouvante cultes de la littérature classique, qui suscitent toujours l'horreur et l'effroi du lecteur. Ce recueil rassemble les œuvres suivantes : Mujina, Lafcadio Hearn; La Porte du monstre, William Hodgson; La Chute de la maison Usher, Edgar Allan Poe; L'Affaire de Lady Sannox, Arthur Conan Doyle; L'Épouvante Mikhaïl Artsybachev; L' Enterrement des rats, Bram Stoker; L'horrible, Guy de Maupassant; L'Araignée, Hans Ewers; Un Stylet, William Chambers Morrow; Construire un feu, Jack London; L'Horloge, Maurice Level.

An elderly couple living in Victorian London struggle against despair as their small resources dwindle. When an eccentric and mysterious gentleman answers their advertisement for a lodger, they celebrate. But as women begin dying at the hands of "The Avenger", they start to suspect something too horrific for words.

When Abbey’s best friend, Kristen, vanishes at the bridge near Sleepy Hollow Cemetery, everyone else is all too quick to accept that Kristen is dead, and rumors fly that her death was no accident. Abbey goes through the motions of mourning her best friend, but privately, she refuses to believe that Kristen is really gone. Then she meets Caspian, the gorgeous and mysterious boy who shows up out of nowhere at Kristen’s funeral, and who keeps reappearing in Abbey’s life. Caspian clearly has secrets of his own, but he’s the only person who makes Abbey feel normal again.

A collection of classic works by Edgar Allan Poe, American author, poet, editor and literary critic. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.

"The Crystal Cup" reveals the struggle a young artist faces when he is taken from his family and forced to work for the king. He is promised freedom in return for his hard work making a perfect crystal vase. But the story takes a tragic twist when he dies immediately following his completion of the vase. The king jeopardizes his reign after displaying the artist's remains alongside the vase during a feast at the castle.

The Cottage on the Hill is a horror story, but it’s a J. Robert Lennon horror story, in which the characters’ loneliness - their disconnectedness, their inability, at times, even to speak or listen to one another - is more chilling than any of the supernatural elements.

This is the tale of a 228 year old man, born in 1690, telling about his interactions with Dr. Samuel Johnson. A large part focuses on their belonging to a literary club and the other men who also participated in the club. It is a simple observance of social interactions, as put forth by a very old man and his dated voice.