Horror Gothic Thriller Mystery

New York Times bestselling author Connie Briscoe updates Daphne Du Maurier’s classic Rebecca in this chilling tale of domestic suspense centered on a spirited woman named Angel who marries a Black billionaire, only to discover that he remains haunted by his first wife who took her own life—or did she?

We were sent to Glennmare Academy. An elite boarding school on a windswept island off the coast of Seattle where the unruly daughters of affluent East Coast families are exiled. Kitty, Bernie, Coretta, Diane, Jolie. We're more like sisters than roommates. Even if Kitty is gone. At Glennmare, each bed is filled with a teenage girl who wears ribbons in her hair, a nod to innocence we lost long ago. When we were sent out into the world, away from home, to fend to for ourselves. If we start telling the truth about what happened that night we might just break down.

There’s something in the lake at Wren Hall. At least, that’s what the locals say. Not that Meg cares much about the rumors. When she’s asked to spend Halloween weekend at the Ireland retreat of the wealthy Wren twins, she recognizes the invitation for exactly what it is: her last, and only, chance to save her spot at Greyscott’s, the exclusive British art school she attended on scholarship until last summer. Clever, beautiful, and talented, the twins are the pride of Greyscott’s, and kindhearted Lottie Wren was once Meg’s closest friend. But not anymore.

London, 1873. Madeleine Brewster's marriage to Dr. Lucius Everley was meant to be the solution to her family's sullied reputation. After all, Lucius is a well-respected collector of natural curiosities. His 'Small Museum' of bones and specimens in jars is his pride and joy, although firmly kept under lock and key. His sister Grace's philanthropic work with fallen women is also highly laudable. However, Maddie soon finds herself unwelcome in what is meant to be her new home.

The sleepy little farm that Laurel Early grew up on has awakened. The woods are shifting, the soil is dead under her hands, and her bone pile just stood up and walked away. After dropping out of college, all she wanted was to resume her life as a tobacco hand and taxidermist and try not to think about the boy she can’t help but love. Instead, a devil from her past has returned to court her, as he did her late mother years earlier. Now, Laurel must unravel her mother’s legacy and tap into her own innate magic before her future and the fate of everyone she loves is doomed.

After a tragic accident she can’t quite remember, forty-something-year-old beloved Hollywood actress Annette Taylor finds herself bound to a wheelchair with several injuries. Living in Crawford Manor, the Gothic Hollywood mansion from the film that made her famous, has become too much for her to handle alone, so she must rely on her estranged child star sister, Sophia, to help take care of her. Shortly after a serial killer targeting actresses emerges, the sisters agree to be filmed in the house together for renowned producer and director Frank Baxter’s new documentary about their life.

The position of lady’s companion at the grand, isolated Hemford House was meant to save Estelle Glass from the scandal of her own making. But when she arrived at the mansion and was greeted by the stern, mysterious and intimidating Mrs. Blackwell, Estelle began to see what had been meant as a punishment might possibly become more like a reward…if only she could manage to find her place in the dreary household and the service of Mrs. Virginia Hemford, the childlike beauty Estelle had been sent to serve.

A historic hotel long past its prime and huddled along The Cut, a questionable Lake Erie beach, isn’t Sadie Miles’ ideal place to raise a toddler while also navigating her second pregnancy. After finally fleeing her abusive ex-fiancé, though, Sadie’s new housekeeping position and free room at L’Arpin Hotel are the best she can manage. On her first night, Sadie runs to help a guest struggling in the hotel’s pool only to find the water calm and empty when she gets there, leaving her with a lingering unease.

When well-to-do Hester learns of her sister Mercy's death at a Nottinghamshire workhouse, she travels to Southwell to find out how her sister ended up at such a place. Haunted by her sister's ghost, Hester sets out to uncover the truth, when the official story reported by the workhouse master proves to be untrue. Mercy was pregnant—both she and the baby are said to be dead of cholera, but the workhouse hasn't had an outbreak for years. Hester discovers a strange trend in the workhouse of children going missing.

Sibilla Fenoglio wants nothing more than to live with her husband in this run-down, derelict watermill. Uninhabited since the Renaissance after a mysterious disaster befell the previous owners, the mill requires extensive repairs. But there is something frightening about the mill. Repairs are violently undone, half-seen figures begin stalking Sibilla through the grounds, and haunting echoes of the previous owners’ lives infiltrate the present. As the disturbances grow more vicious and her husband more secretive, she realizes that she and her child are in danger.

