Horror Gothic Thriller Mystery

The car crash that killed Heaven and Logan left Annie Casteel Stonewall orphaned and crippled. Whisked off to Farthinggale Manor by the possessive Tony Tatterton, Annie pines for her lost family, but especially for Luke, her half-brother. Friend of her childhood, her fantasy prince, her loving confidante...without the warm glow of Luke's love, she is lost in the shadows of despair. When Annie discovers Troy's cottage hidden in Farthinggale's woods, the mystery of her past deepens. Even as she yearns to see Luke again, her hopes and dreams are darkened by the sinister Casteel spell.

In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past.

Ever since their on-again, off-again college romance, Erin hasn’t been able to set a single boundary with charismatic but reckless Silas, who has been chasing the next big high since graduation. When he texts her to spring him out of rehab, she knows enough is enough. She is ready to start a career, make new friends, and meet a great guy—even if that means cutting Silas off. But when Silas turns up dead from an overdose, Erin’s world falls apart.

Alike in every single way...with one dark exception. As identical twins, their mother insists that everything about them be identical: their clothes, their toys, their friends...the number of letters in their names: Haylee Blossom Fitzgerald and Kaylee Blossom Fitzgerald. If one gets a hug, the other must, too. If one gets punished, the other must be, too.

London, 1852. Genevieve Timmons has made her living posing as a spiritualist to swindle wealthy believers, until one misstep lands her in a jail cell awaiting the noose. Then a stranger, Mr. Lockhart, arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been grieving the mysterious death of his beautiful bride-to-be for six months. Although no foul play was ever uncovered, the young lord is convinced that she was murdered.

Ever since Fern could remember, she and her mother have lived as servants in Wyndemere House, the old Gothic mansion of the Davenport family. She may have been a servant, but Fern developed a sweet friendship with Dr. Davenport's son, Ryder, and she was even allowed free range of the estate. But Dr. Davenport has remarried, and his new wife has very different ideas about a servant's place. Yet, for all her wrath, the cruel woman cannot break the mysterious bond between Ryder and Fern.

The grand, Gothic Wyndemere House is a labyrinth, containing as many secrets as it does corners obscured in shadow. It's home to the Davenports, a wealthy and distinguished family, and Fern Corey and her mother have lived there as servants for Fern’s entire young life. Despite their difference in station, Fern and Dr. Davenport’s son, Ryder, have always been extremely close. Which was never a problem...until they came of age.

Dracula. A name of horror, depravity and the darkest sensuality. Yet the real Dracula was just as alluring, just as terrifying, his story not of a monster but of a man - and a contradiction. For the one they called 'The Devil's Son' was both tyrant and lawgiver, crusader and mass slaughterer, torturer and hero, lover and murderer. His tale is told by those who knew him best. The only woman he ever loved, who he must sacrifice. His closest comrade and traitor.

This second Gothic novel in the dark Mirror Sisters trilogy continues the tale of sisterly love at its absolute worst - from the legendary New York Times best-selling author of Flowers in the Attic and the My Sweet Audrina series (now Lifetime movies). For fans of Ruth Ware ( In a Dark, Dark Wood) and Liane Moriarty ( The Husband's Secret).

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

Seraphine Mayes and her twin brother, Danny, were born in the middle of summer at their family's estate on the Norfolk coast. Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.

On Christmas Eve, 85-year-old Miriam Caravasios steps onto the ice that surrounds her seaside estate on Maine's Mount Desert Island. As a younger woman, she used to steal out on winter nights to meet her lover, walking across the frozen reach to their secret meeting place. She knows the way—but not the year. Miriam, her mind clouded by dementia, doesn’t hear the snap of thin ice until it’s too late.

Emotionally guarded Daphne Amos always believed she’d found a kindred spirit in her fiancé, Heath. Both very private people, they’ve kept their pasts hidden from the world, and each other, until Heath’s escalating nightmares begin to put an undeniable strain on their relationship. Determined to give their impending marriage the best chance of succeeding, Heath insists that Daphne join him on a seven-day retreat with Dr. Matthew Cerny, a psychologist celebrated for getting to the root of repressed memories.

Lilly Bly desperately wants to have a baby. She is struggling with infertility and bad spending habits when her husband, Jack, gets a new job that moves them from Chicago to a small town in Wisconsin. Impractical Lilly falls in love with a decrepit mansion well out of their price range—she is convinced that she will finally get pregnant and have a baby in this house—and Jack agrees to it. But when Lilly learns that her dream house was the site of a gruesome triple homicide/suicide in the 1950s, she begins to experience strange occurrences that soon lead her to believe the house is haunted.

From the number one best-selling author of The American Boy and The Ashes of London comes a collection of three Gothic novellas - Broken Voices, The Leper House and The Scratch - perfect for fans of The Loney by Andrew Michael Hurley.

Wieland (1798) is an early American novel set in 1760s Pennsylvania. Based on a real case of a New York farmer who murdered his family, the story is imbued with suspense and intrigue, adopting Gothic devices such as ventriloquism and spontaneous combustion. The satanic interloper Carwin exercises his power over the narrator, Clara Wieland, wreaking havoc over the Wieland family with disastrous consequences. A central theme in the novel is the issue of the values that formed the basis of a new democratic and republican America.

The Château du Ciel was once the destination for the rich and famous to play, drink and ski—complete with a private railway to shuttle those desiring extra privacy—now, however, the guests are few and far between. The New Year’s Eve party was supposed to hoist the rundown hotel back to its former status, until a massive blizzard hits, trapping the guests who’ve come to celebrate the grand hotel’s last hurrah. The circumstances might even be romantic, if the hotel wasn't reputed to be haunted.

The neighbors all whisper about the two sisters who live on the hill: It's Blanche Hudson who lives in that house, you know. The Blanche Hudson, who starred in big Hollywood films all those years ago. Such a shame her career ended so early, all because of that accident. They say it was her sister, Jane, who did it - that she crashed the car because she was drunk. They say that's why she looks after Blanche now, because of the guilt. That's what they say, at least.

Mia: It was so close, I'd tasted it - the freedom. But the only thing I could taste now was the end. Over the last two years, I’d let all outside forces dictate my life, my feelings, my head. I’d allowed everyone to control what my punishment should be for all my wrong-doings. I’d been tested and learned my lesson. I’d paid my dues and suffered long enough. Because in the end, even the once-upon-a-damned deserved to be happy too.