Horror Fiction

When the flood hits, America's East Coast is evacuated by every means possible. Brooklyn paramedic Travis Cooke had dreamed of reuniting his family, but not like this. Escaping New York with his son and the ex-wife he still loves - and her new husband - they find themselves evacuated on the luxury cruise ship, the Festival of the Waves. Hours later, the Festival lies dead in the open Atlantic: no power, no communications, and nowhere near enough food.

For more than 30 years, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror fans crave. Now, with the 11th volume of the series, Daltow's back again to bring you the stories that will keep you up at night. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. This light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows.

John Hawkins is counting down his last days as chief of police on the Lone Crow Reservation in the lonely, frigid woods of the Yukon. But when a faceless body with mysterious wounds washes up on the shores of the Porcupine River, he’s pulled deeper in than ever before. Hawkins and coroner Jacob Littlecorn suspect the disfigured body is that of theoretical physicist Graham Raphelson, also known as the “molecular madman of Trinity College”, who recently disappeared.

One of America's wealthiest and most influential families since the Civil War, the Gearys harbor terrible secrets. The Barbarossa family's roots are far more ancient and ethereal, but they are bound to the Gearys by a shared history of murder, insanity, and adultery. When Rachel Geary and Galilee, the seductive prince of the Barbarossa clan, fall in love, they unleash powerful enmities that could destroy both dynasties.

Kit Easton had struggled her entire life. Things couldn't possibly have gotten any worse for her...until the day they did. Her mother was dying, her husband had long ago become the enemy, they were down to their last dime, and her daughter had distanced herself to avoid everyone and everything. When Kit's sister takes their mother to New York for what is supposed to be a revolutionary, life-saving cure, a disaster no one could have predicted strikes. But it isn't just Kit's family that is affected, it rocks the entire world.

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen.

Dante's Inferno, his depiction of hell, was written while Europe was suffering through war, famine, the corruption of the Church, and the evils of the pogrom - the brutal massacre of countless Jews. Shortly after Dante's passing, the black plague killed off half the world's population, an end-of-days-like event that birthed a legend depicted in paintings and dance: the Grim Reaper. What few people know is that Dante's poem draws inspiration from the Zohar, an ancient text that warns that the true end of days will be brought on by the corruption of man.

With his eldest daughter fighting deadly cancer and his youngest determined to get herself into all kinds of trouble, Jake Penshaw is a man on the very edges of a breakdown. A father is supposed to keep his children safe, but no matter what he does, things only ever seem to get worse. He’s sick of being powerless. He’s sick of failing as a man.

When Tess and Eliot stumble upon an ancient book hidden in a secret tunnel beneath the school library, they accidentally release a devil from his book-bound prison, and he’ll stop at nothing to stay free. He’ll manipulate all the ink in the library books to do his bidding, he’ll murder in the stacks, and he’ll bleed into every inch of Tess’ life until his freedom is permanent. Forced to work together, Tess and Eliot have to find a way to re-trap the devil before he kills everyone they know and love, including, increasingly, each other.

This collection contains a mixture of stories about ghosts and contacts from spirits, some by celebrated authors, together with essays on psychical research. As Joseph French notes in the preface, even for the skeptic, tales of ghostly activity retain a distinct fascination. The widespread interest in psychic phenomena in the early twentieth century proved to be a significant stimulus to literary production.

Torn by internal strife, Wendar faces deadly raids from the north by an inhuman race, the Eika. And now terrifying portents are being seen; old ruins restored to life under the light of the full moon and peopled by the long-vanished Lost Ones; dark spirits walking the land in broad daylight. And suddenly two innocents are about to be thrust into the middle of the conflict.

The Lurking Fear includes examples of Lovecraft's earliest weird fiction including "Hypnos", "What the Moon Brings", "Imprisoned with the Pharaohs", and "Memory" (inspiration for the 2014 film of the same name), as well as the title story, "The Lurking Fear", a traditional horror study commissioned by George Julian Houtain to be run as a serial in Home Brew magazine in 1923 that has served as the source material for multiple films and been adapted into a comic book.

Meg Cabot is the New York Times best-selling author of The Princess Diaries series. Susannah Simon is a teenager who can see ghosts. As a bridge between the living and the dead, she gets called on to help ghosts take care of unfinished business. After she and her mother move from New York City to sunny California, Suze meets the sexiest boy she's ever seen, too bad he's a ghost, too.

Crease is known in Weaver as ‘the bug guy’, the man who takes care of insects and other critters. But what emerges from the shadows of the town’s waste plant is beyond anything found in nature. Fist-sized cockroaches. Bird-sized wasps. Spiders, millipedes, ticks, all swollen to enormous bulk with vicious appetites to match. And other things, creatures that should never exist. Through the night, they come, slithering, buzzing, scuttling, crawling over skin, burrowing into flesh, making the town their nest.

While investigating a fairly straightforward case of a shape-shifting interdimensional child predator, Dave, John, and Amy realized there might actually be something weird going on. Together, they navigate a diabolically convoluted maze of illusions, lies, and their own incompetence in an attempt to uncover a terrible truth they - like you - would be better off not knowing.

Seth Grahame-Smith delivers the definitive, essential guide to making it through a horror movie in one piece. As hilarious as it is useful (if you’re trapped in a scary flick, that is), How to Survive a Horror Movie covers all the bases. Trapped in a haunted house? Check. Stalked by an evil doll? Check. Wandering aimlessly through the remains of the old world as a plague of zombies sweeps over the planet? Check.

By day, Mark Wojcik can be found elbow-deep in engine grease, making cars and trucks safe for the highway. By night, he can be found traipsing through the wilds of Pennsylvania, making the world safe for humans. He's more than just a mechanic, he's a New Templar Knight. He travels the backroads and byways fighting weresquonks, ningen, selkies, ghosts, and . . . gnomes? Is that gnome . . . naked? (Sigh.) Season One collects the first four novellas in the Spells, Salt, & Steel series: Spells, Salt, & Steel; Open Season; Deep Trouble; and Close Encounters.

In 1897, at the age of 50, Bram Stoker was touring manager to the actor Henry Irving and was enjoying a modest success as a journalist and writer. Publication in that year of Dracula was to bring him international and lasting fame.

Twenty-something Harper Connelly has a gift. After being struck by lighting as a child, she discovered an eerie ability to locate the deceased. In Memphis, skeptical Professor Nunley wants her to demonstrate that skill at an ancient cemetery. There, Harper stands atop a grave and says there are two bodies entombed: one centuries old, but the other, a young girl named Tabitha.

“You like it darker? Fine, so do I,” writes Stephen King in the afterword to this magnificent new collection of twelve stories that delve into the darker part of life—both metaphorical and literal. King has, for half a century, been a master of the form, and these stories, about fate, mortality, luck, and the folds in reality where anything can happen, are as rich and riveting as his novels, both weighty in theme and a huge pleasure to digest.