London, 1833. Doctress Hester Reeves has been offered a life-changing commission. But it comes at a price. She must leave behind her husband and their canal-side home in Kings Cross and move to Tall Trees—a dark and foreboding house in Fitzrovia. If Hester can cure the ailing health of its owner, Gervaise Cherville, she will receive payment that will bring her everything she could dream of. But on arriving at Tall Trees, Hester quickly discovers that an even bigger task awaits her.

There is much that heavily pregnant Grace still doesn't know about her new husband King's background. So, when word comes that King's father is dying, Grace is eager to accompany him to his childhood home, Blackwater, located in a remote part of Tasmania. Things go badly from the start. The house is in terrible repair, King's dying father yells at Grace to leave and King's twin sister, Ruth, seems disturbed by Grace's presence. After his father's death, King convinces Grace they must stay and help Ruth settle the estate, but as time stretches on he grows strange and distant.

The history of the Alardyce family is fraught with scandal and intrigue. But after her eldest son Robert leaves the country, finally Amy Alardyce can enjoy some peace. Robert is wanted by the police for some unspeakable crimes, and his family hope he has run far enough and never looks back. A decade after his disappearance, Robert has forged a successful life for himself, making his fortune from the diamond and gold mines of Africa. But when he sees a death notice in the newspaper, the call to go home to Scotland grows ever louder.

Una spietata caccia all’alce che si tramuta in una tragedia, un incubo adolescenziale che torna a perseguitare quattro adulti, un’acuta riflessione sul costo della rottura con le tradizioni. Un horror mozzafiato, campione di vendite e pluripremiato, capace di unire la tensione di una storia horror a una fine analisi sociale.

After her mother's death in 1857, Leyla's only links with her heritage and family are a letter and her last name—Pemberton. Resolved to seek out her past, she travels from London to the brooding countryside mansion of Pemberton Hurst. Leyla longs to find a loving family, but more important, she needs to uncover the truth of her past. But the Pembertons seem strangely reluctant to discuss family history, and the house feels smothered by the weight of untold secrets.

Lucy Braithwhite lives a privileged existence as heir to the fortune of Braithwhite & Company - the most successful purveyor of English luxury wallpapers the world over. The company's formulas have been respected for nearly a century, but have always remained cloaked in mystery. No one has been able to explain the originality of design, or the brilliance of their colours, leaving many to wonder if the mysterious spell-like effect of their wallpapers is due simply to artistry, or something more sinister.

When Jane’s lover, Tom, returns from the navy to find her unhappily married to his betrayer, Jane is caught in an impossible situation. Still reeling from the loss of her mother at the hands of the witchfinder, Jane has no choice but to continue her dangerous work as a healer while keeping her young daughter safe. But as Tom searches for a way for him and Jane to be together, the witchfinder is still at large. Filled with vengeance, the witchfinder will stop at nothing in his quest to rid England of the scourge of witchcraft.

Waverly Estate is a sentinel that looks down from abrupt roof lines above The Hudson River. More than 100 years after The Revolutionary War, its presence continues to whisper of battles won and lost; of death and vacuous halls and hearts, and of treacherous deeds committed. Its residents are not troubled by the dead alone. Far more ghastly are the living. It is the year 1858 and Garson, the pitiless master of Waverly, lies dying. A magnificent dome above him boasts paintings of Rene Bonhomme, a French artist who covets more than Garson's wicked wife, Hannah.

It began with a happily ever after. It soon became a nightmare. Norfolk, England, 1816. Joy Horton is resigned to her spinster status. Loathe to pass on her disorder, she refuses to marry and works tirelessly as a skilled seamstress. But when a brooding duke falls madly in love with her, she's unable to resist his persuasive proposal. Honeymooning in London, Joy believes she has everything she's ever wanted...until accusations of murder creep into their lives.

Was a noose tightening around a horrified Deborah Foster? It was the night of evil ritual. The worshippers of the devil danced around the ruined abbey, now transformed into a temple of terror. Deborah had come there hoping to unmask her sister’s killer. Suddenly against her will, Deborah felt herself succumbing tothe unholy spell woven by the frenzied witches. Relentlessly they began to encircle her. Panic gripped her for she knew they had chosen her as their next victim.