Horror Gothic Thriller Mystery

Bridie Devine - flame-haired, pipe-smoking detective extraordinaire - is confronted with the most baffling puzzle yet: the kidnapping of Christabel Berwick, secret daughter of Sir Edmund Athelstan Berwick, and a peculiar child whose reputed supernatural powers have captured the unwanted attention of collectors in this age of discovery. Winding her way through the sooty streets of Victorian London, Bridie won’t rest until she finds the young girl, even if it means unearthing secrets about her past that she’d rather keep buried.

After watching his asthmatic daughter suffer in the foul city air, Theodore Constantine decides to get back to the land. When he and his wife search New England for the perfect nineteenth-century home, they find no township more charming, no countryside more idyllic than the farming village of Cornwall Coombe. Here they begin a new life: simple, pure, close to nature - and ultimately more terrifying than Manhattan’s darkest alley.

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past.

Ghost underestimated me. Judas likely didn’t think of me at all. Wolf pitied me. To them, I was a peculiar jokester, a shameless flirt, and a restless musician. Brothers and lovers often trivialized the gifts of their counterparts.

London, 1852. Genevieve Timmons has made her living posing as a spiritualist to swindle wealthy believers, until one misstep lands her in a jail cell awaiting the noose. Then a stranger, Mr. Lockhart, arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been grieving the mysterious death of his beautiful bride-to-be for six months. Although no foul play was ever uncovered, the young lord is convinced that she was murdered.

Cat lives in Los Angeles, far from 36 Westeryk Road, the imposing gothic house in Edinburgh where she and her estranged twin sister, El, grew up. As kids, they invented Mirrorland, a dark, imaginary place under the pantry stairs, full of pirates, witches, and clowns. These days, Cat rarely thinks about their childhood home, or the fact that El now lives there with her husband, Ross. But when El mysteriously disappears after going out on her sailboat, Cat is forced to return to 36 Westeryk Road, which hasn’t changed in twenty years.

After the end of her marriage, Kate Granger has retreated to her parents' home on Lake Superior to pull herself together - only to discover the body of a murdered woman washed into the shallows. Tucked in the folds of the woman's curiously vintage gown is an infant, as cold and at peace as its mother. No one can identify the woman. Except for Kate. She's seen her before. In her dreams...

Alike in every single way...with one dark exception. As identical twins, their mother insists that everything about them be identical: their clothes, their toys, their friends...the number of letters in their names: Haylee Blossom Fitzgerald and Kaylee Blossom Fitzgerald. If one gets a hug, the other must, too. If one gets punished, the other must be, too.

The grand, Gothic Wyndemere House is a labyrinth, containing as many secrets as it does corners obscured in shadow. It's home to the Davenports, a wealthy and distinguished family, and Fern Corey and her mother have lived there as servants for Fern’s entire young life. Despite their difference in station, Fern and Dr. Davenport’s son, Ryder, have always been extremely close. Which was never a problem...until they came of age.

This second Gothic novel in the dark Mirror Sisters trilogy continues the tale of sisterly love at its absolute worst - from the legendary New York Times best-selling author of Flowers in the Attic and the My Sweet Audrina series (now Lifetime movies). For fans of Ruth Ware ( In a Dark, Dark Wood) and Liane Moriarty ( The Husband's Secret).

With nowhere to go, no one to help her, Leigh fled into the arms of Luke Casteel! Leigh Van Voreen had to escape from Boston's Farthinggale Manor. The foul secret she harbored within her seemed to darken her life forever. Jillian, her mother, would not believe her...and Tony Tatterton, her stepfather, had betrayed her most cruelly. But the pure devotion of Luke Casteel promised her hope and respect. Only Luke knew her deepest of secrets...only Luke would love and protect her.

Known for his looks and charm, a young man obsessed with wealth and status will stop at nothing to get what he wants. He sets his sights on a beautiful and innocent college student named Dorothy, intent on marrying her for her family’s money. But when Dorothy becomes pregnant, his careful plans start to unravel, and he begins to take cold, calculating, and drastic measures to protect his future.

For five generations, Evelyn's family has lived in the same small brick house, shadowed by the mansion across the street. Her Nana filled her childhood with stories about Byrne House: tales of missing children, of lovers gone mad. The mansion loomed every night in her dreams. Even now, at 17, Evelyn watches the sprawling Victorian from her second-floor bedroom, unable to explain her obsession with a house she's never been inside.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

Agnes Corey, a junior editor at a small independent publisher, has been hired by enigmatic author Veronica St. Clair to transcribe the sequel to her 1993 hit phenomenon, The Secret of Wyldcliffe Heights. St. Clair has been a recluse since the publication of the Jane Eyre-esque book, which coincided with a terrible fire that blinded and scarred her. Arriving in the Hudson Valley at St. Clair’s crumbling estate, which was once a psychiatric hospital for “wayward women,” Agnes is eager to ensure St. Clair’s devoted fans will get the sequel they’ve been anticipating for the past thirty years.

Growing up in Louisiana, Gabriel’s young life is a happy one, despite the growing rift between her mother and her conniving, whiskey-drinking daddy. Her dreams for a bright future as an artist are cut short, however, when her innocence is shattered by the rich cannery owner Octavious Tate. Pregnant and desperate to spare her mother the scandal, Gabriel agrees to a shocking plan that will allow Octavious’ wife, Gladys, to claim the baby as her own and will net Gabriel’s father a huge payoff.

After the tragic death of Bridget’s parents, her grandmother took her in. Vera Bitter raised her from behind a closed door—cold and uncaring from the moment she arrived at Bitter House. After Bridget’s high school graduation, Vera kicked her out without so much as a goodbye, and Bridget never heard from her again. Which is why, when she receives word of Vera’s passing and discovers she’s inherited the family manor, she’s immediately filled with dread. Those worries are amplified when she arrives at Bitter House after years away to find an enigmatic piece of her past waiting for her.

Mayfair Cummings is young, beautiful, and brilliant. But her intelligence makes her the outcast of both the private school she attends and the broken family she hopes to salvage. When she catches the eye of both a popular senior and her handsome English teacher, not even her brilliant mind can help her navigate the explosive new relationships she is forming or a scandal that is brewing....

Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept—no matter how bizarre the interview or how vague the job description. By day, she is assistant to the family doctor and his charge—the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious.

“Get it out of me.” It was the last message Holly received from her brother, Dane, before he was found cleaved open in the lavish Savannah townhouse of his girlfriend, Maura. Police ruled his death a suicide sparked by psychosis, but Holly can’t shake the idea that something else must have happened—something involving another message he sent earlier that night about a “game” Maura wanted to play.